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The Idea That A Film Is Created In The Editing Room - It's Only A Certain Kind Of Movie That's Made In The Editing Room And It's Not One That I Really Want To See.

-Ethan Hawke

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The Idea That A

Ethan Hawke

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The Idea That A Film Is Created In The Editing Room - It's Only A Certain Kind Of Movie That's Made In The Editing Room And It's Not One That I Really Want To See.

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The Older I Get, The More I Realize How Rare It Is To Meet A Kindred Spirit.

Most Of Us Float With The River And There Are A Few People Who Move The River. Robert Deniro Is Definitely One Of Them.

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It Is Quite Rare To Find People Who Are Really Dedicated To A Level Of Excellence. Most Of Us Are Really Quite Lazy Most Of The Time.

Whenever Actors Tout Off About Doing Their Own Stunts, It's Always ... They're So Protective Of You That I Always Know These Stunt Guys Are So Good [and] They're Never Going To Put You In Danger. But It's Fun To Do Something Kind Of Exciting, Even Something As Simple As Driving 70 Through A Tunnel With Five Motorcycles ... It Sounds Simple, But It's Actually Really Nerve-wracking.

I Meet A Lot Of Young People That Want To Go Into Acting Because They Think Of What It Will Do For Them. If That's The Case, It Can Be A Very, Very Painful Profession. But If The Kids Want To Do Acting Because They Love It, And They Want To Give To It, Then They Can Have A Great Life. It's Really About As Simple As How You Look At It.

It's Interesting To Get Older And Realize That Part Of Your Job Growing Up In This Profession Is To Help The Next Generation. More And More, With Boyhood And With Ellar Coltrane And With Emma [watson], I Start To See That Role. There's No Better Way. Nobody Wants Advice, So You Can't Really Give It. You Just Have To Try To Wish Them Well On Their Journey.

My Job - And It's Really True - Is That It's Constantly Evolving And Changing. When I Was Doing The Chet Baker Movie I Was Obsessed With Playing The Trumpet, And To My Absolute Shock I Haven't Picked The Trumpet Up Since We Wrapped. It Was So Much Work. I Thought I Was Going To Keep Playing The Rest Of My Life, 'cause It Was Fun, It's Just A Lot Of Work. And It's A Really Unique Job That Exposes You To A Lot.

Don't You Find It Odd," She Continued, "that When You're A Kid, Everyone, All The World, Encourages You To Follow Your Dreams. But When You're Older, Somehow They Act Offended If You Even Try.

In All Of Our Society, But Especially In Hollywood, There Is An Obsession With Perfection That Can Lead To Self-loathing And Neurosis And All That Kind Of Stuff.

The Biggest Problem In My Life Is Trying To Be The Kind Of Man That I Want To Be, The Father That I Want To Be, And How To Process The Failure Of My Marriage.

I've Had A Lot Of Experience In Independent Film, And About How To Choose. You've Got To Be Very Discerning About Where You Put Your Five Bucks, And Where You Cut And What You Don't Cut.

The Thing That Makes A Great Genre Movie Is One That's Not Just Entertainment, Not Just Horror Or Sci-fi Or Whatever. The Ones I Love Are The Genre Pictures With Some Subversive Message Underlying It All.

I Enjoyed Meeting Emma [watson]. I Have A Soft Spot In My Heart For Child Actors Growing Up. I Know How Hard That Is. Having Gone Through That Experience Myself, I Have A Lot Of Sensitivity To It. For Lack Of A Better Word, I Just Feel Like I Love These Kids, And I Want Them All To Grow Up And Love Themselves, And Not Get Caught Up In The Wrong Things, And To Learn All The Different Things This Profession Has To Give, And To Understand It.

The Idea That A Film Is Created In The Editing Room - It's Only A Certain Kind Of Movie That's Made In The Editing Room And It's Not One That I Really Want To See.

I Remember Staying Up All Night Waiting To See The First Screening Of Cape Fear Because You Knew That Every Time Robert Deniro Had A Performance It Was Going To Be Revelatory. Then Deniro Hit This Place, He Seemed Like He Was Done With The Emotional Cost Of Impaling Himself Like That, And He Dedicated Himself To Comedy.

