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I Guess What Concerns Me Always Is The Need For A Field, A Rich Compost, For Any Art To Flourish. But However Isolate Or Unheard You May Feel, If You Have The Need To Write Poetry, Are Compelled To Write It, You Go On, Whether There Is Resonance Or Not.

-Adrienne Rich

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I Guess What Concerns

Adrienne Rich

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I Guess What Concerns Me Always Is The Need For A Field, A Rich Compost, For Any Art To Flourish. But However Isolate Or Unheard You May Feel, If You Have The Need To Write Poetry, Are Compelled To Write It, You Go On, Whether There Is Resonance Or Not.

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Across The Curve Of The Earth, There Are Women Getting Up Before Dawn, In The Blackness Before The Point Of Light, In The Twilight Before Sunrise; There Are Women Rising Earlier Than Men And Children To Break The Ice, To Start The Stove, To Put Up The Pap, The Coffee, The Rice, To Iron The Pants, To Braid The Hair, To Pull The Day's Water Up From The Well, To Boil Water For Tea, To Wash The Children For School, To Pull The Vegetables And Start The Walk To Market, To Run To Catch The Bus For The Work That Is Paid. I Don't Know When Most Women Sleep.

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Art, Whose Honesty Must Work Through Artifice, Cannot Avoid Cheating Truth.

When Someone, Let's Say A Teacher, Speaks Of The World And You Are Not In It, It's Like Looking Into The Mirror And Seeing Nothing.

I Am An Instrument In The Shape/ Of A Woman Trying To Translate Pulsations/ Into Images For The Relief Of The Body/ And The Reconstruction Of The Mind.

When The Landscape Buckles And Jerks Around, When A Dust Column Of Debris Rises From The Collapse Of A Block Of Buildings On Bodies That Could Have Been Your Own, When The Staves Of History Fall Awry And The Barrel Of Time Bursts Apart, Some Turn To Prayer, Some To Poetry: Words In The Memory, A Stained Book Carried Close To The Body, The Notebook Scribbled By Hand--a Center Of Gravity.

The Longer I Live The More I Mistrust Theatricality, The False Glamour Cast By Performance, The More I Know Its Poverty Beside The Truths We Are Salvaging From The Splitting-open Of Our Lives. -from "transcendental Etude

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The Liar Leads An Existence Of Unutterable Loneliness.

Young People Know They Are Being Betrayed By He Mass Electronic Media. It Caricatures Them, Caricatures Others. It Is Not Really About Them Though It Targets Them As Consumers.

A Book Of Poems Doesn't Just Come Out By Chance, An Editor Has To Select It, A Publisher Has To Distribute It Or You Will Never See It.

When My Dreams Showed Signs Of Becoming Politically Correct No Unruly Images Escaping Beyond Borders ... Then I Began To Wonder

There Must Be Those Among Whom We Can Sit Down And Weep And Still Be Counted As Warriors.

In The Nineteenth Year And The Eleventh Month Speak Your Tattered Kaddish For All Suicides: Praise To Life Though It Crumbled In Like A Tunnel On Ones We Knew And Loved Praise To Life Though Its Windows Blew Shut On The Breathing-room Of Ones We Knew And Loved Praise To Life Though Ones We Knew And Loved Loved It Badly, Too Well, And Not Enough Praise To Life Though It Tightened Like A Knot On The Hearts Of Ones We Thought We Knew Loved Us Praise To Life Giving Room And Reason To Ones We Knew And Loved Who Felt Unpraisable. Praise To Them, How They Loved It, When They Could.

I Am A Citizen Of A Country That Has Just Undergone A Thieved Election, A Country Deeply And Dangerously Divided Between Rich And Poor, But Also Between Rich And Middle Class. What I Believe In And What My Government Represents Are Not The Same Thing.

No One Sleeps In This Room Without The Dream Of A Common Language.

In 1945, Just At The End Of World War Ii, The American Poet Muriel Rukeyser Wrote A Remarkable Book Called The Life Of Poetry. In It She Says That On Any Particular Day In The World, If Poetry Ceased To Exist, It Would Immediately Be Reinvented On That Same Day.

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Change Is Not A Threat To Your Life, But An Invitation To Live.

I Am Uncomfortable With Talking Of Poetry As A Priestly Profession, Because I Have Little Use For Organized Religions And Priestly Hierarchies. They Have Demoralized, Persecuted, So Many, Including Women, Gays, Non-believers.

