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Once The Writer In Every Individual Comes To Life (and That Time Is Not Far Off), We Are In For An Age Of Universal Deafness And Lack Of Understanding.

-Milan Kundera

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Once The Writer In

Milan Kundera

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Once The Writer In Every Individual Comes To Life (and That Time Is Not Far Off), We Are In For An Age Of Universal Deafness And Lack Of Understanding.

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A Constant Interrogation.

The Young Man Called The Waiter And Paid. Then He Got Up And Said To The Girl: 'we're Going.' Where To?' The Girl Feigned Surprise. Don't Ask, Just Come On,' Said The Young Man. Is That Any Way To Talk To Me?' It's The Way I Talk To Whores.

We Might Also Call Vertigo The Intoxication Of The Weak. Aware Of His Weakness, A Man Decides To Give In Rather Than Stand Up To It. He Is Drunk With Weakness, Wishes To Grow Even Weaker, Wishes To Fall Down In The Middle Of The Main Square In Front Of Everybody, Wishes To Be Down, Lower Than Down.

Yes, It Was Too Late, And Sabina Knew She Would Leave Paris, Move On, And On Again, Because Were She To Die Here They Would Cover Her Up With A Stone, And In The Mind Of A Woman For Whom No Place Is Home The Thought Of An End To All Flight Is Unbearable.

But If God Is Gone And Man Is No Longer Master, Then Who Is Master?

[kafka] Transformed The Profoundly Antipoetic Material Of A Highly Bureaucratized Society Into The Great Poetry Of The Novel; He Transformed A Very Ordinary Story Of A Man Who Cannot Obtain A Promised Job . . . Into Myth, Into Epic, Into A Kind Of Beauty Never Before Seen.

Modern Stupidity Means Not Ignorance But The Nonthought Of Received Ideas

A Man Able To Think Isn't Defeated - Even When He Is Defeated.

The Difference Between The University Graduate And The Autodidact Lies Not So Much In The Extent Of Knowledge As In The Extent Of Vitality And Self-confidence.

Self Confidence

He Was No Longer Quite Sure Whether Anything He Had Ever Thought Or Felt Was Truly His Own Property, Or Whether His Thoughts Were Merely A Common Part Of The World’s Store Of Ideas Which Had Always Existed Ready-made And Which People Only Borrowed, Like Books From A Library.

No Act Is Of Itself Either Good Or Bad. Only Its Place In The Order Of Things Makes It Good Or Bad.

I Have A Strong Will To Love You For Eternity.

Any New Possibility That Existence Acquires, Even The Least Likely, Transforms Everything About Existence.

Perhaps All The Questions We Ask Of Love, To Measure, Test, Probe, And Save It, Have The Additional Effect Of Cutting It Short.

A Worker May Be The Hammer's Master, But The Hammer Still Prevails. A Tool Knows Exactly How It Is Meant To Be Handled, While The User Of The Tool Can Only Have An Approximate Idea.

Man Can Only Be Certain About The Present Moment. But Is That Quite True Either? Can He Really Know The Present? Is He In A Position To Make Any Judgment About It? Certainly Not. For How Can A Person With No Knowledge Of The Future Understand The Meaning Of The Present? If We Do Not Know What Future The Present Is Leading Us Toward, How Can We Say Whether This Present Is Good Or Bad, Whether It Deserves Our Concurrence, Or Our Suspicion, Or Our Hatred?

The Novelist Teaches The Reader To Comprehend The World As A Question. There Is Wisdom And Tolerance In That Attitude. In A World Built On Sacrosanct Certainties The Novel Is Dead.

But Just Make Someone Who Has Fallen In Love Listen To His Stomach Rumble, And The Unity Of Body And Soul, That Lyrical Illusion Of The Age Of Science , Instantly Fades Away.

The Phrase "it's Absolutely The Same With Me, I..." Seems To Be An Approving Echo, A Way Of Continuing The Other's Thought, But That Is An Illusion: In Reality It Is A Brute Revolt Against A Brutal Violence, An Effort To Free Our Own Ear From Bondage And To Occupy The Enemy's Ear By Force. Because All Of Man's Life Among His Kind Is Nothing Other Than A Battle To Seize The Ear Of Others.

There Is Nothing Heavier Than Compassion. Not Even One's Own Pain Weighs So Heavy As The Pain One Feels For Someone, Pain Intensified By The Imagination And Prolonged By A Hundred Echos.

Jealousy Has The Amazing Power To Illuminate A Single Person In An Intense Beam Of Light, Keeping The Multitude Of Others In Total Darkness.

It Does Take Great Maturity To Understand That The Opinion We Are Arguing For Is Merely The Hypothesis We Favor, Necessarily Imperfect, Probably Transitory, Which Only Very Limited Minds Can Declare To Be A Certainty Or A Truth.

