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I Auditioned For Robert Redford Once And I Was So Starstruck I Couldn't Even Speak. I Had A Mic Wire At A Screen Test Clipped To Me And Then I Got Kind Of Nervous And I Paced In A Circle And Then Took A Step And Tripped And Fell On My Face. You Just Have To Forgive Yourself And Keep Going On.

-Ethan Hawke

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I Auditioned For Robert

Ethan Hawke

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I Auditioned For Robert Redford Once And I Was So Starstruck I Couldn't Even Speak. I Had A Mic Wire At A Screen Test Clipped To Me And Then I Got Kind Of Nervous And I Paced In A Circle And Then Took A Step And Tripped And Fell On My Face. You Just Have To Forgive Yourself And Keep Going On.

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In All Of Our Society, But Especially In Hollywood, There Is An Obsession With Perfection That Can Lead To Self-loathing And Neurosis And All That Kind Of Stuff.

I Think That As Soon As You Think Of Yourself As A Famous Person Or Anything Like That, You're Objectifying Yourself In Some Weird Way.

There's This Kind Of Incredibly Mistaken Idea That Because It's So Much Cheaper To Roll The Camera Than It Used To Be And It's So Much Easier To Accumulate A Ton Of Footage, That Then You Can Just Go Shoot A Ton Of Footage And The Editor Will Make Sense Out Of It. But If You Don't Have Something Deliberate Made, You're Not Gonna Save It In The Editing Room.

I Started Acting When I Was 13 Years Old And I Feel Like I Really Admire Actors Who Are These Kind Of Amazing Shape-changing People, That They Almost Can Turn Themselves Into Other People.

The Girls Who Like Me Aren't The Ones I Like. Or, If I Do And They Want To Commit, I Suddenly Need Tons Of Time With My Friends.

I Don't Know What Has Happened To Movies, But Lately Every Movie Is At Least 20 Minutes Too Long. It Used To Be That If You Were Three Hours Long It Was Because It Was Epic - A Movie About Gandhi; Something With Very Important Subject Matters.

Give Your Heart To Everybody You Meet. The Rest Is Pretense.

It's Certainly An Interesting Moment To Try To Talk About, 'cause You Could Make A Great Show About The Police Force Right Now, With All That's Happening In The News And Ferguson And All Of It.

I'm Magically Delicious.

I Think It's My Job To Risk Looking Foolish. One Of The Things I've Learned From The Actors I've Worked With Is You Don't Get Something For Nothing. If You Don't Risk Looking Foolish, You'll Never Do Anything Special.

It Was Never In My Dreams To Make My Personal Life Anybody Else's Business.

Whenever A Really Passionate, Talented Filmmaker Seems To Have An Interest In Me, I Take It Very Seriously Because I Like To Work.

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The Biggest Problem In My Life Is Trying To Be The Kind Of Man That I Want To Be, The Father That I Want To Be, And How To Process The Failure Of My Marriage.

I've Always Been Interested In Directing. I Started Acting When I Was Thirteen Years Old, So I've Had Some Desire To Do Something Else In My Life.

It's A Really Unique Job That Is A Little Schizophrenic And You Have To Kind Of Do It With A Sense Of Humor.the Trick Is Figuring Out What Each Job Is Asking Of You And What It's Not Asking Of You.

The Truth Is That The More You Get Paid, The Less Freedom You Have. They Never Pay You For Nothing.

When I See Lionel Messi Play Soccer, He Lets The Game Come To Him. He Lets The Game Unveil Itself To Him, Then Like A Lion He Eats The Whole Thing.

Have This Chet Baker Movie Coming Out And In That Situation, I Went Down The Rabbit Hole Studying Chet Baker And Being Obsessed With The Period And The Music And The Relationships And The Dynamic, And Everything, Drug Addiction. There Was So Much I Wanted To Get At To Kind Of Get At The Truth. With Regression, I Was Certainly In Alejandro's [amenabar] Hands.

Alejandro Amenabar Is A Different Kind Of Director Than I Lot Of The Directors I've Asked For. He Really Asks You To Enter His Dream As Opposed To, You Know, A Guy Like Sidney Lumet Or Something Is Going To Ask You To Create A Character Almost Like A Documentary. He Wants You To Make The People Really Real And He's Going To Capture It Like A Documentarian.

Directing Is Like Putting Together A Collage.

I Auditioned For Robert Redford Once And I Was So Starstruck I Couldn't Even Speak. I Had A Mic Wire At A Screen Test Clipped To Me And Then I Got Kind Of Nervous And I Paced In A Circle And Then Took A Step And Tripped And Fell On My Face. You Just Have To Forgive Yourself And Keep Going On.