Your Mind Now, Moldering Like Wedding-cake, Heavy With Useless Experience, Rich With Suspicion, Rumour, Fantasy, Crumbling To Pieces Under The Knife-edge Of Mere Fact. In The Prime Of Your Life.

The Impulse To Create Begins - Often Terribly And Fearfully - In A Tunnel Of Silence. Every Real Poem Is The Breaking Of An Existing Silence, And The First Question We Might Ask Any Poem Is, What Kind Of Voice Is Breaking Silence, And What Kind Of Silence Is Being Broken?

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Pride Is A Tricky, Glorious, Double-edged Feeling.

If I Cling To Circumstances I Could Feel Not Responsible. Only She Who Says She Did Not Choose, Is The Loser In The End.

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My Heart Is Moved By All I Cannot Save: So Much Has Been Destroyed I Have To Cast My Lot With Those Who Age After Age, Perversely, With No Extraordinary Power, Reconstitute The World.

In This Disintegrative, Technologically-manic Time, When Public Language Is So Debased, Poetry Continues To Matter Because It's The Art That Reintegrates Words, Speech, Voice, Breath, Music, Bodily Tempo, And The Powers Of The Imagination.

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The Repossession By Women Of Our Bodies Will Bring Far More Essential Change To Human Society Than The Seizing Of The Means Of Production By Workers.

To Read As If Your Life Depended On It Would Mean To Let Into Your Reading Your Beliefs, The Swirl Of Your Dreamlife, The Physical Sensations Of Your Ordinary Carnal Life; And Simultaneously, To Allow What You're Reading To Pierce Routines, Safe And Impermeable, In Which Ordinary Carnal Life Is Tracked, Charted, Channeled. Then, What Of The Right Answers, The So-called Multiple-choice Examination Sheet With The Number 2 Pencil To Mark One Choice And One Choice Only?

Multiple Choice

You Have To Give Your Art Everything You Can - I Don't Mean Only Writing, But Studying Other Poets And Poetics, Thinking, Reading What Poets Have Written Other Than Their Poetry.

That's Why I Want To Speak To You Now. To Say: No Person, Trying To Take Responsibility For Her Or His Identity, Should Have To Be So Alone. There Must Be Those Among Whom We Can Sit Down And Weep, And Still Be Counted As Warriors. (i Make Up This Strange, Angry Packet For You, Threaded With Love.) I Think You Thought There Was No Such Place For You, And Perhaps There Was None Then, And Perhaps There Is None Now; But We Will Have To Make It, We Who Want An End To Suffering, Who Want To Change The Laws Of History, If We Are Not To Give Ourselves Away.

I Don’t Think We Can Separate Art From Overall Human Dignity And Hope.

Nothing Could Have Prepared Me For The Realization That I Was A Mother ... When I Knew I Was Still In A State Of Uncreation Myself.

Over Many Years So Many Poets Have Touched My Imagination And Opened Paths For Me - It Hardly Makes Sense To List Them. I Have Always Read A Great Deal Of Poetry.

In The States, There Has Been, Compared To The Sixties And Seventies, A Huge Retrenchment - Not Just In Poetry - Into The Personal. A Withdrawal From Thinking In Terms Of Social And Collective Values, Needs And Solutions. The Consciousness-raising Groups Of The Women's Movement, For Instance, Becoming "support-groups" Or Therapy Groups.

We Must Use What We Have To Invent What We Desire.

Use It Or Lose It

It's Exhilarating To Be Alive In A Time Of Awakening Consciousness; It Can Also Be Confusing, Disorienting, And Painful.

A Revolutionary Poem Will Not Tell You Who Or When To Kill, What And When To Burn, Or Even How To Theorize. It Reminds You... Where And When And How You Are Living And Might Live, It Is A Wick Of Desire.

The Ocean, Whose Tides Respond, Like Women's Menses, To The Pull Of The Moon, The Ocean Which Corresponds To The Amniotic Fluid In Which Human Life Begins, The Ocean On Whose Surface Vessels (personified As Female) Can Ride But In Whose Depth Sailors Meet Their Death And Monsters Conceal Themselves... It Is Unstable And Threatening As The Earth Is Not; It Spawns New Life Daily, Yet Swallows Up Lives; It Is Changeable Like The Moon, Unregulated, Yet Indestructible And Eternal.

What Kind Of Beast Would Turn Its Life Into Words?

The Will To Change Begins In The Body, Not In The Mind.