Right Now, If You're Interested In Being A Dramatic Actor, They're Not Making That Many Just Regular Dramas. Movies Have To Have Some Other Thing Going On.

I Can't Tell You How Many Times In The '90s I'd Meet Somebody, We'd Be Having A Nice Time, And They'd Sigh And Go, 'this Is Exactly Like Before Sunrise.' And I'd Have To Get Up And Leave.

How To Make A Scary Movie Human, Take A Movie Like Sinister. How Can I Make That Guy So Real So That The Scary Elements Of It Are More Scary And It Functions As A Genre Movie - As The Way It's Supposed To, You Want To Hear A Ghost Story At Midnight, That's A Good One - But How Do You Fill It Up With Humanity Inside, In Staying True To The Genre? You Know? Does That Make Sense?

Set Designers, Costume Designers, Actors, Writers, Music, That's What Is Beautiful.

When You Make A Movie With Alejandro Amenábar, He Very Quickly... It Was Very Clear You're Kind Of Operating In His Dream Universe.

I Did One Sci-fi Movie. I Did 'gattaca.' I Liked 'gattaca' Because That Was Always The Kind Of Science Fiction I Really Dug, The Non-action Oriented Sci-fi.

Oh, I Like Going Down The Rabbit Hole. You Know, That's Kind Of My Job. When You Play Macbeth, You Gotta Dive Down That One. The Trick Is Figuring Out How To Do It With Love And A Sense Of Humor So You Can Pop Back Out Again. But, Kind Of The Actor's Job Is To Go Down The Rabbit Hole.

As A Young Man... You Don't Know Anything About Yourself. And Add On To That, You're On The Cover Of Magazines. People Are Interviewing You About What You Think. You Feel Like A Real Phony.

The Truth Is That The More You Get Paid, The Less Freedom You Have. They Never Pay You For Nothing.

I Have Totally Hitched My Wagon To The Horse Of Storytelling, And The Idea That None Of Us Know Why We're Born, Or Why We're Gonna Die, Or What We're Planted Here, Or What's On The Other Side Of The Galaxy, Or When Time Began, Or When Time End. The Whole Nature Of Reality Is Pretty Up For Grabs, Really.

I Think That As Soon As You Think Of Yourself As A Famous Person Or Anything Like That, You're Objectifying Yourself In Some Weird Way.

It's Certainly An Interesting Moment To Try To Talk About, 'cause You Could Make A Great Show About The Police Force Right Now, With All That's Happening In The News And Ferguson And All Of It.

The Most Creative And Most Periods Of My Life That Were, Had The Most Growth, Were The Ones Where I Was Perceived To Be Failing. Perceived Success Is A, Is Really Hard 'cause It Doesn't Really, It's Not Asking You To Grow, See Failure Is Asking You To Grow.

I Think That If You Walk Through This Life And I End Up Being A Bad Father, Then It Won't Matter Anything Else I Achieved In My Life. It Will All Be Irrelevant.

One Of The Hardest Things About My Job Is That There Kind Of Is No One Rulebook That Applies To All Situations.

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'brooklyn's Finest,' This Is The Kind Of Movie That's Why I Want To Be An Actor, To Tell Real-life Stories. This Is Where I Feel My Job Is, To Interpret Life.

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A Good Movie Humanizes People.

I Met A Lot Of Famous People When I Was About 24. And None Of Them Seemed Very Appealing. And So I Didn't Know Why I Would Struggle To Be That Kind Of Person.

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And The Best Films Feel Like A Fist Punching You In The Solar Plexus And All Elements Of The Filmmaking Process - The Acting, The Design, The Cinematography, The Music, Is All Working To One End.

You Need To Be A Good Screen Partner. It's Very Meaningful To Me To Be A Part Of Great Acting Performances.

The Girls Who Like Me Aren't The Ones I Like. Or, If I Do And They Want To Commit, I Suddenly Need Tons Of Time With My Friends.

