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White Hate Crimes, White Hate Speech. I Still Try To Claim I Wasn't Brought Up To Hate. But Hate Isn't The Half Of It. I Grew Up In The Vast Encircling Presumption Of Whiteness - That Primary Quality Of Being Which Knows Itself, Its Passions, Only Against An Otherness That Has To Be Dehumanized. I Grew Up In White Silence That Was Utterly Obsessional. Race Was The Theme Whatever The Topic.

-Adrienne Rich

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White Hate Crimes, White

Adrienne Rich

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White Hate Crimes, White Hate Speech. I Still Try To Claim I Wasn't Brought Up To Hate. But Hate Isn't The Half Of It. I Grew Up In The Vast Encircling Presumption Of Whiteness - That Primary Quality Of Being Which Knows Itself, Its Passions, Only Against An Otherness That Has To Be Dehumanized. I Grew Up In White Silence That Was Utterly Obsessional. Race Was The Theme Whatever The Topic.

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... In A History Of Spiritual Rupture, A Social Compact Built On Fantasy And Collective Secrets, Poetry Becomes More Necessary Than Ever: It Keeps The Underground Aquifers Flowing; It Is The Liquid Voice That Can Wear Through Stone.

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The Necessity Of Poetry Has To Be Stated Over And Over, But Only To Those Who Have Reason To Fear Its Power, Or Those Who Still Believe That Language Is 'only Words' And That An Old Language Is Good Enough For Our Descriptions Of The World We Are Trying To Transform.

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To Write As If Your Life Depended On It; To Write Across The Chalkboard, Putting Up There In Public The Words You Have Dredged; Sieved Up In Dreams, From Behind Screen Memories, Out Of Silence-- Words You Have Dreaded And Needed In Order To Know You Exist.

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Even Where Love Has Run Thin The Child's Soul Musters Strength... The Rush Of Purpose To Make A Life Worth Living Past Abandonment Building The Layers Up Again Over The Torn Hole.

Love, Our Subject: We've Trained It Like Ivy To Our Walls.

The Suppressed Lesbian I Had Been Carrying In Me Since Adolescence Began To Stretch Her Limbs.

The Decision To Feed The World Is The Real Decision. No Revolution Has Chosen It. For That Choice Requires That Women Shall Be Free.

Motherhood, In The Sense Of An Intense, Reciprocal Relationship With A Particular Child, Or Children, Is One Part Of Female Process; It Is Not An Identity For All Time.

Can You Remember? When We Thought The Poets Taught How To Live?

Poems Are Like Dreams: In Them You Put What You Don't Know You Know.

Young People Know They Are Being Betrayed By He Mass Electronic Media. It Caricatures Them, Caricatures Others. It Is Not Really About Them Though It Targets Them As Consumers.

There Is The Falsely Mystical View Of Art That Assumes A Kind Of Supernatural Inspiration, A Possession By Universal Forces Unrelated To Questions Of Power And Privilege Or The Artist's Relation To Bread And Blood. In This View, The Channel Of Art Can Only Become Clogged And Misdirected By The Artist's Concern With Merely Temporary And Local Disturbances. The Song Is Higher Than The Struggle.

Can Individual Psychic Wounds Really Heal In An Abusive And Fragmented Society? Audre Lorde Has A Poem Which Begins, "what Do We Want From Each Other/ After We Have Told Our Stories?" Where Do We Go To Explore Our Stake With Others In Such A Society?

The Kind Of Poetry That Interests Me Is Intellectual And Moral And Political And Sexual And Sensual - All Of That Fermenting Together. It Can Speak To People Who Have Themselves Felt Like Monsters And Say: You Are Not Alone, This Is Not Monstrous. It Can Disturb And Enrapture.

Until We Know The Assumptions In Which We Are Drenched, We Cannot Know Ourselves.

Re-vision – The Act Of Looking Back, Of Seeing With Fresh Eyes, Of Entering An Old Text From A New Critical Direction – Is For Woman More Than A Chapter In Cultural History: It Is An Act Of Survival. Until We Understand The Assumptions In Which We Are Drenched We Cannot Know Ourselves. And This Drive To Self-knowledge, For Women, Is More Than A Search For Identity: It Is Part Of Our Refusal Of The Self-destructiveness Of Male-dominated Society.