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War Is An Absolute Failure Of Imagination, Scientific And Political. That A War Can Be Represented As Helping A People To 'feel Good' About Themselves, Or Their Country, Is A Measure Of That Failure.

Poems Are Like Dreams: In Them You Put What You Don't Know You Know.

I've Had To Guess At Her, Sewing Her Skin Together As I Sew Mine, Though With A Different Stitch

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Only Where There Is Language Is There World.

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Inspirational Life

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Poetry Is Above All A Concentration Of The Power Of Language, Which Is The Power Of Our Ultimate Relationship To Everything In The Universe.

Language And Power

Poetry Is The Liquid Voice That Can Wear Through Stone.

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Reality, The Oppressor's Tongue.

Language Is Power... Language Can Be Used As A Means Of Changing Reality.

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[the Poet] Is Endowed To Speak For Those Who Do Not Have The Gift Of Language, Or To See For Those Who - For Whatever Reasons - Are Less Conscious Of What They Are Living Through. It Is As Though The Risks Of The Poet's Existence Can Be Put To Some Use Beyond Her Own Survival.

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I Believe That Words Can Help Us Move Or Keep Us Paralyzed, And That Our Choices Of Language And Verbal Tone Have Something - A Great Deal - To Do With How We Live Our Lives.

In A World Where Language And Naming Are Power, Silence Is Oppression, Is Violence.

When Someone With The Authority Of A Teacher, Say, Describes The World And You Are Not In It, There Is A Moment Of Psychic Disequilibrium, As If You Looked Into A Mirror And Saw Nothing. Yet You Know You Exist And Others Like You, That This Is A Game With Mirrors. It Takes Some Strength Of Soul--and Not Just Individual Strength, But Collective Understanding--to Resist This Void, This Nonbeing, Into Which Are Thrust, And To Stand Up, Demanding To Be Seen And Heard.

Individual Strength

Writers Matter In A Society To The Extent That We Can Help That Society Hear Its Unvoiced Longing, Encounter Its Erased And Disregarded Selves, Break With Complacency, Numbness, Despair.

We Can Count On So Few People To Go That Hard Way With Us.

The More I Live, The More I Think, Two People Together Is A Miracle.

Tv Has Created A Kind Of False Collectivity.

There Is No 'the Truth','a Truth' - Truth Is Not One Thing, Or Even A System. It Is An Increasing Complexity. The Pattern Of The Carpet Is A Surface. When We Look Closely, Or When We Become Weavers, We Learn Of The Tiny Multiple Threads Unseen In The Overall Pattern, The Knots On The Underside Of The Carpet

Every Poem Breaks A Silence That Had To Be Overcome.

The Mind's Passion Is All For Singling Out. Obscurity Has Another Tale To Tell.

Grief Held Back From The Lips Wears At The Heart; The Drop That Refused To Join The River Dried Up In The Dust.

Abortion Is Violence; A Deep, Desperate Violence Inflicted By A Woman Upon, First Of All, Herself.

I Do Not Think [poetry] Is More, Or Less, Necessary Than Food, Shelter, Health, Education, Decent Working Conditions. It Is As Necessary.

Health Education

Responsibility To Yourself Means Refusing To Let Others Do Your Thinking, Talking, And Naming For You; It Means Learning To Respect And Use Your Own Brains And Instincts; Hence, Grappling With Hard Work.

Increasingly I Think Of Poetry As A Theatre Of Voices, Not As Coming From A Single "i" Or From Any One Position. I Want To Imagine Voices Different From My Own.

The Channel Of Art Can Only Become Clogged And Misdirected By The Artist's Concern With Merely Temporary And Local Disturbances. The Song Is Higher Than The Struggle.

Motherhood Is The Great Mesh In Which All Human Relations Are Entangled, In Which Lurk Our Most Elemental Assumptions About Love And Power.

It Is The Thirtieth Of May, The Thirtieth Of November, A Beginning Or An End, We Are Moving Into The Solstice And There Is So Much Here I Still Do Not Understand.

But Can You Imagine How Some Of Them Were Envying You Your Freedom To Work, To Think, To Travel, To Enter A Room As Yourself, Not As Some Child’s Mother Or Some Man’s Wife?…we Have No Familiar, Ready-made Name For A Woman Who Defines Herself, By Choice, Neither In Relation To Children Nor To Men, Who Is Self-identified, Who Has Chosen Herself.