I Take Pleasure In The Little Things. Double Cheeseburgers, Those Are Good, The Sky Ten Minutes Before It Rains,the Moment Your Laugh Turns Into A Cackle. And I Sit Here, And Smoke My Camel Straights, And I Ride My Own Melt.

It Was When I Was On The Set Of Dead Poets Society.there Was Actor,his Name Was Norman Lloyd. One Day He Took Us All Aside And Said, "you Guys Don't Even Understand What A Powerful Experience You're Having. You Don't Really Understand What A Gift This Is." We Were Going, "what Does He Mean?" It Was That Really Wonderful Opportunities Aren't To Be Taken For Granted. I Often Found That It Had Embedded Itself In My Memory.

In New York, You've Got Donald Trump, Woody Allen, A Crack Addict And A Regular Joe, And They're All On The Same Subway Car.

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The Most Creative And Most Periods Of My Life That Were, Had The Most Growth, Were The Ones Where I Was Perceived To Be Failing. Perceived Success Is A, Is Really Hard 'cause It Doesn't Really, It's Not Asking You To Grow, See Failure Is Asking You To Grow.

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Falling In Love

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Getting What You Want

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Whenever Actors Tout Off About Doing Their Own Stunts, It's Always ... They're So Protective Of You That I Always Know These Stunt Guys Are So Good [and] They're Never Going To Put You In Danger. But It's Fun To Do Something Kind Of Exciting, Even Something As Simple As Driving 70 Through A Tunnel With Five Motorcycles ... It Sounds Simple, But It's Actually Really Nerve-wracking.

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Helping Someone

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The Older I Get, The More Obvious It Is That You're Not Really In Control Of Your Life, You're A Part Of A Larger Wave, No Matter Who You Are.

Control Of Your Life

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I'm Always Trying To Look For How I Can Find Human Stories That Aren't Just Dramas.

There's Something About Knowing Life Is Finite That Makes It So Precious.

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How To Make A Scary Movie Human, Take A Movie Like Sinister. How Can I Make That Guy So Real So That The Scary Elements Of It Are More Scary And It Functions As A Genre Movie - As The Way It's Supposed To, You Want To Hear A Ghost Story At Midnight, That's A Good One - But How Do You Fill It Up With Humanity Inside, In Staying True To The Genre? You Know? Does That Make Sense?

The Thing That Makes A Great Genre Movie Is One That's Not Just Entertainment, Not Just Horror Or Sci-fi Or Whatever. The Ones I Love Are The Genre Pictures With Some Subversive Message Underlying It All.

Alejandro Amenábar Is A Very Interesting Filmmaker. I Had Really Liked The Others, Which Was A Movie He Made With Nicole Kidman A Few Years Ago. He Made A Very Compelling Case About How Much He Wanted Me To Be In This Movie. Whenever A Really Passionate, Talented Filmmaker Seems To Have An Interest In Me, I Take It Very Seriously Because I Like To Work.

But The Truth Is, I've Never Wanted To Be A Movie Star - And I've Been Pretty Clear About That.

I Did This Movie, Predestination, And It's One Of My Favorite Movies I've Ever Made, Because Sci-fi Really Lets You Talk About Ideas In A Way That's Not Pretentious.

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I Met A Lot Of Famous People When I Was About 24. And None Of Them Seemed Very Appealing. And So I Didn't Know Why I Would Struggle To Be That Kind Of Person.

I Never Thought That I Would Be Labeled Something Like Generation X Because Of That Movie ( Reality Bites ). I Had No Idea Going Into It, And It Wasn't A Label I Could Relate To.

The Idea That A Film Is Created In The Editing Room - It's Only A Certain Kind Of Movie That's Made In The Editing Room And It's Not One That I Really Want To See.

The Woodstock Film Festival Is Among The Finest Of A Dying Breed: A Festival That Isn’t Trying To Sell You Anything, But Simply And Beautifully Celebrating The Art & Craft Of Filmmaking.

My Relationship To Reality Has Been So Utterly Skewed For So Long That I Don't Even Notice It Any More. It's Just My Reality.

If I Do Three Movies In A Year, I Don't Feel Like Acting Ever Again.

Everything Is So Finite But That’s What Makes Our Time And Specific Moments So Important.

The Kindest Compliments I Have Ever Heard Are When Cops Tell Me Training Day And Assault On Precinct 13 Inspired Them To Become Cops. The Funniest Compliments I Have Ever Heard Are When People Tell Me That 'i Love Your Band Sugar Ray.

The Writing Process Was Some Of The Most Exciting And Rewarding Moments Of My Life. It Felt A Lot Like Being In A Band.

My Goal Is To Tell Good Stories. And To Try As Best I Can To Do Something New With Acting. To Learn From The Past And To Be A Relevant Artist. To Make Stories That Are Interesting And Contemporary And To Tell Some Kind Of Emotional Truth.