Poetry Can Add Its Grain To An Accumulation Of Consciousness Against The Idea That There Is No Alternative - That We're Just In The Great Flow Of Capitalism And It Can Never Be Any Different - That This Is Human Destiny, This Is Human Nature.

But Can You Imagine How Some Of Them Were Envying You Your Freedom To Work, To Think, To Travel, To Enter A Room As Yourself, Not As Some Child’s Mother Or Some Man’s Wife?…we Have No Familiar, Ready-made Name For A Woman Who Defines Herself, By Choice, Neither In Relation To Children Nor To Men, Who Is Self-identified, Who Has Chosen Herself.

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What Would It Mean To Live In A City Whose People Were Changing Each Other's Despair Into Hope?-- You Yourself Must Change It.

In The Interstices Of Language Lie Powerful Secrets Of The Culture.

It's As If, In The Mother's Eyes, Her Smile, Her Stroking Touch, The Child First Reads The Message:'you Are There!'

We Have Seen Over And Over That White Male Historians In General Have Tended To Dismiss Any History They Didn't Themselves Write,on The Grounds That It Is Unserious, Unscholarly, A Fad, Too "political," "merely" Oral And Thus Unreliable.

I Am Uncomfortable With Talking Of Poetry As A Priestly Profession, Because I Have Little Use For Organized Religions And Priestly Hierarchies. They Have Demoralized, Persecuted, So Many, Including Women, Gays, Non-believers.

Much Male Fear Of Feminism Is The Fear That, In Becoming Whole Human Beings, Women Will Cease To Mother Men, To Provide The Breast, The Lullaby, The Continuous Attention Associated By The Infant With The Mother. Much Male Fear Of Feminism Is Infantilism–the Longing To Remain The Mother’s Son, To Possess A Woman Who Exists Purely For Him.

In 1945, Just At The End Of World War Ii, The American Poet Muriel Rukeyser Wrote A Remarkable Book Called The Life Of Poetry. In It She Says That On Any Particular Day In The World, If Poetry Ceased To Exist, It Would Immediately Be Reinvented On That Same Day.

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We Assume That Politicians Are Without Honor. We Read Their Statements Trying To Crack The Code. The Scandals Of Their Politics: Not So Much That Men In High Places Lie, Only That They Do So With Such Indifference, So Endlessly, Still Expecting To Be Believed. We Are Accustomed To The Contempt Inherent In The Political Lie.

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When A Woman Tells The Truth She Is Creating The Possibility For More Truth Around Her.

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To Do Something Very Common, In My Own Way.

Weather Abroad And Weather In The Heart Alike Come On Regardless Of Prediction.

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Endangered Species

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In Order To Live A Fully Human Life We Require Not Only Control Of Our Bodies (though Control Is A Prerequisite); We Must Touch The Unity And Resonance Of Our Physicality, Our Bond With The Natural Order, The Corporeal Grounds Of Our Intelligence.

Responsibility To Yourself Means Refusing To Let Others Do Your Thinking, Talking, And Naming For You; It Means Learning To Respect And Use Your Own Brains And Instincts; Hence, Grappling With Hard Work.

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Most Women Have Not Even Been Able To Touch This Anger, Except To Drive It Inward Like A Rusted Nail.

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All New Learning Looks At First Like Chaos.

But Before We Were Mothers, We Have Been, First Of All, Women, With Actual Bodies And Actual Minds.

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Increasingly I Think Of Poetry As A Theatre Of Voices, Not As Coming From A Single "i" Or From Any One Position. I Want To Imagine Voices Different From My Own.

As Her Sons Have Seen Her: The Mother In Patriarchy: Controlling, Erotic, Castrating, Heart-suffering, Guilt-ridden, And Guilt-provoking; A Marble Brow, A Huge Breast, An Avid Cave; Between Her Legs Snakes, Swamp-grass, Or Teeth; On Her Lap A Helpless Infant Or A Martyred Son. She Exists For One Purpose: To Bear And Nourish The Son.

Motherhood Is The Great Mesh In Which All Human Relations Are Entangled, In Which Lurk Our Most Elemental Assumptions About Love And Power.

The Longer I Live The More I Mistrust Theatricality, The False Glamour Cast By Performance, The More I Know Its Poverty Beside The Truths We Are Salvaging From The Splitting-open Of Our Lives. -from "transcendental Etude

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It Is The Suffering Of Ambivalence: The Murderous Alternation Between Bitter Resentment And Raw-edged Nerves, And Blissful Gratification And Tenderness

False History Gets Made All Day, Any Day, The Truth Of The New Is Never On The News.