When We Want To Give Expression To A Dramatic Situation In Our Lives, We Tend To Use Metaphors Of Heaviness. We Say That Something Has Become A Great Burden To Us. We Either Bear The Burden Or Fail And Go Down With It, We Struggle With It, Win Or Lose. And Sabina - What Had Come Over Her? Nothing. She Had Left A Man Because She Felt Like Leaving Him. Had He Persecuted Her? Had He Tried To Take Revenge On Her? No. Her Drama Was A Drama Not Of Heaviness But Of Lightness. What Fell To Her Lot Was Not The Burden, But The Unbearable Lightness Of Being.

True Human Goodness, In All Its Purity And Freedom, Can Come To The Fore Only When Its Recipient Has No Power.

Unbearable Lightness Of Being

There Are Moments In Life When A Man Retreats Defensively, When He Must Give Ground, When He Must Surrender Less Important Positions In Order To Protect The More Important Ones. But Should It Come To The Very Last, The Most Important One, At This Point A Man Must Halt And Stand Firm If He Doesn't Want To Begin Life All Over Again With Idle Hands And A Feeling Of Being Shipwrecked.

Only From The Perspective Of Such A Utopia Is It Possible To Use The Concepts Of Pessimism And Optimism With Full Justification: An Optimist Is Someone Who Thinks That On Planet Number Five The History Of Mankind Will Be Less Bloody. A Pessimist Is One Who Thinks Otherwise.

The Combination Of A Frivolous Form And A Serious Subject Immediately Unmasks The Truth About Our Dramas.

Serious Subjects

To Be Mortal Is The Most Basic Human Experience, And Yet Man Has Never Been Able To Accept It, Grasp It, And Behave Accordingly. Man Doesn't Know How To Be Mortal. And When He Dies, He Doesn't Even Know How To Be Dead.

Seeing Is Limited By Two Borders: Strong Light, Which Blinds, And Total Darkness.

I Have To Lie, If I Don't Want To Take Madmen Seriously And Become A Madman Myself

To Die; To Decide To Die; That's Much Easier For An Adolescent Than For An Adult. What? Doesn't Death Strip An Adolescent Of A Far Larger Portion Of Future? Certainly It Does, But For A Young Person, The Future Is A Remote, Abstract, Unreal Thing He Doesn't Really Believe In.

When You Sit Face To Face With Someone Who Is Pleasant, Respectful, And Polite, You Have Hard Time Reminding Yourself That Nothing He Says Is True/sincere.

But Which Was The Real Me? Let Me Be Perfectly Honest: I Was A Man Of Many Faces. (p.33)

He Suddenly Recalled From Plato's Symposium: People Were Hermaphrodites Until God Split Then In Two, And Now All The Halves Wander The World Over Seeking One Another. Love Is The Longing For The Half Of Ourselves We Have Lost.

Business Only Has Two Functions - Innovation And Marketing.

Cemeteries In Bohemia Are Like Gardens. The Graves Are Covered With Grass And Colourful Flowers. Modest Tombstones Are Lost In The Greenery. When The Sun Goes Down, The Cemetery Sparkles With Tiny Candles... No Matter How Brutal Life Becomes, Peace Always Reigns In The Cemetery. Even In Wartime, Even In Hitler's Time, Even In Stalin's Time.

In The Mind Of A Woman For Whom No Place Is Home The Thought Of An End To All Flight Is Unbearable.

There Are Metaphysical Problems, Problems Of Human Existence, That Philosophy Has Never Known How To Grasp In All Their Concreteness And That Only The Novel Can Seize.

No Love Can Survive Muteness.

He Kept Recalling Her Lying On His Bed; She Reminded Him Of No One In His Former Life.

The Ludicrous Element In Our Feeling Does Not Make Them Any Less Authentic.

The History Of Music Is Mortal, But The Idiocy Of The Guitar Is Eternal.

She Knew That There Were All Kinds Of Ways To Make A Conquest And That One Of The Surest Roads To A Woman's Genitals Was Through Her Sadness.

Necessity, Weight, And Value Are Three Concepts Inextricably Bound: Only Necessity Is Heavy, And Only What Is Heavy Has Value.

No One Can Give Anyone Else The Gift Of The Idyll; Only An Animal Can Do So, Because Only Animals Were Not Expelled From Paradise. The Love Between Dog And Man Is Idyllic. It Knows No Conflicts, No Hair-raising Scenes; It Knows No Development.

The Purpose Of The Poetry Is Not To Dazzle Us With An Astonishing Thought, But To Make One Moment Of Existence Unforgettable And Worthy Of Unbearable Nostalgia.

The Longing For Paradise Is Man's Longing Not To Be Man.

I Think, Therefore I Am' Is The Statement Of An Intellectual Who Underrates Toothaches.

The Body Was A Cage, And Inside That Cage Was Something Which Looked, Listened, Feared, Thought And Marveled; That Something, That Remainder Left Over After The Body Had Been Accounted For, Was The Soul.

When I Was A Little Boy In Short Pants, I Dreamed About A Miraculous Ointment That Would Make Me Invisible. Then I Became An Adult, Began To Write, And Wanted To Be Successful. Now I'm Successful And Would Like To Have The Ointment That Would Make Me Invisible.

The Emotion Of Love Gives All Of Us A Misleading Illusion Of Knowing The Other.