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We All Have This Fantasy Of Finding Our One True Love Who's Going To Be The Perfect Fit. It's Just Not A Reality.

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Life's Hard. It's Supposed To Be. If We Didn't Suffer, We'd Never Learn Anything.

Whenever A Really Passionate, Talented Filmmaker Seems To Have An Interest In Me, I Take It Very Seriously Because I Like To Work.

In Truth, The World Is A Complicated Place.

I Don't Know What Has Happened To Movies, But Lately Every Movie Is At Least 20 Minutes Too Long. It Used To Be That If You Were Three Hours Long It Was Because It Was Epic - A Movie About Gandhi; Something With Very Important Subject Matters.

Sometimes In The Life Of An Actor You're Not Getting Offered Any Jobs That Speak To You. The Trouble With Acting Is That You're Only As Good As Your Opportunities.

And The Joy Of My Job - And It's Really True - Is That It's Constantly Evolving And Changing.

I Love Working On Scripts. I Love Coming Up With Ideas About What People Would Dress Like Or Talk Like. I Love All That.

It Was A Really Strange Experience. It Was Very Creative For Alejandro Amenábar. It Was Almost Like It Was The Most I Ever Felt Like I Was Helping Someone Paint. They Had A Very Clear Idea Of What They Wanted It To Look Like, Sound Like, Be Like. So, There Was No Operating Outside The Box. The Only Way To Help Him Was To Try To Really Be A Part Of His Imagination And Try To Make It Happen. He's A Super Kind And Loving Person. So, You Wanted To Help Him. It Just Was None Of My Normal Ways Of Helping A Director Work At All. So, It Was A Unique Experience For Me That Way.

Helping Someone

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The Script [of Regression] Wasn't The Draw For Me. It Was Largely Alejandro [amenabar] And His Way Of Talking. To Hear Him Talking About The Script Was Way More Interesting Than The Script. He Wrote It, And So, English Is His Second Language. It's An Interesting Thing. I've Had That Before. I Was Directed By Alfonso Cuarón Before, Too. It's Always Interesting When You're Being Directed By Somebody Like That. So Much Of Directing Is About Communication, And Finding The Right Words, And What It Means, And How To Convey Certain Emotions And Ideas.

You Don't Need Other People To Affirm That You're A Valuable Person.

If You Don't Risk Doing Something Foolish, You'll Never Do Anything Special.

It Was When I Was On The Set Of Dead Poets Society.there Was Actor,his Name Was Norman Lloyd. One Day He Took Us All Aside And Said, "you Guys Don't Even Understand What A Powerful Experience You're Having. You Don't Really Understand What A Gift This Is." We Were Going, "what Does He Mean?" It Was That Really Wonderful Opportunities Aren't To Be Taken For Granted. I Often Found That It Had Embedded Itself In My Memory.

It's Always A Unique Challenge When You're Working With Somebody Where English Is Their Second Language.

One Of The Things That Separates A Good Genre Movie From A Bad Genre Movie, I Always Think, Ironically, Is When You Care About The People. The Dime A Dozen Ones Are Where You Don't Have Any Awareness Of The Character.

If You Can Channel The Best Part Of You That Is Bigger Than Yourself, Where It’s Not About Your Ego And Not About Getting Ahead, Then You Can Have Fun And You Aren’t Jealous Of Others. You See Other People's Talent As Another Branch Of Your Own. You Can Keep It Rooted In Joy. Life Is Long And There Are Plenty Of Opportunities To Make Mistakes. The Point Of It All Is To Learn.

Seeing The Play ( A Lie Of The Mind ) Clearly Is Part Of Why I Wanted To Direct It. I See Hope At The End Of This Play. People Talk About How Dark The Play Was, But I Feel Like, If You Really Look At The Darkness, You're Able To Go Through It, And You Realize That You Can Handle Dark Moments In Life And That Everything Will Be All Right.

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The More Kind Of Head Trippy Sci-fi. I Always Like That. I Was A Big 'twilight Zone' Freak.

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When I Woke Up I Was Naked. I Have This One Oddball Idiosyncrasy: Sometimes In My Sleep I Take Off All My Clothes.