No One Ever Told Us We Had To Study Our Lives,make Of Our Lives A Study, As If Learning Natural Historyor Music, That We Should Beginwith The Simple Exercises Firstand Slowly Go On Tryingthe Hard Ones, Practicing Till Strengthand Accuracy Became One With The Daringto Leap Into Transcendence, Take The Chance Of Breaking Down In The Wild Arpeggioor Faulting The Full Sentence Of The Fugue.

A Life I Didn't Choose Chose Me: Even My Tools Are The Wrong Ones For What I Have To Do.

The Suppressed Lesbian I Had Been Carrying In Me Since Adolescence Began To Stretch Her Limbs.

Not Biology, But Ignorance Of Ourselves, Has Been The Key To Our Powerlessness

There Is No 'the Truth,' 'a Truth'--truth Is Not One Thing, Or Even A System. It Is An Increasing Complexity.

When A Woman Tells The Truth She Is Creating The Possibility For More Truth Around Her.

Telling The Truth

When One Woman Tells Her Truth, It Makes A Space For Other Women To Tell Their Truths.

If You Are Trying To Transform A Brutalized Society Into One Where People Can Live In Dignity And Hope, You Begin With The Empowering Of The Most Powerless. You Build From The Ground Up.

In The Middle-class United States, A Veneer Of "alternative Lifestyles" Disguises The Reality That, Here As Everywhere, Women's Apparent "choices" Whether Or Not To Have Children Are Still Dependent On The Far From Neutral Will Of Male Legislators, Jurists, A Male Medical And Pharmaceutical Profession, Well-financed Lobbies, Including The Prelates Of The Catholic Church, And The Political Reality That Women Do Not As Yet Have Self-determination Over Our Bodies And Still Live Mostly In Ignorance Of Our Authentic Physicality, Our Possible Choices, Our Eroticism Itself.

Sexist Grammar Burns Into The Brains Of Little Girls And Young Women A Message That The Male Is The Norm, The Standard, The Central Figure Beside Which We Are All Deviants, The Marginal, The Dependent Variables. It Lays The Foundation For Androcentric Thinking, And Leaves Men Safe In Their Solipsistic Tunnel-vision.

Lying Is Done With Words And Also With Silence.

Until We Know The Assumptions In Which We Are Drenched, We Cannot Know Ourselves.

I Think My Work Comes Out Of Both An Intense Desire For Connection And What It Means To Feel Isolated. There's Always Going To Be A Kind Of Tidal Movement Back And Forth Between The Two.

But Before We Were Mothers, We Have Been, First Of All, Women, With Actual Bodies And Actual Minds.

I Have An Inward Treasure Born With Me, Which Can Keep Me Alive If All The Extraneous Delights Should Be Withheld Or Offered Only At A Price I Cannot Afford To Give.

The Connections Between And Among Women Are The Most Feared, The Most Problematic, And The Most Potentially Transforming Force On The Planet.

In Order To Live A Fully Human Life We Require Not Only Control Of Our Bodies (though Control Is A Prerequisite); We Must Touch The Unity And Resonance Of Our Physicality, Our Bond With The Natural Order, The Corporeal Grounds Of Our Intelligence.

What We See, We See And Seeing Is Changing

... If, As Women, We Accept A Philosophy Of History That Asserts That Women Are By Definition Assimilated Into The Male Universal,that We Can Understand Our Past Through A Male Lens--if We Are Unaware That Women Even Have A History--we Live Our Lives Similarly Unanchored, Drifting In Response To A Veering Wind Of Myth And Bias.

I Think About The Possibilities For Empathy, For Mutual Solidarity Among Gay Men And Lesbians, Not Simply As People Who Suffer Under Homophobia, But As People Who Are Also Extremely Creative, Active, And Have A Particular Understanding Of The Human Condition.

No Woman Is Really An Insider In The Institutions Fathered By Masculine Consciousness.

The Necessity Of Poetry Has To Be Stated Over And Over, But Only To Those Who Have Reason To Fear Its Power, Or Those Who Still Believe That Language Is 'only Words' And That An Old Language Is Good Enough For Our Descriptions Of The World We Are Trying To Transform.

War Is An Absolute Failure Of Imagination, Scientific And Political.

A Thinking Woman Sleeps With Monsters.

These Scars Bear Witness But Whether To Repair Or To Destruction I No Longer Know.

I Don't Want To Succumb To The Idea That For The Generation, Or Generations, Raised On Television, The Text Is Irrelevant Or So Intimidating That They Won't Deal With It. If You Teach, You See This Is Not True. It May Be That Newer Generations Do Not Worship The Text As Some Of Their Elders Do.