We Go Through The Present Blindfolded... Only Later, When The Blindfold Is Removed And We Examine The Past, Do We Realize What We've Been Through And Understand What It Means.

How Could She Feel Nostalgia When He Was Right In Front Of Her? How Can You Suffer From The Absence Of A Person Who Is Present? You Can Suffer Nostalgia In The Presence Of The Beloved If You Glimpse A Future Where The Beloved Is No More.

When Graves Are Covered With Stones, The Dead Can No Longer Get Out. But The Dead Can't Go Out Anyway! What Difference Does It Make Whether They're Covered With Soil Or Stones?

Let Us Consider The Critic, Therefore, As A Discoverer Of Discoveries.

Once The Writer In Every Individual Comes To Life (and That Time Is Not Far Off), We Are In For An Age Of Universal Deafness And Lack Of Understanding.

Optimism Is The Opium Of The People.

At The End Of True Love Is Death, And Only The Love That Ends In Death Is Love.

In The Love Poetry Of Every Age, The Woman Longs To Be Weighed Down By The Man's Body.

If I Hadn't Met You, I'd Certainly Have Fallen In Love With Him.

Nothing Requires A Greater Effort Of Thought Than Arguments To Justify The Rule Of Non-thought.

People Derived Too Much Pleasure From Seeing Their Fellow Man Morally Humiliated To Spoil That Pleasure By Hearing Out An Explanation.

Anyone Whose Goal Is 'something Higher' Must Expect Someday To Suffer Vertigo.

Kitsch Excludes Everything From Its Purview Which Is Essentially Unacceptable In Human Existence.

Unbearable Lightness Of Being

Fortunately Women Have The Miraculous Ability To Change The Meaning Of Their Actions After The Event.

Without The Meditative Background That Is Criticism, Works Become Isolated Gestures, Historical Accidents, Soon Forgotten.

When We Ignore The Body, We Are More Easily Victimized By It.

Flirting Is A Promise Of Sexual Intercourse Without A Guarantee.

Laughter, On The Other Hand, " Petrarch Went On, "is An Explosion That Tears Us Away From The World And Throws Us Back Into Our Own Cold Solitude. Joking Is A Barrier Between Man And The World. Joking Is The Enemy Of Love And Poetry. That's Why I Tell You Yet Again, And You Want To Keep In Mind: Boccaccio Doesn't Understand Love. Love Can Never Be Laughable. Love Has Nothing In Common With Laughter.

The Word Change, So Dear To Our Europe, Has Been Given A New Meaning: It No Longer Means A New Stage Of Coherent Development (as It Was Understood By Vico, Hegel Or Marx), But A Shift From One Side To Another, From Front To Back, From The Back To The Left, From The Left To The Front (as Understood By Designers Dreaming Up The Fashion For The Next Season).

Chance And Chance Alone Has A Message For Us. Everything That Occurs Out Of Necessity, Everything Expected, Repeated Day In And Day Out, Is Mute. Only Chance Can Speak To Us.

Mysticism And Exaggeration Go Together. A Mystic Must Not Fear Ridicule If He Is To Push All The Way To The Limits Of Humility Or The Limits Of Delight.

Exaggeration Is

Yes, The Essence Of Every Love Is A Child, And It Makes No Difference At All Whether It Has Ever Actually Been Conceived Or Born. In The Algebra Of Love A Child Is The Symbol Of The Magical Sum Of Two Beings.

Metaphors Are Dangerous. Love Begins With A Metaphor

Unbearable Lightness Of Being

What's The Matter?" He Asked "nothing" "what Do You Want Me To Do For You?" "i Want You To Be Old. Ten Years Older. Twenty Years Older" What She Meant Was: I Want You To Be Weak. As Weak As I Am.

All Previous Crimes Of The Russian Empire Had Been Committed Under The Cover Of A Discreet Shadow. The Deportation Of A Million Lithuanians, The Murder Of Hundreds Of Thousands Of Poles, The Liquidation Of The Crimean Tatars Remain In Our Memory, But No Photographic Documentation Exists; Sooner Or Later They Will Therefore Be Proclaimed As Fabrications.

Only After A While Did It Occur To Me (in Spite Of The Chilly Silence Which Surrounded Me) That My Story Was Not Of The Tragic Sort, But Rather Of The Comic Variety. At Any Rate That Afforded Me Some Comfort.

Dogs Are Our Link To Paradise. They Don't Know Evil Or Jealousy Or Discontent.

For A Novelist, A Given Historic Situation Is An Anthropologic Laboratory In Which He Explores His Basic Question: What Is Human Existence?

And What Can Life Be Worth If The First Rehearsal For Life Is Life Itself?

You Can Understand Nothing About Art, Particularly Modern Art, If You Do Not Understand That Imagination Is A Value In Itself.

The Stupidity Of People Comes From Having An Answer For Everything. The Wisdom Of The Novel Comes From Having A Question For Everything.

Extremism Means Borders Beyond Which Life Ends, And A Passion For Extremism, In Art And In Politics, Is A Veiled Longing For Death.