Its Difficult To Do A Genre Film Well, And It Doesnt Matter If Youre Talking Vampire Movies Or Dawn Of The Dead Or The Thing Or Escape From New York. Those Kind Of Movies, They Understand What The Old-school B-movie Is Supposed To Be, They Get The Throwback Of It.

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My First Car Was Kind Of Sad. My First Car Was When My Parents Had Completely Worn Out Their Toyota Corolla That They Had For 16 Years Or Something. They Gave Me, For My 19th Birthday, This Really Ancient Toyota. So That Was My First Car. And I Loved It. I Thought It Was Amazing, And I Drove It Cross-country. It Was Not Aesthetically Appealing In Any Way. It Was It Fast. It Did Not Handle Well, But It Lasted Forever. I Drove Cross-country And Back, And Then I Gave It To My Sister, And She Drove It For Another 10 Years.

It's Difficult To Make Any Kind Of Action Movie That Might Be Unique Or Worth Watching.

My Relationship To Reality Has Been So Utterly Skewed For So Long That I Don't Even Notice It Any More. It's Just My Reality.

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Some People Burn Out, And Some People Like Clint Eastwood, He Was A Wild, International Movie Star In His 30s, And He's Doing The Best Work Of His Life Now. Go Figure.

I Love Really Exploring... You Know, A Cop Drama For Example Is A Great Way To Explore Class In This Country And Explore, You Know, Really, Identity In The Country And Who We Are In A Way That Is Extremely Exciting, But It's Also Real, You Know, It's Also Real People And Real Drama. The Same With The Military. I Mean, A Good Science Fiction Story Is Also Great.

I've Had Different Opportunities In My Life, But I've Tried To Maintain The Spirit Of An Amateur. Our Culture Roots Everything In The Barometer Of Success And How Much Money You Make. But If You Really Just Aspire To A Life In The Arts, It's Really Not A Barometer At All.

I Did This Movie Right After It About The Life Of Chet Baker. It's Called Born To Be Blue. In That Situation, There's A Real Clear Character You're Drawing On. It's A Real Person. It's Really Exciting And Interesting To Do The Research To Figure Out How To Make That A Nuanced, Three-dimensional Human Being.

Have This Chet Baker Movie Coming Out And In That Situation, I Went Down The Rabbit Hole Studying Chet Baker And Being Obsessed With The Period And The Music And The Relationships And The Dynamic, And Everything, Drug Addiction. There Was So Much I Wanted To Get At To Kind Of Get At The Truth. With Regression, I Was Certainly In Alejandro's [amenabar] Hands.

I'm Magically Delicious.

Time Is So Much A Part Of What Makes You Close To People.

The Only Thing I Can Point To Of Why I Survived Is I Have A Family That Loves Me And Never Wanted Any Money From Me.

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If You Don't Give Inspiration An Opportunity, It Will Never Arrive.

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Often You See A Famous Actor Who Says They Produced Something, When All They Did Was Claim To Have An Idea At A Dinner Party And Make Three Phone Calls.

If You Study The History Of Mankind, It Seems To Be A History Of Violence. Certainly The History Of Art, Whether You Look At Paintings Or Movies Or Plays Or Whatever, Is Just A Litany Of Murder And Death.

If You Can Understand The Inner Life, Then You Can Wear The Uniform, The Tattoos, Or Whatnot And Realize That The Things That Are Different About Us Become Superficial.

I Started Acting When I Was 13 Years Old And I Feel Like I Really Admire Actors Who Are These Kind Of Amazing Shape-changing People, That They Almost Can Turn Themselves Into Other People.

For Me, The Real Goal Is To Integrate. The Thing That I'm Most Happy With Is The Fact That I've Been Able To Keep Doing All Of It - To Keep Writing, And To Keep Acting In Movies, And To Keep Acting On The Stage, To Keep Directing Plays. I Find That They Feed Each Other, And That I Learn About Acting From Directing And I Learn About Writing From Acting.