A Life I Didn't Choose Chose Me: Even My Tools Are The Wrong Ones For What I Have To Do.

That's Why I Want To Speak To You Now. To Say: No Person, Trying To Take Responsibility For Her Or His Identity, Should Have To Be So Alone. There Must Be Those Among Whom We Can Sit Down And Weep, And Still Be Counted As Warriors. (i Make Up This Strange, Angry Packet For You, Threaded With Love.) I Think You Thought There Was No Such Place For You, And Perhaps There Was None Then, And Perhaps There Is None Now; But We Will Have To Make It, We Who Want An End To Suffering, Who Want To Change The Laws Of History, If We Are Not To Give Ourselves Away.

There Must Be Those Among Whom We Can Sit Down And Weep And Still Be Counted As Warriors.

In [family Snapshots] The Flow Of Profane Time Has Been Stopped And A Sacred Interval Of Self-conscious Revelation Has Been Cut From It By The Edge Of The Picture Frame And The Light Of The Sun Or The Flash.

The Will To Change Begins In The Body, Not In The Mind.

Abortion Is Violence; A Deep, Desperate Violence Inflicted By A Woman Upon, First Of All, Herself.

The Moment When A Feeling Enters The Body/ Is Political. This Touch Is Political

Whatever Is Unnamed, Undepicted In Images, Whatever Is Omitted From Biography, Censored In Collections Of Letters, Whatever Is Misnamed As Something Else, Made Difficult-to-come-by, Whatever Is Buried In The Memory By The Collapse Of Meaning Under An Inadequate Or Lying Language - This Will Become, Not Merely Unspoken, But Unspeakable.

A Book Of Poems Doesn't Just Come Out By Chance, An Editor Has To Select It, A Publisher Has To Distribute It Or You Will Never See It.

Art, Whose Honesty Must Work Through Artifice, Cannot Avoid Cheating Truth.

Reality, The Oppressor's Tongue.

When The Landscape Buckles And Jerks Around, When A Dust Column Of Debris Rises From The Collapse Of A Block Of Buildings On Bodies That Could Have Been Your Own, When The Staves Of History Fall Awry And The Barrel Of Time Bursts Apart, Some Turn To Prayer, Some To Poetry: Words In The Memory, A Stained Book Carried Close To The Body, The Notebook Scribbled By Hand--a Center Of Gravity.

The Connections Between And Among Women Are The Most Feared, The Most Problematic, And The Most Potentially Transforming Force On The Planet.

If We Had Time And No Money, Living By Our Wits, What Story Would You Tell?

We've Learned A Lot From The Great Psychologists. Wilhelm Reich Wrote About The Relationship Between Fascism And Sexual Repression. Freud Rediscovered The Underworld Of Consciousness That European Rationalism Had Denied. But When You Have A Nation Of People In Therapy And Counselling, "support" Groups For Every Kind Of Human Condition, Where, In The Clichés Of That Milieu, People "share" And "heal," The Question, "what For?", "what Now?" Is No Longer Asked.

In This Disintegrative, Technologically-manic Time, When Public Language Is So Debased, Poetry Continues To Matter Because It's The Art That Reintegrates Words, Speech, Voice, Breath, Music, Bodily Tempo, And The Powers Of The Imagination.

The Dialectic Between Change And Continuity Is A Painful But Deeply Instructive One, In Personal Life As In The Life Of A People.to "see The Light" Too Often Has Meant Rejecting The Treasures Found In Darkness.

We May Feel Bitterly How Little Our Poems Can Do In The Face Of Seemingly Out-of-control Technological Power And Seemingly Limitless Corporate Greed, Yet It Has Always Been True That Poetry Can Break Isolation, Show Us To Ourselves When We Are Outlawed Or Made Invisible, Remind Us Of Beauty Where No Beauty Seems Possible, Remind Us Of Kinship Where All Is Represented As Separation.

The Password Is A Flicker Of An Eyelash.

If The Imagination Is To Transcend And Transform Experience It Has To Question, To Challenge, To Conceive Of Alternatives, Perhaps To The Very Life You Are Living At The Moment.