Dogs Are Our Link To Paradise.

The Novelist's Ambition Is Not To Do Something Better Than His Predecessors But To See What They Did Not See, Say What They Did Not Say.

We Can Never Establish With Certainty What Part Of Our Relations With Others Is The Result Of Our Emotions - Love, Antipathy, Charity, Or Malice - And What Part Is Predetermined By The Constant Power Play Among Individuals.

Immortality No Longer Interests The Weary Old Man At All.

From The Top Of The Staircase She Sees The London Train, Modern And Elegant, And She Tells Herself Again: Whether It's Good Luck Or Bad To Be Born Onto This Earth, The Best Way To Spend A Life Here Is To Let Yourself Be Carried Along, As I Am Moving At This Moment, By A Cheerful, Noisy Crowd Moving Forward.

Even At The Age Of Eight She Would Fall Asleep By Pressing One Hand Into The Other And Making Believe She Was Holding The Hand Of The Man Whom She Loved, The Man Of Her Life. So If In Her Sleep She Pressed Tomas Hand With Such Tenacity, We Can Understand Why: She Had Been Training Since Childhood.

He Took Over Anger To Intimidate Subordinates, And In Time Anger Took Over Him.

Art Is The Human Disposition Of Sensible Or Intelligible Matter For An Esthetic End.

Through The Air Floated Only Important Words, And Flajsman Said To Himself That Love Has But One True Measure, And That Is Death. At The End Of True Love Is Death, And Only The Love That Ends In Death Is Love.

Fortunately, I Read (the Books) Without Knowing What I Was In For, And The Best Thing That Can Ever Happen To A Reader Happened To Me: I Loved Something That, By Conviction (or By My Nature) I Should Not Have Loved

High Culture Is Nothing But A Child Of That European Perversion Called History, The Obsession We Have With Going Forward, With Considering The Sequence Of Generations A Relay Race In Which Everyone Surpasses His Predecessor, Only To Be Surpassed By His Successor. Without This Relay Race Called History There Would Be No European Art And What Characterizes It: A Longing For Originality, A Longing For Change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, They're All Runners In The Relay Race, They All Belong To The Same Stadium.

Perhaps If They Had Stayed Together Longer, Sabina And Franz Would Have Begun To Understand The Words They Used. Gradually, Timorously, Their Vocabularies Would Have Come Together, Like Bashful Lovers, And The Music Of One Would Have Begun To Intersect With The Music Of The Other. But It Was Too Late Now.

Draw A Line; Draw A Line That Pleases You. And Remember That It Is Not The Artist's Role To Copy The Outlines Of Things But To Create A World Of His Own Lines On Paper." (pp.28-29)

The Basis Of Shame Is Not Some Personal Mistake Of Ours, But The Ignominy, The Humiliation We Feel That We Must Be What We Are Without Any Choice In The Matter, And That This Humiliation Is Seen By Everyone.

We Pass Through The Present With Our Eyes Blindfolded. We Are Permitted Merely To Sense And Guess At What We Are Actually Experiencing. Only Later When The Cloth Is Untied Can We Glance At The Past And Find Out What We Have Experienced And What Meaning It Has.

I Cannot Hate Them Because Nothing Binds Me To Them; I Have Nothing In Common With Them.

Culture Is Perishing In Overproduction, In An Avalanche Of Words, In The Madness Of Quantity.

Which Doesn't Mean, Of Course, That I'd Stopped Loving Her, That I'd Forgotten Her, Or That Her Image Had Paled; On The Contrary; In The Form Of A Quiet Nostalgia She Remained Constantly Within Me; I Longed For Her As One Longs For Something Definitively Lost.

Eroticism Is Like A Dance: One Always Leads The Other.

What Is Unique About The "i" Hides Itself Exactly In What Is Unimaginable About A Person. All We Are Able To Imagine Is What Makes Everyone Like Everyone Else, What People Have In Common. The Individual "i" Is What Differs From The Common Stock, That Is, What Cannot Be Guessed At Or Calculated, What Must Be Unveiled, Uncovered, Conquered.

The Source Of Anxiety Lies In The Future. If You Can Keep The Future Out Of Mind, You Can Forget Your Worries.

No One Can Get Really Drunk On A Novel Or A Painting, But Who Can Help Getting Drunk On Reethoven's Ninth, Rartok's Sonata For Two Pianos And Percussion, Or The Reatles' White Album?

There Is Such A Thing As Everyday, Ordinary, Vulgar Ecstasy; The Ecstasy Of Anger, The Ecstasy Of Speed At The Wheel, The Ecstasy Of Ear-splitting Noise, Ecstasy In The Soccer Stadium.

Only A Literary Work That Reveals An Unknown Fragment Of Human Existence Has A Reason For Being.

The Serial Number Of A Human Specimen Is The Face, That Accidental And Unrepeatable Combination Of Features. It Reflects Neither Character Nor Soul, Nor What We Call The Self. The Face Is Only The Serial Number Of A Specimen

Sometimes You Make Up Your Mind About Something Without Knowing Why, And Your Decision Persists By The Power Of Inertia. Every Year It Gets Harder To Change.