The Liar Often Suffers From Amnesia. Amnesia Is The Silence Of The Unconscious.

When I Talk Of Taking A Trip I Mean Forever.

Saw You Walking Barefoot Taking A Long Look At The New Moon's Eyelid Later Spread Sleep-fallen, Naked In Your Dark Hair Asleep But Not Oblivious Of The Unslept Unsleeping Elsewhere Tonight I Think No Poetry Will Serve Syntax Of Rendition: Verb Pilots The Plane Adverb Modifies Action Verb Force-feeds Noun Submerges The Subject Noun Is Choking Verb Disgraced Goes On Doing Now Diagram The Sentence

I'd Call It Love If Love Didn't Take So Many Years But Lust Too Is A Jewel.

Courage Is Not Defined By Those Who Fought And Did Not Fall, But By Those Who Fought, Fell And Rose Again.

The Danger Lies In Forgetting What We Had. The Flow Between Generations Becomes A Trickle, Grandchildren Tape-recording Grandparents' Memories On Special Occasions Perhaps-no Casual Storytelling Jogged By Daily Life, There Being No Shared Daily Life What With Migrations, Exiles, Diasporas, Rendings, The Search For Work. Or There Is A Shared Daily Life Riddled With Holes Of Silence.

Weather Abroad And Weather In The Heart Alike Come On Regardless Of Prediction.

We Have Seen Over And Over That White Male Historians In General Have Tended To Dismiss Any History They Didn't Themselves Write,on The Grounds That It Is Unserious, Unscholarly, A Fad, Too "political," "merely" Oral And Thus Unreliable.

You Must Write, And Read, As If Your Life Depended On It.

In America We Have Only The Present Tense. I Am In Danger. You Are In Danger.

If The Imagination Is To Transcend And Transform Experience It Has To Question, To Challenge, To Conceive Of Alternatives, Perhaps To The Very Life You Are Living At The Moment.

But Nothing Less Than The Most Radical Imagination Will Carry Us Beyond This Place, Beyond The Mere Struggle For Survival, To That Lucid Recognition Of Our Possibilities Which Will Keep Us Impatient, And Unresigned To Mere Survival.

The Kind Of Poetry That Interests Me Is Intellectual And Moral And Political And Sexual And Sensual - All Of That Fermenting Together. It Can Speak To People Who Have Themselves Felt Like Monsters And Say: You Are Not Alone, This Is Not Monstrous. It Can Disturb And Enrapture.

The Serious Revolutionary, Like The Serious Artist, Can't Afford To Lead A Sentimental Or Self-deceiving Life.

I Guess What Concerns Me Always Is The Need For A Field, A Rich Compost, For Any Art To Flourish. But However Isolate Or Unheard You May Feel, If You Have The Need To Write Poetry, Are Compelled To Write It, You Go On, Whether There Is Resonance Or Not.

The Difficulty Of Saying I-a Phrase From The East German Novelist Christa Wolf. But Once Having Said It, As We Realize The Necessity To Go Further, Isn't There A Difficulty Of Saying 'we'? You Cannot Speak For Me. I Cannot Speak For You. Two Thoughts: There Is No Liberation That Only Knows How To Say 'i'; There Is No Collective Movement That Speaks For Each Of Us All The Way Through.

Art Means Nothing If It Simply Decorates The Dinner Table Of Power Which Holds It Hostage.

The Moment When A Feeling Enters The Body/ Is Political. This Touch Is Political

When Someone With The Authority Of A Teacher Describes The World And You’re Not In It, There’s A Moment Of Psychic Disequilibrium, As If You Looked Into A Mirror And Saw Nothing.

What I Discerned In The U.s. Was A Convergence Of Poetic Voices Coming From Many Different Rents In The Social Fabric, Many Cultures, Many Tributaries, Which, Together, Make Up The American Poetry Of The Late Twentieth Century.

Heterosexuality Has Been Forcibly And Subliminally Imposed On Women. Yet Everywhere Women Have Resisted It, Often At The Cost Of Physical Torture, Imprisonment, Psychosurgery, Social Ostracism, And Extreme Poverty.

Heterosexuality Is

Re-vision -- The Act Of Looking Back, Of Seeing With Fresh Eyes, Of Entering An Old Text From A New Critical Direction - Is For Women More Than A Chapter In Cultural History: It Is An Act Of Survival.