Across The Curve Of The Earth, There Are Women Getting Up Before Dawn, In The Blackness Before The Point Of Light, In The Twilight Before Sunrise; There Are Women Rising Earlier Than Men And Children To Break The Ice, To Start The Stove, To Put Up The Pap, The Coffee, The Rice, To Iron The Pants, To Braid The Hair, To Pull The Day's Water Up From The Well, To Boil Water For Tea, To Wash The Children For School, To Pull The Vegetables And Start The Walk To Market, To Run To Catch The Bus For The Work That Is Paid. I Don't Know When Most Women Sleep.

The Impulse To Create Begins - Often Terribly And Fearfully - In A Tunnel Of Silence. Every Real Poem Is The Breaking Of An Existing Silence, And The First Question We Might Ask Any Poem Is, What Kind Of Voice Is Breaking Silence, And What Kind Of Silence Is Being Broken?

An Honorable Human Relationship- That Is, One In Which Two People Have The Right To Use The Word "love"- Is A Process, Delicate, Violent, Often Terrifying To Both Persons Involved, A Process Of Refining The Truths They Can Tell Each Other. It Is Important To Do This Because It Breaks Down Human Self-delusion And Isolation. It Is Important To Do This Because In Doing So We Do Justice To Our Own Complexity. It Is Important To Do This Because We Can Count On So Few People To Go That Hard Way With Us.

The Mother's Battle For Her Child With Sickness, With Poverty, With War, With All The Forces Of Exploitation And Callousness That Cheapen Human Life Needs To Become A Common Human Battle, Waged In Love And In The Passion For Survival.

I Am A Feminist Because I Feel Endangered, Psychically And Physically, By This Society And Because I Believe That The Women's Movement Is Saying That We Have Come To An Edge Of History When Men - Insofar As They Are Embodiments Of The Patriarchal Idea - Have Become Dangerous To Children And Other Living Things, Themselves Included

The Moment Of Change Is The Only Poem.

The [vietnam War Memorial] Wall Became A Magnet For Citizens Of Every Generation, Class, Race, And Relationship To The War Perhaps Because It Is The Only Great Public Monument That Allows The Anesthetized Holes In The Heart To Fill With A Truly National Grief.

Heterosexuality Has Been Forcibly And Subliminally Imposed On Women. Yet Everywhere Women Have Resisted It, Often At The Cost Of Physical Torture, Imprisonment, Psychosurgery, Social Ostracism, And Extreme Poverty.

Heterosexuality Is

When Someone With The Authority Of A Teacher Describes The World And You’re Not In It, There’s A Moment Of Psychic Disequilibrium, As If You Looked Into A Mirror And Saw Nothing.

When Someone With The Authority Of A Teacher, Say, Describes The World And You Are Not In It, There Is A Moment Of Psychic Disequilibrium, As If You Looked Into A Mirror And Saw Nothing. Yet You Know You Exist And Others Like You, That This Is A Game With Mirrors. It Takes Some Strength Of Soul--and Not Just Individual Strength, But Collective Understanding--to Resist This Void, This Nonbeing, Into Which Are Thrust, And To Stand Up, Demanding To Be Seen And Heard.

Individual Strength

It Is Important To Possess A Short-term Pessimism And A Long-term Optimism.

Lies Are Usually Attempts To Make Everything Simpler - For The Liar - Than It Really Is, Or Ought To Be.

In The States, There Has Been, Compared To The Sixties And Seventies, A Huge Retrenchment - Not Just In Poetry - Into The Personal. A Withdrawal From Thinking In Terms Of Social And Collective Values, Needs And Solutions. The Consciousness-raising Groups Of The Women's Movement, For Instance, Becoming "support-groups" Or Therapy Groups.

There Is No 'the Truth','a Truth' - Truth Is Not One Thing, Or Even A System. It Is An Increasing Complexity. The Pattern Of The Carpet Is A Surface. When We Look Closely, Or When We Become Weavers, We Learn Of The Tiny Multiple Threads Unseen In The Overall Pattern, The Knots On The Underside Of The Carpet

Art And Literature Have Given So Many People The Relief Of Feeling Connected - Pulled Us Out Of Isolation. It Has Let Us Know That Somebody Else Breathed And Dreamed And Had Sex And Loved And Raged And Knew Loneliness The Way We Do.

"global Culture" Is Of Course Not A Culture: It's The Global Marketing And Imposing Of Commodities And Images For The Interests Of The Few At The Expense Of The Many.

To Work And Suffer Is To Be At Home. All Else Is Scenery.