Depression Is A Real Demon In The Woods For A Lot Of Creative People, You Know? It's Part Of What The Documentary Is Trying To Be About For Me, Finding Balance, Where The Beauty That Is Attainable In The Creative Arts Can Be Matched With The Scratchy Roughness Of Regular Life.

I've Very Rarely Worked With Somebody That Had Such A Clear Idea Of What Alejandro Amenábar Wanted To Do And What He Wanted To Achieve. The Guy Is Incredibly Prepared. He Was Clearly Making A Movie For Himself And His Own Dream. I Just Tried To Be A Part Of That Dream. It's A Rare Opportunity.

What I Learned About Acting, From My Experiences Directing, Is Why So Many Producers And Directors Don't Like Actors. You Go Through All Of This Work Securing A Location, Figuring Out How To Get Electricity There, How To Get Trucks Parked Where They Need To Be, And Where Catering Is Going To Come From. And If The Actors Don't Come Up With Some Magic, It Actually Didn't Matter. That Creates A Lot Of Animosity Towards The Actors.

I've Turned Down Good Directors Before Because I Knew The Part Didn't Speak To Me And I've Worked With Less Talented Directors Before Because The Part I Had Such Passion For.

I've Always Been Interested In Directing. I Started Acting When I Was Thirteen Years Old, So I've Had Some Desire To Do Something Else In My Life.

If I Do Three Movies In A Year, I Don't Feel Like Acting Ever Again.

I Have A Daughter And The Thing I Wish For Her Is Not Love, Fame, Money Or Anything Like That. It's Just One Great Best Friend. You Know, If You Have Somebody That Has Your Back, You're Gonna Be All Right.

There's Only So Often You're Going To Have An Opportunity To Contribute At A High Level And That You Should Be Grateful Whenever One Presents Itself And Not Take It Lightly.

Friends Can Hurt You, But The Possibility Of Pain With Lovers Is So Much Greater Because Your Expectations Are So High. You Don't Ask As Much Of Your Friends.

I Believe In The Healing Restorative Power Of Art And Communication. And So That's Probably My Rule. But That Doesn't Apply To Bedtimes. And Stuff Like That.

I Was Being Taken Around By A Press Agent At The Venice Film Festival At Age 18. Was It Fun? Sure. But It Was A Dangerous Path To Be Walking On As Far As Having A Substantive Life. Because The Casualty Rate At The Venice Film Festival For 18-year-olds? High.

I Always Felt That A Marriage Works Best At A Farm... Where You're Together And Everybody Has Clear-cut Roles; They Have Chores, 'you Take Care Of This' And You Know. But It's Hard.

One Of The Things I Can Do Is To Try To Put Myself In Different Kinds Of Movies And That Kind Of Subtly Changes My Work. By The Time My Obituary Is Written, I Want There To Be A Great Western And A Great Comedy.

When You Do 'before Sunset,' You Know While It's A Limited Audience, There Was A Very Small Group Of People That Love 'before Sunrise.' You Feel A Certain Pressure To Make Sure That You Uphold A Level Of Quality That Has Been A Bar. You Set A Bar And You Have To At Least Match It.

I Don't Think Emma Watson Needs Any Advice. She's An Incredibly Smart Young Woman Who Knows What She Wants Out Of Life And She Has Some Great Parents.

Your Development As A Person Should Coincide With Your Development In All Aspects Of Your Life.

Everything Is So Finite But That’s What Makes Our Time And Specific Moments So Important.

Right Now The Only People I Can Really Fall In Love With Are People Who Don't Really, Truly Want Me Around. Now Why Do I Do That?

Falling In Love

We're Fascinated By Things That Scare Us, And One Of The Things That Scares Us Is Violence. Violence Exists. It's A Real Part Of Our Lives. We Are Obsessed With What We're Scared Of, But It Certainly Doesn't Define Us.

To Get To Be Somebody Who Gets To Love What They Do For A Living, That's So Rare, And So There Must Be Some Kind Of Price You Have To Pay.

I've Always Been Drawn To The Best Writing That I Can Find. I Don't Care If It's In Movies Or Theater Or Whatever - If You Want To Be In Front Of An Audience, You Have To Do Writing You Believe In.