In A Society Where Some People Are Far More Educated Than Others, In Which Public Education Is Ill-funded - Here I Am Speaking Of The U.s. - While We Build More And More Prisons To Incarcerate Youth Who Ought To Be In School, There Is Already A Gap Between Those With Education And Those Without. Those With Educational Privilege Can Be Seen As Arrogant, Remote, Alien - And Very Often They Believe Themselves Superior.

We May Feel Bitterly How Little Our Poems Can Do In The Face Of Seemingly Out-of-control Technological Power And Seemingly Limitless Corporate Greed, Yet It Has Always Been True That Poetry Can Break Isolation, Show Us To Ourselves When We Are Outlawed Or Made Invisible, Remind Us Of Beauty Where No Beauty Seems Possible, Remind Us Of Kinship Where All Is Represented As Separation.

In [family Snapshots] The Flow Of Profane Time Has Been Stopped And A Sacred Interval Of Self-conscious Revelation Has Been Cut From It By The Edge Of The Picture Frame And The Light Of The Sun Or The Flash.

As Her Sons Have Seen Her: The Mother In Patriarchy: Controlling, Erotic, Castrating, Heart-suffering, Guilt-ridden, And Guilt-provoking; A Marble Brow, A Huge Breast, An Avid Cave; Between Her Legs Snakes, Swamp-grass, Or Teeth; On Her Lap A Helpless Infant Or A Martyred Son. She Exists For One Purpose: To Bear And Nourish The Son.

The Belief That Established Science And Scholarship--which Have So Relentlessly Excluded Women From Their Making--are "objective"and "value-free" And That Feminist Studies Are "unscholarly," "biased," And "ideological" Dies Hard. Yet The Fact Is That All Science, And All Scholarship, And All Art Are Ideological; There Is No Neutrality In Culture!

There Is The Falsely Mystical View Of Art That Assumes A Kind Of Supernatural Inspiration, A Possession By Universal Forces Unrelated To Questions Of Power And Privilege Or The Artist's Relation To Bread And Blood. In This View, The Channel Of Art Can Only Become Clogged And Misdirected By The Artist's Concern With Merely Temporary And Local Disturbances. The Song Is Higher Than The Struggle.

Much Male Fear Of Feminism Is The Fear That, In Becoming Whole Human Beings, Women Will Cease To Mother Men, To Provide The Breast, The Lullaby, The Continuous Attention Associated By The Infant With The Mother. Much Male Fear Of Feminism Is Infantilism–the Longing To Remain The Mother’s Son, To Possess A Woman Who Exists Purely For Him.

I Believe That Words Can Help Us Move Or Keep Us Paralysed, And That Our Choices Of Language And Verbal Tone Have Something - A Great Deal - To Do With How We Live Our Lives And Whom We End Up Speaking With And Hearing; And That We Can Deflect Words By Trivialization, Of Course, But Also By Ritualized Respect, Or We Can Let Them Enter Our Souls And Mix With The Juices Of Our Minds.

The Password Is A Flicker Of An Eyelash.

An Honorable Human Relationship- That Is, One In Which Two People Have The Right To Use The Word "love"- Is A Process, Delicate, Violent, Often Terrifying To Both Persons Involved, A Process Of Refining The Truths They Can Tell Each Other. It Is Important To Do This Because It Breaks Down Human Self-delusion And Isolation. It Is Important To Do This Because In Doing So We Do Justice To Our Own Complexity. It Is Important To Do This Because We Can Count On So Few People To Go That Hard Way With Us.

It Iscrucial That We Understand Lesbian/feminism In The Deepest, Most Radical Sense: As That Love For Ourselves And Other Women, That Commitment To The Freedom Of All Of Us, Which Transcends The Category Of "sexual Preference" And The Issue Of Civil Rights, To Become A Politics Of Asking Women's Questions, Demanding A World In Which The Integrity Of All Women--not A Chosen Few--shall Be Honored And Validated In Every Respect Of Culture.

To Work And Suffer Is To Be At Home. All Else Is Scenery.

White Hate Crimes, White Hate Speech. I Still Try To Claim I Wasn't Brought Up To Hate. But Hate Isn't The Half Of It. I Grew Up In The Vast Encircling Presumption Of Whiteness - That Primary Quality Of Being Which Knows Itself, Its Passions, Only Against An Otherness That Has To Be Dehumanized. I Grew Up In White Silence That Was Utterly Obsessional. Race Was The Theme Whatever The Topic.