You Have To Be Free To Play Around With The Notion That Day Might Be Night, Love Might Be Hate; Nothing Can Be Too Sacred For The Imagination To Turn Into Its Opposite Or To Call Experimentally By Another Name. For Writing Is Re-naming.

As A Society In Turmoil, We Are Going To See More, And More Various, Attempts To Simulate Order Through Repression; And Art Is A Historical Target For Such Efforts.

In A World Where Language And Naming Are Power, Silence Is Oppression, Is Violence.

... This World Gives No Room To Be What We Dreamt Of Being

Poetry Reaches Into Places In Us That We Are Suppose To Ignore Or Mistrust, That Are Perceived As Subversive Or Non-useful, In What Is Fast Becoming Known As Global Culture.

I Guess What Concerns Me Always Is The Need For A Field, A Rich Compost, For Any Art To Flourish. But However Isolate Or Unheard You May Feel, If You Have The Need To Write Poetry, Are Compelled To Write It, You Go On, Whether There Is Resonance Or Not.

Women Have Been Driven Mad, “gaslighted”, For Centuries By The Refutation Of Our Experience And Our Instincts In A Culture Which Validates Only Male Experience. The Truth Of Our Bodies And Our Minds Has Been Mystified To Us. We Therefore Have Primary Obligation To Each Other: Not To Undermine Each Other’s Sense Of Reality For The Sake Of Expediency; Not To Gaslight Each Other.

The Mind's Passion Is All For Singling Out. Obscurity Has Another Tale To Tell.

I Don’t Think We Can Separate Art From Overall Human Dignity And Hope.

And I Ask Myself And You, Which Of Our Visions Will Claim Us Which Will We Claim How Will We Go On Living How Will We Touch, What Will We Know What Will We Say To Each Other.

I Am An Instrument In The Shape/ Of A Woman Trying To Translate Pulsations/ Into Images For The Relief Of The Body/ And The Reconstruction Of The Mind.

We Are, None Of Us, 'either' Mothers Or Daughters; To Our Amazement, Confusion, And Greater Complexity, We Are Both.

Change Is Not A Threat To Your Life, But An Invitation To Live.

Over Many Years So Many Poets Have Touched My Imagination And Opened Paths For Me - It Hardly Makes Sense To List Them. I Have Always Read A Great Deal Of Poetry.

The Unconscious Wants Truth, As The Body Does. The Complexity And Fecundity Of Dreams Come From The Complexity And Fecundity Of The Unconscious Struggling To Fulfill That Desire. The Complexity And Fecundity Of Poetry Come From The Same Struggle.

What I Search For Continuously In My Art Is Adequate Language, Language I Hope Can Stand Beyond Any Particular Occasion. What I'm Finding Is That In Our Increasingly Dysfunctional U.s. Society, Marvelous Poetry Is Being Written - Out Of And Amid The Dysfunction.

Language Is As Real, As Tangible, In Our Lives As Streets, Pipelines, Telephone Switchboards, Microwaves, Radioactivity, Cloning Laboratories, Nuclear Power Stations.

... If, As Women, We Accept A Philosophy Of History That Asserts That Women Are By Definition Assimilated Into The Male Universal,that We Can Understand Our Past Through A Male Lens--if We Are Unaware That Women Even Have A History--we Live Our Lives Similarly Unanchored, Drifting In Response To A Veering Wind Of Myth And Bias.

We Must Use What We Have To Invent What We Desire.

Use It Or Lose It

A Thinking Woman Sleeps With Monsters.

I Came To Explore The Wreck.

Every Journey Into The Past Is Complicated By Delusions, False Memories, False Namings Of Real Events.

I Have An Inward Treasure Born With Me, Which Can Keep Me Alive If All The Extraneous Delights Should Be Withheld Or Offered Only At A Price I Cannot Afford To Give.

I Don't Want To Succumb To The Idea That For The Generation, Or Generations, Raised On Television, The Text Is Irrelevant Or So Intimidating That They Won't Deal With It. If You Teach, You See This Is Not True. It May Be That Newer Generations Do Not Worship The Text As Some Of Their Elders Do.