This Was Exactly What The Girl Had Most Dreaded All Her Life And Had Scrupulously Avoided Until Now: Lovemaking Without Emotion Or Love. She Knew That She Had Crossed The Forbidden Boundary, But She Proceeded Across It Without Objections And As A Full Participant; Only Somewhere, Far Off In A Corner Of Her Consciousness, Did She Feel Horror At The Thought That She Had Never Known Such Pleasure, Never So Much Pleasure As At This Moment--beyond That Boundary.

Love Is The Longing For The Half Of Ourselves We Have Lost.

Because Beyond Their Practical Function, All Gestures Have A Meaning That Exceeds The Intention Of Those Who Make Them; When People In Bathing Suits Fling Themselves Into The Water, It Is Joy Itself That Shows In The Gesture, Notwithstanding Any Sadness The Divers May Actually Feel. When Someone Jumps Into The Water Fully Clothed, It Is Another Thing Entirely: The Only Person Who Jumps Into The Water Fully Clothed Is A Person Trying To Drown; And A Person Trying To Drown Does Not Dive Headfirst; He Lets Himself Fall: Thus Speaks The Immemorial Language Of Gestures.

Noise Has One Advantage. It Drowns Out Words.

Indeed, The Only Truly Serious Questions Are Ones That Even A Child Can Formulate. Only The Most Naive Of Questions Are Truly Serious.

Questions And Answers

Listening To A News Broadcast Is Like Smoking A Cigarette And Crushing The Butt In The Ashtray.

Metaphors Are Dangerous. Metaphors Are Not To Be Trifled With.

Facts Mean Little Compared To Attitudes. To Contradict Rumor Or Sentiment Is As Futile As Arguing Against A Believer's Faith In The Immaculate Conception. You Have Simply Become A Victim Of Faith, Comrade Assistant.

Two People In Love, Alone, Isolated From The World, That's Very Beautiful. But What Would They Nourish Their Intimate Talk With? However Contemptible The World May Be, They Still Need It To Be Able To Talk Together.

But Man, Because He Has Only One Life To Live, Cannot Conduct Experiments To Test Whether To Follow His Passion (compassion) Or Not.

... Characters Are Not Born Like People, Of Woman; They Are Born Of A Situation, A Sentence, A Metaphor Containing In A Nutshell A Basic Human Possibility That The Author Thinks No One Else Has Discovered Or Said Something Essential About.

On The Surface, An Intelligible Lie; Underneath, The Unintelligible Truth.

Unbearable Lightness Of Being

Living, There Is No Happiness In That. Living: Carrying One’s Painful Self Through The World. But Being, Being Is Happiness. Being: Becoming A Fountain, A Fountain On Which The Universe Falls Like Warm Rain.

A Great Deal Has Been Said About Love At First Sight; I Am Perfectly Aware Of Love's Retrospective Tendency To Make A Legend Of Itself, Turn Its Beginnings Into Myth; So I Don't Want To Assert That It Was Love; But I Have No Doubt There Was A Kind Of Clairvoyance At Work: I Immediately Felt, Sensed, Grasped The Essence Of Lucie's Being Or, To Be More Precise, The Essence Of What She Was Later To Become For Me; Lucie Had Revealed Herself To Me The Way Religious Truth Reveals Itself.

Art Arises From Sources Other Than Logic." (p.32)

Isn't Beer The Holy Libation Of Sincerity? The Potion That Dispels All Hypocrisy, Any Charade Of Fine Manners? The Drink That Does Nothing Worse Than Incite Its Fans To Urinate In All Innocence, To Gain Weight In All Frankness?

When His Wife Was At His Side, She Was Also In Front Of Him, Marking Out The Horizon Of His Life. Now The Horizon Is Empty: The View Has Changed.

I Want You To Be Weak. As Weak As I Am.

Beauty Is A Rebellion Against Time.

From Tender Youth We Are Told By Father And Teacher That Betrayal Is The Most Heinous Offence Imaginable. But What Is Betrayal?betrayal Means Breaking Ranks And Breaking Off Into The Unknown. Sabina Knew Of Nothing More Magnificent Than Going Off Into The Unknown.

Believe Me, Nothing Is More Beautiful Than To Carry Out Crazy Ideas. I'd Like My Whole Life To Be One Single Crazy Idea.

Memory Does Not Make Films, It Makes Photographs.

She Loved To Walk Down The Street With A Book Under Her Arm. It Had The Same Significance For Her As An Elegant Cane For The Dandy A Century Ago. It Differentiated Her From Others.

Tell Me, Where In Life Is There A Value That Would Make Us Consider Suicide Uncalled For On Principle! Love? Or Friendship? I Guarantee That Friendship Is Not A Bit Less Fickle Than Love And It Is Impossible To Build Anything On It. Self-love? I Wish It Were Possible.