How We Dwelt In Two Worlds The Daughters And The Mothers In The Kingdom Of The Sons.

The Most Notable Fact That Our Culture Imprints On Women Is A Sense Of Our Limits. The Most Important Thing A Woman Can Do For Another Is To Illuminate Her Actual Possibilities.

The Unconscious Wants Truth. It Ceases To Speak To Those Who Want Something Else More Than Truth.

Any Woman's Death Diminishes Me.

I Define "politics" As The On-going Collective Struggle For Liberation And For The Power To Create - Not Only Works Of Art, But Also Just And Nonviolent Social Institutions.

We've Learned A Lot From The Great Psychologists. Wilhelm Reich Wrote About The Relationship Between Fascism And Sexual Repression. Freud Rediscovered The Underworld Of Consciousness That European Rationalism Had Denied. But When You Have A Nation Of People In Therapy And Counselling, "support" Groups For Every Kind Of Human Condition, Where, In The Clichés Of That Milieu, People "share" And "heal," The Question, "what For?", "what Now?" Is No Longer Asked.

I Touch You Knowing We Weren't Born Tomorrow, And Somehow, Each Of Us Will Help The Other Live, And Somewhere, Each Of Us Must Help The Other Die.

To Seek Visions, To Dream Dreams, Is Essential, And It Is Also Essential To Try New Ways Of Living, To Make Room For Serious Experimentation, To Respect The Effort Even Where It Fails.

If We Had Time And No Money, Living By Our Wits, What Story Would You Tell?

Can You Remember? When We Thought The Poets Taught How To Live?

Can Individual Psychic Wounds Really Heal In An Abusive And Fragmented Society? Audre Lorde Has A Poem Which Begins, "what Do We Want From Each Other/ After We Have Told Our Stories?" Where Do We Go To Explore Our Stake With Others In Such A Society?

What I Search For Continuously In My Art Is Adequate Language, Language I Hope Can Stand Beyond Any Particular Occasion. What I'm Finding Is That In Our Increasingly Dysfunctional U.s. Society, Marvelous Poetry Is Being Written - Out Of And Amid The Dysfunction.

They Can Rule The World While They Can Persuade Us Our Pain Belongs In Some Order Is Death By Famine Worse Than Death By Suicide, Than A Life Of Famine And Suicide...?

"global Culture" Is Of Course Not A Culture: It's The Global Marketing And Imposing Of Commodities And Images For The Interests Of The Few At The Expense Of The Many.

Poetry Has Always Mattered, Through Human History, Through All Kinds Of Cultures, All Kinds Of Violence And Human Desolation, As Well As Periods Of Great Human Affirmation. It's Been Associated With The Power Of The Word, With The Sacred, With Magic And Transformation, With The Oral Narratives That Help A People Cohere.

Experience Is Always Larger Than Language.

It's As If, In The Mother's Eyes, Her Smile, Her Stroking Touch, The Child First Reads The Message:'you Are There!'

... Passion For Survival Is The Great Theme Of Women's Poetry.

Lies Are Usually Attempts To Make Everything Simpler - For The Liar - Than It Really Is, Or Ought To Be.

Those Who Speak Largely Of The Human Condition Are Usually Those Most Exempt From Its Oppressions - Whether Of Sex, Race, Or Servitude.

A Language Is A Map Of Our Failures

And I Ask Myself And You, Which Of Our Visions Will Claim Us Which Will We Claim How Will We Go On Living How Will We Touch, What Will We Know What Will We Say To Each Other.

Each Feminist Work Has Tended To Be Received As If It Emerged From Nowhere; As If Each One Of Us Had Lived, Thought, And Worked Without Any Historical Past Or Contextual Present. This Is One Of The Ways In Which Women's Work And Thinking Has Been Made To Seem Sporadic, Errant, Orphaned Of Any Tradition Of Its Own.

The Worker Can Unionize, Go Out On Strike; Mothers Are Divided From Each Other In Homes, Tied To Their Children By Compassionate Bonds; Our Wildcat Strikes Have Most Often Taken The Form Of Physical Or Mental Breakdown.

Poetry Can Open Locked Chambers Of Possibiity, Restore Numbed Zones To Feeling, Recharge Desire.

Women Have Always Been Seen As Waiting: Waited To Be Asked, Waiting For Our Menses, In Fear Lest They Do Or Do Not Come, Waiting For Men To Come Home From Wars, Or From Work, Waiting For Children To Grow Up, Or For The Birth Of A New Child, Or For Menopause.