Give Your Heart To Everybody You Meet. The Rest Is Pretense.

I'd Really Rather That Nobody Had A Gun, And Then Nobody Would Have To Worry About It. That Would Be More My Theory. In America, There's This Knee-jerk Response That More Walls And More Guns Make People Safer, And I'm Entirely Suspect Of That Way Of Thinking.

I'm Horrified To Admit That I Just Love Salinger. I Was Devastated To Find Out That Other People Feel The Same Way.

Alejandro Amenábar Has A Unique Way Of Approaching Movies And Thinking About Something Which Was New To Me. It Was Different. I Have A Lot Of Respect For Him So I Just Took A Gamble.

One Of The Things That's Really Lousy About Making Movies Is That You Have Such Little Interaction With Your Audience.

It Just Makes Sense To Remember Gratitude And The Place That Gratitude Should Have In Your Life, And That None Of Us Are Owed These Wonderful Experiences, And We Should Always Make The Best Of Them.

I Don't Have A Lot Of Experiences Like This Where Every Time I Thought I Had A Good Idea It Was Totally Wrong. I Had To Give In Completely And Just Try To Make The Movie Alejandro Amenábar Was Trying To Make.

I Never Thought That I Would Be Labeled Something Like Generation X Because Of That Movie ( Reality Bites ). I Had No Idea Going Into It, And It Wasn't A Label I Could Relate To.

There's This Kind Of Incredibly Mistaken Idea That Because It's So Much Cheaper To Roll The Camera Than It Used To Be And It's So Much Easier To Accumulate A Ton Of Footage, That Then You Can Just Go Shoot A Ton Of Footage And The Editor Will Make Sense Out Of It. But If You Don't Have Something Deliberate Made, You're Not Gonna Save It In The Editing Room.

Sometimes People Save The Best Part Of Themselves For Their Art.

I Auditioned For Robert Redford Once And I Was So Starstruck I Couldn't Even Speak. I Had A Mic Wire At A Screen Test Clipped To Me And Then I Got Kind Of Nervous And I Paced In A Circle And Then Took A Step And Tripped And Fell On My Face. You Just Have To Forgive Yourself And Keep Going On.

I Take Pleasure In The Little Things. Double Cheeseburgers, Those Are Good, The Sky Ten Minutes Before It Rains,the Moment Your Laugh Turns Into A Cackle. And I Sit Here, And Smoke My Camel Straights, And I Ride My Own Melt.

Few Years Ago I Did A Movie, Good Kill, About Drone Pilots And For Four Or Five Months I'm Obsessed With The Air Force.

Alejandro Amenabar Is A Different Kind Of Director Than I Lot Of The Directors I've Asked For. He Really Asks You To Enter His Dream As Opposed To, You Know, A Guy Like Sidney Lumet Or Something Is Going To Ask You To Create A Character Almost Like A Documentary. He Wants You To Make The People Really Real And He's Going To Capture It Like A Documentarian.

I Kill Flies, I Eat Meat, You Know, Whatever.

It's A Really Unique Job That Is A Little Schizophrenic And You Have To Kind Of Do It With A Sense Of Humor.the Trick Is Figuring Out What Each Job Is Asking Of You And What It's Not Asking Of You.

In Fact, I Think My Life Is Always Going To Be Difficult, Because I Am Trying To Do Something... "original" Is A Big Word. It's Kind Of Pathetic, But I Have To Love What I'm Doing.

My Goal Is To Tell Good Stories. And To Try As Best I Can To Do Something New With Acting. To Learn From The Past And To Be A Relevant Artist. To Make Stories That Are Interesting And Contemporary And To Tell Some Kind Of Emotional Truth.

The Older I Get, The More Obvious It Is That You're Not Really In Control Of Your Life, You're A Part Of A Larger Wave, No Matter Who You Are.

Control Of Your Life

People Are Conditioned To Just You Know, Like, You Know We're Like Little Birdies Going To The Bird Feeder You Know, Or The Little Cows Going To The Salt Lick. We Just Like What We've Seen Before.