Guarantees That

Suspending Moral Judgment Is Not The Immorality Of The Novel; It Is Its Morality. The Morality That Stands Against The Ineradicable Human Habit Of Judging Instantly, Ceaselessly, And Everyone; Of Judging Before, And In The Absence Of, Understanding. From The Viewpoint Of The Novel's Wisdom, That Fervid Readiness To Judge Is The Most Detestable Stupidity, The Most Pernicious Evil.

People Are Always Shouting They Want To Create A Better Future. It's Not True. The Future Is An Apathetic Void Of No Interest To Anyone.

...[p]eople Who Shout Joy From The Rooftops Are Often The Saddest Of All... (p.24)

A Route Differs From A Road Not Only Because It Is Solely Intended For Vehicles, But Also Because It Is Merely A Line That Connects One Point With Another. A Route Has No Meaning In Itself; Its Meaning Derives Entirely From The Two Points That It Connects. A Road Is A Tribute To Space. Every Stretch Of Road Has Meaning In Itself And Invites Us To Stop. A Route Is The Triumphant Devaluation Of Space, Which Thanks To It Has Been Reduced To A Mere Obstacle To Human Movement And A Waste Of Time.

The Man Hunched Over His Motorcycle Can Focus Only On The Present... He Is Caught In A Fragment Of Time Cut Off From Both The Past And The Future... He Has No Fear, Because The Source Of Fear Is In The Future, And A Person Freed Of The Future Has Nothing To Fear.

A Man Possessed With Peace Is Always Smiling

Children, Never Look Back!" And This Meant That We Must Never Allow The Future To Be Weighed Down By Memory . For Children Have No Past, And That Is The Whole Secret Of The Magical Innocence Of Their Smiles.

...no One Can Do A Thing About Feelings, They Exist And There's No Way To Censor Them. We Can Reproach Ourselves For Some Action, For A Remark, But Not For A Feeling, Quite Simply Because We Have No Control At All Over It.

The Novelist Teaches The Reader To Comprehend The World As A Question.

Kitsch Causes Two Tears To Flow In Quick Succession. The First Tear Says: How Nice To See Children Running On The Grass! The Second Tear Says: How Nice To Be Moved, Together With All Mankind, By Children Running On The Grass!

Indeed, The Only Truly Serious Questions Are Ones That Even A Child Can Formulate. Only The Most Naive Of Questions Are Truly Serious. They Are The Questions With No Answers. A Question With No Answer Is A Barrier That Cannot Be Breached. In Other Words, It Is Questions With No Answers That Set The Limit Of Human Possibilities, Describe The Boundaries Of Human Existence.

Questions And Answers

Biographers Know Nothing About The Intimate Sex Lives Of Their Own Wives, But They Think They Know All About Stendhal's Or Faulkner's.

Tereza's Mother Never Stopped Reminding Her That Being A Mother Meant Sacrificing Everything. Her Words Had The Ring Of Truth, Backed As They Were By The Experience Of A Woman Who Had Lost Everything Because Of Her Child. Tereza Would Listen And Believe That Being A Mother Was The Highest Value In Life And That Being A Mother Was A Great Sacrifice. If A Mother Was Sacrifice Personified, Then A Daughter Was Guilt, With No Possibility Of Redress.

I Understood That There Was No Escaping The Memories, That I Was Surround By Them. (p.30)

The Beauty Of New York Is Unintentional; It Arose Independent Of Human Design, Like A Stalagmite Cavern.

But Was It Love? The Feeling Of Wanting To Die Beside Her Was Clearly Exaggerated: He Had Seen Her Only Once Before In His Life! Was It Simply The Hysteria Of A Man, Who, Aware Deep Down Of His Inaptitude For Love, Felt The Self-deluding Need To Simulate It?

The Irresistible Proliferation Of Graphomania Shows Me That Everyone Without Exception Bears A Potential Writer Within Him, So That The Entire Human Species Has Good Reason To Go Down Into The Streets And Shout: We Are All Writers! For Everyone Is Pained By The Thought Of Disappearing, Unheard And Unseen, Into An Indifferent Universe, And Because Of That Everyone Wants, While There Is Still Time, To Turn Himself Into A Universe Of Words. One Morning (and It Will Be Soon), When Everyone Wakes Up As A Writer, The Age Of Universal Deafness And Incomprehension Will Have Arrived.

In Irena’s Head The Alcohol Plays A Double Role: It Frees Her Fantasy, Encourages Her Boldness, Makes Her Sensual, And At The Same Time It Dims Her Memory. She Makes Love Wildly, Lasciviously, And At The Same Time The Curtain Of Oblivion Wraps Her Lewdness In An All-concealing Darkness. As If A Poet Were Writing His Greatest Poem With Ink That Instantly Disappears.

Before We Are Forgotten, We Will Be Turned Into Kitsch. Kitsch Is The Stopover Between Being And Oblivion.

Unbearable Lightness Of Being

[w]e Must Never Allow The Future To Collapse Under The Burden Of Memory.

...in Our Time Art Is Encrusted With A Noisy, Opaque, Logorrhea Of Theory That Prevents A Work From Coming Into Direct, Media Free, Non-interpreted Contact With Its Viewer (its Reader, Its Listener)

When A Private Talk Over A Bottle Of Wine Is Broadcast On The Radio, What Can It Mean But That The World Is Turning Into A Concentration Camp?