It Will Take All Your Heart, It Will Take All Your Breath It Will Be Short, It Will Not Be Simple

In The Nineteenth Year And The Eleventh Month Speak Your Tattered Kaddish For All Suicides: Praise To Life Though It Crumbled In Like A Tunnel On Ones We Knew And Loved Praise To Life Though Its Windows Blew Shut On The Breathing-room Of Ones We Knew And Loved Praise To Life Though Ones We Knew And Loved Loved It Badly, Too Well, And Not Enough Praise To Life Though It Tightened Like A Knot On The Hearts Of Ones We Thought We Knew Loved Us Praise To Life Giving Room And Reason To Ones We Knew And Loved Who Felt Unpraisable. Praise To Them, How They Loved It, When They Could.

I Do Not Think [poetry] Is More, Or Less, Necessary Than Food, Shelter, Health, Education, Decent Working Conditions. It Is As Necessary.

Health Education

Our Personalities Seem Dangerously To Blur And Overlap With Our Mother's; And, In A Desperate Attempt To Know Where Mother Ends And Daughter Begins, We Perform Radical Surgery.

I've Had To Guess At Her, Sewing Her Skin Together As I Sew Mine, Though With A Different Stitch

Probably There Is Nothing In Human Nature More Resonant With Charges Than The Flow Of Energy Between Two Biologically Alike Bodies, One Of Which Has Lain In Amniotic Bliss Inside The Other, One Of Which Has Labored To Give Birth To The Other. The Materials Are Here For The Deepest Mutuality And The Most Painful Estrangement.

Any Woman's Death Diminishes Me.

Since We're Not Young, Weeks Have To Do Time For Years Of Missing Each Other.yet Only This Odd Warp In Time Tells Me We're Not Young.

Writers Matter In A Society To The Extent That We Can Help That Society Hear Its Unvoiced Longing, Encounter Its Erased And Disregarded Selves, Break With Complacency, Numbness, Despair.

There Is No Simple Formula For The Relationship Of Art To Justice...in The End, I Don’t Think We Can Separate Art From Overall Human Dignity And Hope. My Concern For My Country Is Inextricable From My Concerns As An Artist.

Those Who Speak Largely Of The Human Condition Are Usually Those Most Exempt From Its Oppressions - Whether Of Sex, Race, Or Servitude.

I Think Of Poetry As Something Out There In The World And Within Each Of Us. I Don't Mean That Everyone Can Write Poetry - It's An Art, A Craft, It Requires Enormous Commitment Like Any Art. But There's A Core Of Desire In Each Of Us And Poetry Goes To And Comes From That Core. It's The Social, Economic, Institutional Gap That Makes It Difficult.

False History Gets Made All Day, Any Day, The Truth Of The New Is Never On The News False History Gets Written Every Day ... The Lesbian Archaeologist Watches Herself Sifting Her Own Life Out From The Shards She's Piecing, Asking The Clay All Questions But Her Own.

A President Cannot Meaningfully Honor Certain Token Artists While The People At Large Are So Dishonored.'”

Lesbian Existence Comprises Both The Breaking Of A Taboo And The Rejection Of A Compulsory Way Of Life. It Is Also A Direct Or Indirect Attack On The Male Right Of Access To Women.

Heterosexuality

I Think Many Poets, Including Myself, Write Both For The Voice And For The Page. I Certainly Write For The Person Alone In The Library, Who Pulls Down A Book And It Opens To A Poem. I Am Also Very Conscious Of What It Means To Read These Poems Aloud.

In A Society Where Some People Are Far More Educated Than Others, In Which Public Education Is Ill-funded - Here I Am Speaking Of The U.s. - While We Build More And More Prisons To Incarcerate Youth Who Ought To Be In School, There Is Already A Gap Between Those With Education And Those Without. Those With Educational Privilege Can Be Seen As Arrogant, Remote, Alien - And Very Often They Believe Themselves Superior.

I Define "politics" As The On-going Collective Struggle For Liberation And For The Power To Create - Not Only Works Of Art, But Also Just And Nonviolent Social Institutions.

We Move But Our Words Stand Become Responsible For More Than We Intended And This Is Verbal Privilege

It Is The Lesbian In Us Who Is Creative, For The Dutiful Daughter Of The Fathers In Us Is Only A Hack.

In The Middle-class United States, A Veneer Of "alternative Lifestyles" Disguises The Reality That, Here As Everywhere, Women's Apparent "choices" Whether Or Not To Have Children Are Still Dependent On The Far From Neutral Will Of Male Legislators, Jurists, A Male Medical And Pharmaceutical Profession, Well-financed Lobbies, Including The Prelates Of The Catholic Church, And The Political Reality That Women Do Not As Yet Have Self-determination Over Our Bodies And Still Live Mostly In Ignorance Of Our Authentic Physicality, Our Possible Choices, Our Eroticism Itself.