I'm Always Trying To Look For How I Can Find Human Stories That Aren't Just Dramas.

I Think It's My Job To Risk Looking Foolish. One Of The Things I've Learned From The Actors I've Worked With Is You Don't Get Something For Nothing. If You Don't Risk Looking Foolish, You'll Never Do Anything Special.

But The Truth Is, I've Never Wanted To Be A Movie Star - And I've Been Pretty Clear About That.

The Experience On That Movie (dead Poets Society) Was, For Lack Of A Better Term, Life-altering. Peter Weir Has A Unique Talent For Making Movies That Are Intelligent But Also Mainstream. I've Never Been Terribly Successful At Doing That.

It Is Very Difficult For Any Couple Who Are Married If Both People Are Ambitious. I Don't Know If It's Just Too Hard To Be Married To A Woman That Wants To Be A Movie Star.

A Lot Of American Actors When They Do Shakespeare Put On A Phoney English Accent And It Drives Me Crazy. You're Always Fighting Against The Idea That Only The British Know How To Do Shakespeare.

Good Genre Movies Are A Little Bit Like Trying To Write A Haiku. There Are Certain Things That You Have To Do To Fulfill The Audience's Expectations, But Inside That, You Have Complete Freedom To Talk About Whatever You Want. Who Wants To See A Movie About Gun Violence In America And Class? But, If You Set It In This Terrifying, Fun, Roller Coaster Ride Of A Movie, You Can Talk About Whatever You Want. That's Been The Game That Genre Movies Play, When They Do It Well.

Alejandro Amenábar Is A Very Interesting Filmmaker. I Had Really Liked The Others, Which Was A Movie He Made With Nicole Kidman A Few Years Ago. He Made A Very Compelling Case About How Much He Wanted Me To Be In This Movie. Whenever A Really Passionate, Talented Filmmaker Seems To Have An Interest In Me, I Take It Very Seriously Because I Like To Work.

The Writing Process Was Some Of The Most Exciting And Rewarding Moments Of My Life. It Felt A Lot Like Being In A Band.

Read. It Makes You More Intelligent. It’s That Simple. We All See The Universe Through The Tiny Keyhole Of Our Own Eyes, And Every Book Is Another Keyhole From Which You Can Gaze.

Years Ago I Was Going To Play Chet Baker In Another Movie And I Really Felt Drawn To That Character And The Script Is Good And I Met With Robert And We Seemed Simpatico And We Developed. But I Had A Real Passion For That Role And That Brought Me Deep Into That Film 'cause I Got The Sense That Robert Budreau Was Going To Really Let Me Be Creative Inside This Part.

I Really Did Regression To Work With Alejandro [amenabar]. I Found Him Very Interesting. His Movie, The Others, Is One Of The Better Scary Movies Of The Last Period Of Time.

It Was Fantastic To Be On The Set Again With Denzel (washington) And Antoine (fuqua) And Then To Have The Situation Be So Different. We Weren't Making A Sequel To Training Day. We Were In The Middle Of The Desert Riding Around On Some Horses.

It Was Never In My Dreams To Make My Personal Life Anybody Else's Business.

It's Interesting To Work With Emma [watson] So Quickly After Harry Potter. When We Shot This Movie, It Wasn't That Long After Harry Potter Was Finished, And It's Knowing That's A Big Transition In Her Life. She's A Very Talented Young Woman.

Directing Is Like Putting Together A Collage.

You Can't Keep Wanting To Be 20 Years Old. Everybody Knows That, But What's In The Next Room?

There's Something About Knowing Life Is Finite That Makes It So Precious.

Everyone Has To Pay Their Child Support, And No Matter If You're A Hollywood Actor Or Anyone Else, It's Always A Little Bit More Than You Want To Pay.

I Have Had So Many Bad Auditions.

I'm A Huge Luc Besson Fan. The Fifth Element, I Just Loved That Movie. Luc Cast Me To Play A Small Part In It, And So I Did, Because I Love All His Movies Actually - The Big Blue, La Femme Nikita, Léon: The Professional. His Movies Are So Wonderful. It's Just Fun To Be In It And For It To Be A Sci-fi Movie.