At Every Turn, When Humanity Is Asked The Question, 'do You Want Temporary Economic Gain Or Long-term Environmental Loss, Which One Do You Prefer,' We Invariably Choose The Money.

Read. It Makes You More Intelligent. It’s That Simple. We All See The Universe Through The Tiny Keyhole Of Our Own Eyes, And Every Book Is Another Keyhole From Which You Can Gaze.

Set Designers, Costume Designers, Actors, Writers, Music, That's What Is Beautiful.

We're Fascinated By Things That Scare Us, And One Of The Things That Scares Us Is Violence. Violence Exists. It's A Real Part Of Our Lives. We Are Obsessed With What We're Scared Of, But It Certainly Doesn't Define Us.

All That Stuff With The Tabloids Is A Kind Of Luxury Tax I Pay For All The Good Things I Do In My Life.

When You Make A Movie With Alejandro Amenábar, He Very Quickly... It Was Very Clear You're Kind Of Operating In His Dream Universe.

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I Have Had So Many Bad Auditions.

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Time Is So Much A Part Of What Makes You Close To People.

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I Can't Tell You How Many Times In The '90s I'd Meet Somebody, We'd Be Having A Nice Time, And They'd Sigh And Go, 'this Is Exactly Like Before Sunrise.' And I'd Have To Get Up And Leave.

If You Can Channel The Best Part Of You That Is Bigger Than Yourself, Where It’s Not About Your Ego And Not About Getting Ahead, Then You Can Have Fun And You Aren’t Jealous Of Others. You See Other People's Talent As Another Branch Of Your Own. You Can Keep It Rooted In Joy. Life Is Long And There Are Plenty Of Opportunities To Make Mistakes. The Point Of It All Is To Learn.

As A Young Man... You Don't Know Anything About Yourself. And Add On To That, You're On The Cover Of Magazines. People Are Interviewing You About What You Think. You Feel Like A Real Phony.

I Think That If You Walk Through This Life And I End Up Being A Bad Father, Then It Won't Matter Anything Else I Achieved In My Life. It Will All Be Irrelevant.

I Really Did Regression To Work With Alejandro [amenabar]. I Found Him Very Interesting. His Movie, The Others, Is One Of The Better Scary Movies Of The Last Period Of Time.

Few Years Ago I Did A Movie, Good Kill, About Drone Pilots And For Four Or Five Months I'm Obsessed With The Air Force.

It Was Fantastic To Be On The Set Again With Denzel (washington) And Antoine (fuqua) And Then To Have The Situation Be So Different. We Weren't Making A Sequel To Training Day. We Were In The Middle Of The Desert Riding Around On Some Horses.

If You Say To Yourself, Okay, I Will Not Self-destruct. I Don't Have To Be The Most Talented Person. I Don't Have To Be Everybody's Best Friend, I Don't Have To Be Liked, I Don't Have To Be Successful, Well, One Thing I Will Not Do Is Self-destruct. If You Take That Out, Your Chances For Success Just Went Up Like 800 Percent.

My Favorite Stories Are Human, So I'm Always Looking For...

I Did One Sci-fi Movie. I Did 'gattaca.' I Liked 'gattaca' Because That Was Always The Kind Of Science Fiction I Really Dug, The Non-action Oriented Sci-fi.

Alejandro Amenábar Has A Unique Way Of Approaching Movies And Thinking About Something Which Was New To Me. It Was Different. I Have A Lot Of Respect For Him So I Just Took A Gamble.

I Meet A Lot Of Young People That Want To Go Into Acting Because They Think Of What It Will Do For Them. If That's The Case, It Can Be A Very, Very Painful Profession. But If The Kids Want To Do Acting Because They Love It, And They Want To Give To It, Then They Can Have A Great Life. It's Really About As Simple As How You Look At It.

The Experience On That Movie (dead Poets Society) Was, For Lack Of A Better Term, Life-altering. Peter Weir Has A Unique Talent For Making Movies That Are Intelligent But Also Mainstream. I've Never Been Terribly Successful At Doing That.

The Older I Get, The More I Realize How Rare It Is To Meet A Kindred Spirit.

There's Only So Often You're Going To Have An Opportunity To Contribute At A High Level And That You Should Be Grateful Whenever One Presents Itself And Not Take It Lightly.

'brooklyn's Finest,' This Is The Kind Of Movie That's Why I Want To Be An Actor, To Tell Real-life Stories. This Is Where I Feel My Job Is, To Interpret Life.

I Like [that] There's A Certain Inherent Drama To Those Jobs That Is Exciting To Tell Stories About And It's Still Real Life. I'm A Little Less Interested In The Current Fad Of Being Obsessed With Superheroes And Things That Are So Out Of The Box.

In Your Mid-twenties, The Paint Is Still Wet On Who You Are.

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Dolores Ibarruri

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