Lying Is Done With Words And Also With Silence.

Experience Is Always Larger Than Language.

It Iscrucial That We Understand Lesbian/feminism In The Deepest, Most Radical Sense: As That Love For Ourselves And Other Women, That Commitment To The Freedom Of All Of Us, Which Transcends The Category Of "sexual Preference" And The Issue Of Civil Rights, To Become A Politics Of Asking Women's Questions, Demanding A World In Which The Integrity Of All Women--not A Chosen Few--shall Be Honored And Validated In Every Respect Of Culture.

Each Feminist Work Has Tended To Be Received As If It Emerged From Nowhere; As If Each One Of Us Had Lived, Thought, And Worked Without Any Historical Past Or Contextual Present. This Is One Of The Ways In Which Women's Work And Thinking Has Been Made To Seem Sporadic, Errant, Orphaned Of Any Tradition Of Its Own.

A Decade Of Cutting Away Dead Flesh, Cauterizing Old Scars Ripped Open Over And Over And Still It Is Not Enough.

Poetry Has Always Mattered, Through Human History, Through All Kinds Of Cultures, All Kinds Of Violence And Human Desolation, As Well As Periods Of Great Human Affirmation. It's Been Associated With The Power Of The Word, With The Sacred, With Magic And Transformation, With The Oral Narratives That Help A People Cohere.

The Word Revolution Itself Has Become Not Only A Dead Relic Of Leftism, But A Key To The Deadendedness Of Male Politics: The Revolution Of A Wheel Which Returns In The End To The Same Place; The Revolving Door Of A Politics Which Has Liberated Women Only To Use Them, And Only Within The Limits Of Male Tolerance.

I Keep Coming Back To You In My Head, But You Couldn't Know That, And I Have No Carbons.

Missing Someone

Grief Held Back From The Lips Wears At The Heart; The Drop That Refused To Join The River Dried Up In The Dust.

Despair, When Not The Response To Absolute Physical And Moral Defeat Is, Like War, The Failure Of Imagination.

Poetry Is Above All A Concentration Of The Power Of Language, Which Is The Power Of Our Ultimate Relationship To Everything In The Universe.

Language And Power

There's Been Real Hostility Toward Political Poetry In The U.s., Hostility Or, At Best, Incomprehension. I'm Speaking Of Those Who Have Institutional Power Over What Gets Published, Over Grants Andprizes And Reviewing. Most Of Them, Though Not All, Arewhite And Male. But Even As American Society Is Unravelling, Becoming More Violent And Punitive, Wonderful Political Poetshave Been Emerging.

If You Think You Can Grasp Me, Think Again: My Story Flows In More Than One Direction, A Delta Springing From The River Bed With Its Five Fingers Spread.

You Must Write, And Read, As If Your Life Depended On It.

We Might Possess Every Technological Resource... But If Our Language Is Inadequate, Our Vision Remains Formless, Our Thinking And Feeling Are Still Running In The Old Cycles, Our Process May Be 'revolutionary' But Not Transformative.

When One Woman Tells Her Truth, It Makes A Space For Other Women To Tell Their Truths.

The Difficulty Of Saying I-a Phrase From The East German Novelist Christa Wolf. But Once Having Said It, As We Realize The Necessity To Go Further, Isn't There A Difficulty Of Saying 'we'? You Cannot Speak For Me. I Cannot Speak For You. Two Thoughts: There Is No Liberation That Only Knows How To Say 'i'; There Is No Collective Movement That Speaks For Each Of Us All The Way Through.

[the Poet] Is Endowed To Speak For Those Who Do Not Have The Gift Of Language, Or To See For Those Who - For Whatever Reasons - Are Less Conscious Of What They Are Living Through. It Is As Though The Risks Of The Poet's Existence Can Be Put To Some Use Beyond Her Own Survival.

No One Ever Told Us We Had To Study Our Lives,make Of Our Lives A Study, As If Learning Natural Historyor Music, That We Should Beginwith The Simple Exercises Firstand Slowly Go On Tryingthe Hard Ones, Practicing Till Strengthand Accuracy Became One With The Daringto Leap Into Transcendence, Take The Chance Of Breaking Down In The Wild Arpeggioor Faulting The Full Sentence Of The Fugue.