The Women's Movement Appeared At A Very Crucial Moment In My Life. There Was A Whole Political Movement Asking Such Questions And Others I Had Never Asked. I Began To Feel Heard In That Movement. But It Was Because My Voice Was Resonating With Other Voices.

We Are, None Of Us, 'either' Mothers Or Daughters; To Our Amazement, Confusion, And Greater Complexity, We Are Both.

An Honorable Human Relationship ... Is A Process, Delicate, Violent, Often Terrifying To Both Persons Involved, A Process Of Refining The Truths They Can Tell Each Other.

To Become A Token Woman - Whether You Win The Nobel Prize Or Merely Get Tenure At The Cost Of Denying Your Sisters - Is To Become Something Less Than A Man... Since Men Are Loyal At Least To Their Own World-view, Their Laws Of Brotherhood And Self-interest.

Language Is As Real, As Tangible, In Our Lives As Streets, Pipelines, Telephone Switchboards, Microwaves, Radioactivity, Cloning Laboratories, Nuclear Power Stations.

Women Have Been Driven Mad, “gaslighted”, For Centuries By The Refutation Of Our Experience And Our Instincts In A Culture Which Validates Only Male Experience. The Truth Of Our Bodies And Our Minds Has Been Mystified To Us. We Therefore Have Primary Obligation To Each Other: Not To Undermine Each Other’s Sense Of Reality For The Sake Of Expediency; Not To Gaslight Each Other.

It Is The Lesbian In Us Who Is Creative, For The Dutiful Daughter Of The Fathers In Us Is Only A Hack.

To Do Something Very Common, In My Own Way.

The Word Revolution Itself Has Become Not Only A Dead Relic Of Leftism, But A Key To The Deadendedness Of Male Politics: The Revolution Of A Wheel Which Returns In The End To The Same Place; The Revolving Door Of A Politics Which Has Liberated Women Only To Use Them, And Only Within The Limits Of Male Tolerance.

As A Society In Turmoil, We Are Going To See More, And More Various, Attempts To Simulate Order Through Repression; And Art Is A Historical Target For Such Efforts.

Despair, When Not The Response To Absolute Physical And Moral Defeat Is, Like War, The Failure Of Imagination.

Motherhood, In The Sense Of An Intense, Reciprocal Relationship With A Particular Child, Or Children, Is One Part Of Female Process; It Is Not An Identity For All Time.

Whatever Is Unnamed, Undepicted In Images, Whatever Is Omitted From Biography, Censored In Collections Of Letters, Whatever Is Misnamed As Something Else, Made Difficult-to-come-by, Whatever Is Buried In The Memory By The Collapse Of Meaning Under An Inadequate Or Lying Language - This Will Become, Not Merely Unspoken, But Unspeakable.

Responsibility To Yourself Means That You Don't Fall For Shallow And Easy Solutions-it Means That You Refuse To Sell Your Talents And Aspirations Short.

We Assume That Politicians Are Without Honor. We Read Their Statements Trying To Crack The Code. The Scandals Of Their Politics: Not So Much That Men In High Places Lie, Only That They Do So With Such Indifference, So Endlessly, Still Expecting To Be Believed. We Are Accustomed To The Contempt Inherent In The Political Lie.

Whatever Happens With Us, Your Body Will Haunt Mine

Whatever Happens

The Moment Of Change Is The Only Poem.

We Have Lived With Violence Far Too Long.

There Is No Simple Formula For The Relationship Of Art To Justice...in The End, I Don’t Think We Can Separate Art From Overall Human Dignity And Hope. My Concern For My Country Is Inextricable From My Concerns As An Artist.

The Mother's Battle For Her Child With Sickness, With Poverty, With War, With All The Forces Of Exploitation And Callousness That Cheapen Human Life Needs To Become A Common Human Battle, Waged In Love And In The Passion For Survival.

Every Journey Into The Past Is Complicated By Delusions, False Memories, False Namings Of Real Events.

Probably There Is Nothing In Human Nature More Resonant With Charges Than The Flow Of Energy Between Two Biologically Alike Bodies, One Of Which Has Lain In Amniotic Bliss Inside The Other, One Of Which Has Labored To Give Birth To The Other. The Materials Are Here For The Deepest Mutuality And The Most Painful Estrangement.

The Beauty Of Darkness Is How It Lets You See.

Marriage Is Lonelier Than Solitude.

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Theophile Gautier

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