It Is Wrong To Chide The Novel For Being Fascinated By Mysterious Coincidences... But It Is Right To Chide Man For Being Blind To Such Coincidences In His Daily Life. For He Thereby Deprives His Life A Dimension Of Beauty.

Aren't We Living In A World Where Heedless Men Only Desire Decapitated Women?

Common European Thought Is The Fruit Of The Immense Toil Of Translators. Without Translators, Europe Would Not Exist; Translators Are More Important Than Members Of The European Parliament.

People Are Going Deaf Because Music Is Played Louder And Louder, But Because They're Going Deaf, It Has To Be Played Louder Still.

Tereza Knew What Happens During The Moment Love Is Born: The Woman Cannot Resist The Voice Calling Forth Her Terrified Soul; The Man Cannot Resist The Woman Whose Soul Thus Responds To His Voice.

To Rebel Against Being Born A Woman Seemed As Foolish To Her As To Take Pride In It.

Humanity's True Moral Test, Its Fundamental Test…consists Of Its Attitude Towards Those Who Are At Its Mercy: Animals.

Now Time Has A Very Different Look; It Is No Longer The Conquering Present Capturing The Future; It Is The Present Conquered And Captured And Carried Off By The Past.

I Understand You, And I Shall Not Attempt To Make You Change Your Mind. I Am Too Old To Want To Improve The World. I Have Told You What I Think, And That Is All. I Shall Remain Your Friend Even If You Act Contrary To My Convictions, And I Shall Help You Even If I Disagree With You.

Pain Doesn't Listen To Reason, It Has It's Own Reason, Which Is Not Reasonable

Even In The Game There Lurks A Lack Of Freedom; Even In A Game Is A Trap For The Players.

Aesthetic Racism Is Almost Always A Sign Of Inexperience. Those Who Have Not Made Their Way Far Enough Into The World Of Amorous Delights Judge Women Only By What Can Be Seen. But Those Who Really Know Women Understand That The Eye Reveals Only A Minute Fraction Of What A Woman Can Offer Us. When God Bade Mankind Be Fruitful And Multiply, Doctor, He Was Thinking Of The Ugly As Well As Of The Beautiful. I Am Convinced I Might Add, That The Aesthetic Criterion Does Not Come From God But From The Devil. In Paradise No Distinction Was Made Between Ugliness And Beauty.

Young Is The One That Plunges In The Future And Never Looks Back.

The Worst Thing Is Not That The World Is Unfree, But That People Have Unlearned Their Liberty.

What I Love In A Woman Is Not What She Is In And For Herself, But The Side Of Herself She Turns Towards Me, What She Is For Me. I Love Her As Character In Our Common Love Story. What Wuld Hamlet Be Without The Castle At Elsinore, Without Ophelia, Without All The Concrete Situations He Goes Through, What Would He Be Without The Text Of His Part? What Would Be Left But An Empty, Dumb, Illusory Essence?

Einmal Ist Keinmal, Says Tomas To Himself. What Happens But Once, Says The German Adage, Might As Well Not Have Happened At All. If We Have Only One Life To Live, We Might As Well Not Have Lived At All.

Unbearable Lightness Of Being

Hate Traps Us By Binding Us Too Tightly To Our Adversary.

Oh Lovers! Be Careful In Those Dangerous First Days! Once You've Brought Breakfast In Bed You'll Have To Bring It Forever, Unless You Want To Be Accused Of Lovelessness And Betrayal.

The First Step In Liquidating A People Is To Erase Its Memory. Destroy Its Books, Its Culture, Its History. Then Have Somebody Write New Books, Manufacture A New Culture, Invent A New History. Before Long That Nation Will Begin To Forget What It Is And What It Was... The Struggle Of Man Against Power Is The Struggle Of Memory Against Forgetting.

Graphomania (a Mania For Writing Books) Inevitably Takes On Epidemic Proportions When A Society Develops To The Point Of Creating Three Basic Conditions: - (1) An Elevated Level Of General Well Being Which Allows People To Devote Themselves To Useless Activities (2) A High Degree Of Social Atomization And , As A Consequence, A General Isolation Of Individuals; (3) The Absence Of Dramatic Social Changes In The Nation's Internal Life.

There Would Seem To Be Nothing More Obvious, More Tangible And Palpable Than The Present Moment. And Yet It Eludes Us Completely. All The Sadness Of Life Lies In That Fact. In The Course Of A Single Second, Our Senses Of Sight, Of Hearing, Of Smell, Register (knowingly Or Not) A Swarm Of Events And A Parade Of Sensations And Ideas Passes Through Our Head. Each Instant Represents A Little Universe, Irrevocably Forgotten In The Next Instant.

Most People Willingly Deceive Themselves With A Doubly False Faith; They Believe In Eternal Memory (of Men, Things, Deeds, Peoples) And In Rectification (of Deeds, Errors, Sins, Injustice). Both Are Sham. The Truth Lies At The Opposite End Of The Scale: Everything Will Be Forgotten And Nothing Will Be Rectified. All Rectification (both Vengeance And Forgiveness) Will Be Taken Over By Oblivion.