When Someone, Let's Say A Teacher, Speaks Of The World And You Are Not In It, It's Like Looking Into The Mirror And Seeing Nothing.

To Become A Token Woman - Whether You Win The Nobel Prize Or Merely Get Tenure At The Cost Of Denying Your Sisters - Is To Become Something Less Than A Man... Since Men Are Loyal At Least To Their Own World-view, Their Laws Of Brotherhood And Self-interest.

We Who Were Loved Will Never Unlive That Crippling Fever.

You Have To Give Your Art Everything You Can - I Don't Mean Only Writing, But Studying Other Poets And Poetics, Thinking, Reading What Poets Have Written Other Than Their Poetry.

The Liar Leads An Existence Of Unutterable Loneliness.

White Hate Crimes, White Hate Speech. I Still Try To Claim I Wasn't Brought Up To Hate. But Hate Isn't The Half Of It. I Grew Up In The Vast Encircling Presumption Of Whiteness - That Primary Quality Of Being Which Knows Itself, Its Passions, Only Against An Otherness That Has To Be Dehumanized. I Grew Up In White Silence That Was Utterly Obsessional. Race Was The Theme Whatever The Topic.

No Woman Is Really An Insider In The Institutions Fathered By Masculine Consciousness.

The Repossession By Women Of Our Bodies Will Bring Far More Essential Change To Human Society Than The Seizing Of The Means Of Production By Workers.

But Nothing Less Than The Most Radical Imagination Will Carry Us Beyond This Place, Beyond The Mere Struggle For Survival, To That Lucid Recognition Of Our Possibilities Which Will Keep Us Impatient, And Unresigned To Mere Survival.

Poetry Is The Liquid Voice That Can Wear Through Stone.

It Is The Thirtieth Of May, The Thirtieth Of November, A Beginning Or An End, We Are Moving Into The Solstice And There Is So Much Here I Still Do Not Understand.

Courage Is Not Defined By Those Who Fought And Did Not Fall, But By Those Who Fought, Fell And Rose Again.

Pride Is A Tricky, Glorious, Double-edged Feeling.

Every Poem Breaks A Silence That Had To Be Overcome.

War Is An Absolute Failure Of Imagination, Scientific And Political.

The Danger Lies In Forgetting What We Had. The Flow Between Generations Becomes A Trickle, Grandchildren Tape-recording Grandparents' Memories On Special Occasions Perhaps-no Casual Storytelling Jogged By Daily Life, There Being No Shared Daily Life What With Migrations, Exiles, Diasporas, Rendings, The Search For Work. Or There Is A Shared Daily Life Riddled With Holes Of Silence.

There Is Nothing Revolutionary Whatsoever About The Control Of Women's Bodies By Men. The Woman's Body Is The Terrain On Which Patriarchy Is Erected.

For Now, Poetry Has The Capacity - In Its Own Ways And By Its Own Means - To Remind Us Of Something We Are Forbidden To See.

There Is No 'the Truth,' 'a Truth'--truth Is Not One Thing, Or Even A System. It Is An Increasing Complexity.

Responsibility To Yourself Means That You Don't Fall For Shallow And Easy Solutions-it Means That You Refuse To Sell Your Talents And Aspirations Short.

Nothing Could Have Prepared Me For The Realization That I Was A Mother ... When I Knew I Was Still In A State Of Uncreation Myself.

Whatever Happens With Us, Your Body Will Haunt Mine

Whatever Happens

The Belief That Established Science And Scholarship--which Have So Relentlessly Excluded Women From Their Making--are "objective"and "value-free" And That Feminist Studies Are "unscholarly," "biased," And "ideological" Dies Hard. Yet The Fact Is That All Science, And All Scholarship, And All Art Are Ideological; There Is No Neutrality In Culture!

... How Have I Used Rivers, How Have I Used Wars To Escape Writing Of The Worst Thing Of All-- Not The Crimes Of Other, Not Even Our Own Death, But The Failure To Want Our Freedom Passionately Enough So That Blighted Elms, Sick Rivers, Massacres Would Seem Mere Emblems Of That Desecration Of Ourselves?

We Have Lived With Violence Far Too Long.

The Liar Often Suffers From Amnesia. Amnesia Is The Silence Of The Unconscious.

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