Time Is What Creates Trust.

All That Stuff With The Tabloids Is A Kind Of Luxury Tax I Pay For All The Good Things I Do In My Life.

When You Start Becoming Really Successful, The Demons Start To Tempt You - The Demons Of Vanity And Self Importance, Drug Abuse, The Feelings Of Fraudulence. But, It's Also A Thrill. That's What I Found Weird.

Success Isn't Measured By What You Achieve, It's Measured By The Obstacles You Overcome.

The Thing That Really Breeds Career Longevity In This Profession Is Doing Good Work. You Can Make $20 Million A Movie, But Does That Mean You'll Still Have A Job When You're 60? It's A Profession That Eats People Up And Wants Constant Turnaround, So You Have To Dedicate Yourself To Learning And Making The Most Of Whatever Gift You May Have.

Well, There's A Great Marlon Brando Quote That To Do Something Well You Have To Spiritually Marry Your Director. You Have To Be Making The Same Movie They Are In That You Have To Try To Help Their Imagination Be Better, And More Full, And More Fully Realized, But You Can't Have A Different Imagination Because Then You End Up - And You See This A Lot In Movies - Where It Feels Like They Were Making Five Different Films.

The Drones Are Really Interesting - How Have The Troops Withdrawn From Afghanistan? Because We've Upped The Drone Strikes And Most Of The Country Doesn't Even Really Know What That Means Or Who We're Killing Or... It's Such A New Weapon That We Don't Know What The Long Term Impacts Of That Kind Of Military Action Is Going To Be.

I Got To Work With Robert Deniro Once And It Was A Strange Experience. Gwyneth Paltrow And I Were Doing Great Expectations Movie Together And We Were Complaining About What A Mediocre Film Experience It Was. Deniro Showed Up On Set And All Of A Sudden The Director Got Better, The Director Of Photography Got Better - Everybody Got More Interested And Excited. Deniro Isn't Waiting For Other People To Create The Environment That He Wants, He Brings It Along With Him.

Sometimes People, Their Creative Drive Comes From An Energy To Try To Heal Themselves.

I Like [that] There's A Certain Inherent Drama To Those Jobs That Is Exciting To Tell Stories About And It's Still Real Life. I'm A Little Less Interested In The Current Fad Of Being Obsessed With Superheroes And Things That Are So Out Of The Box.

At Every Turn, When Humanity Is Asked The Question, 'do You Want Temporary Economic Gain Or Long-term Environmental Loss, Which One Do You Prefer,' We Invariably Choose The Money.

Nightmares Are A Strange Thing. Your Worst Fear Is Sometimes Something You Enjoy Thinking About, For Some Strange Reason. I Don't Know Why That Is, But It's Some Kind Of Fantasy That People Play Out. "what Would I Do To Protect My Children? I'd Do Anything." And Then, You Watch It Play Out. I'm Petrified Of Such A Thing.

If You Say To Yourself, Okay, I Will Not Self-destruct. I Don't Have To Be The Most Talented Person. I Don't Have To Be Everybody's Best Friend, I Don't Have To Be Liked, I Don't Have To Be Successful, Well, One Thing I Will Not Do Is Self-destruct. If You Take That Out, Your Chances For Success Just Went Up Like 800 Percent.

I Thought I Was So Much Smarter Than Everybody. And I'm Not.

If You Covet Fame, If You Covet All The Superficial Accolades, You're Gonna Be Miserable 'cause You're Never Going To Get Enough Praise. If You Covet Contributing Something Substantive To Movies, Music, Literature, Then You Won't Be Unhappy.

I've Had Several Moments In My Career Where It Seemed Like I Might Not Age Out Of The Bracket The World Wants To Put You In. It's Hard To Keep Growing Up Inside The Performing Arts. It's Very Difficult, And Presents A Lot Of Unique Challenges.

Happiness Is In The Doing Not In Getting What You Want.

Getting What You Want

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Brian P. Cleary

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