Her Kitsch Was The Image Of Home, All Peace, Quiet, And Harmony, And Ruled By A Loving Mother And A Wise Father. It Was An Image That Took Shape In Her After The Death Of Her Parents. The Less Her Life Resembled The Sweetest Of Dreams, The More Sensitive She Was To Its Magic, And More Than Once She Shed Tears When The Ungrateful Daughter In A Sentimental Film Embraced The Neglected Father As The Windows Of The Happy Family's House Shone Out Into The Dying Day.

Our Historical Experience Teaches Us That Men Imitate One Another, That Their Attitudes Are Statistically Calculable, Their Opinions Manipulable, And That Man Is Therefore Less An Individual (a Subject) Than An Element In A Mass.

The Important Thing Is To Abide By The Rule Of Threes. Either You See A Woman Three Times In Quick Succession And Then Never Again, Or You Maintain Relations Over The Years But Make Sure That The Rendezvous Are At Least Three Weeks Apart.

The Novel Is Not The Author's Confession; It Is An Investigation Of Human Life In The Trap The World Has Become

If We Cannot Accept The Importance Of The World, Which Considers Itself Important, If In The Midst Of That World Our Laughter Finds No Echo, We Have But One Choice: To Take The World As A Whole And Make It The Object Of Our Game; To Turn It Into A Toy

The Psychological And Physiological Mechanism Of Love Is So Complex That At A Certain Period In His Life A Young Man Must Concentrate All His Energy On Coming To Grips With It, And In This Way He Misses The Actual Content Of The Love: The Woman He Loves. (in This He Is Much Like A Young Violinist Who Cannot Concentrate On The Emotional Content Of A Piece Until The Technique Required To Play It Comes Automatically.)

No Episode Is A Priori Condemned To Remain An Episode Forever, For Every Event, No Matter How Trivial, Conceals Within Itself The Possibility Of Sooner Or Later Becoming The Cause Of Other Events And Thus Changing Into A Story Or An Adventure. Episodes Are Like Land Mines. The Majority Of Them Never Explode, But The Most Unremarkable Of Them May Someday Turn Into A Story That Will Prove Fateful To You.

In The Realm Of Totalitarian Kitsch, All Answers Are Given In Advance And Preclude Any Questions.

Unbearable Lightness Of Being

She Was Aware That In Love Even The Most Passionate Idealism Will Not Rid The Body's Surface Of Its Terrible, Basic Importance.

Only The Most Naive Of Questions Are Truly Serious.

Questions And Answers

I Was Not A Hypocrite, With One Real Face And Several False Ones. I Had Several Faces Because I Was Young And Didn't Know Who I Was Or Wanted To Be.

The Rediscovered Path, Where Were Left The Traces Of Childhood's Lost Steps.

Being In A Foreign Country Means Walking A Tightrope High Above The Ground Without The Net Afforded A Person By The Country Where He Has His Family, Colleagues, And Friends, And Where He Can Easily Say What He Has To Say In A Language He Has Known From Childhood.

The Love Between Dog And Man Is Idyllic, Dogs Were Never Expelled From Paradise.

While People Are Fairly Young And The Musical Composition Of Their Lives Is Still In Its Opening Bars, They Can Go About Writing It Together And Sharing Motifs (the Way Tomas And Sabina Exchanged The Motif Of The Bowler Hat), But If They Meet When They Are Older, Like Franz And Sabina, Their Musical Compositions Are More Or Less Complete, And Every Motif, Every Object, Every Word Means Something Different To Each Of Them.

The Only Relationship That Can Make Both Partners Happy Is One In Which Sentimentality Has No Place And Neither Partner Makes Any Claim On The Life And Freedom Of The Other.

Unbearable Lightness Of Being

Nothing Yet. I've Been Waiting." "for What?" She Made No Response. She Could Not Tell Him That She Had Been Waiting For Him.

A Mismatched Outfit, A Slightly Defective Denture, An Exquisite Mediocrity Of The Soul-those Are The Details That Make A Woman Real, Alive. The Women You See On Posters Or In Fashion Magazines-the Ones All The Women Try To Imitate Nowadays-how Can They Be Attractive? They Have No Reality Of Their Own; They're Just The Sum Of A Set Of Abstract Rules. They Aren't Born Of Human Bodies; They Hatch Ready-made From The Computers." ~the Book Of Laughter And Forgetting

Once Her Love Had Been Publicized, It Would Gain Weight, Become A Burden.

We Can Never Know What To Want, Because, Living Only One Life, We Can Neither Compare It With Our Previous Lives Nor Perfect It In Our Lives To Come.

Unbearable Lightness Of Being

The Greek Word For "return" Is Nostos. Algos Means "suffering." So Nostalgia Is The Suffering Caused By An Unappeased Yearning To Return.

Man Reckons With Immortality, And Forgets To Reckon With Death.

The Best Actors Do Not Let The Wheels Show.

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