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If Kubrick Had Lived To See The Opening Of His Final Film, He Obviously Would Have Been Disappointed By The Hostile Reactions. But I'm Sure That In The End He Would Have Taken It With A Grain Of Salt And Moved On. That's The Lot Of All True Visionaries, Who Don't See The Use Of Working In The Same Vein As Everyone Else. Artists Like Kubrick Have Minds Expansive And Dynamic Enough To Picture The World In Motion, To Comprehend Not Just Where Its Been, But Where It's Going.

-Martin Scorsese

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If Kubrick Had Lived

Martin Scorsese

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If Kubrick Had Lived To See The Opening Of His Final Film, He Obviously Would Have Been Disappointed By The Hostile Reactions. But I'm Sure That In The End He Would Have Taken It With A Grain Of Salt And Moved On. That's The Lot Of All True Visionaries, Who Don't See The Use Of Working In The Same Vein As Everyone Else. Artists Like Kubrick Have Minds Expansive And Dynamic Enough To Picture The World In Motion, To Comprehend Not Just Where Its Been, But Where It's Going.

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I Do Know That Some Buddhists Are Able To Attain Peace Of Mind.

I Still Dislike Phones, Yeah!

I'm Not A Hollywood Director. I'm An In Spite Of Hollywood Director.

More Personal Films, You Could Make Them, But Your Budgets Would Be Cut Down.

I Think What Happened There Was Just The Budget Would Be Too Big To Build These Sets Because Nothing Really Exists Here In New York Of That Period; You Have To Build It All.

I Certainly Wasn't Able To Get It When I Was A Kid Growing Up On The Lower East Side; It Was Very Hard At That Time For Me To Balance What I Really Believed Was The Right Way To Live With The Violence I Saw All Around Me - I Saw Too Much Of It Among The People I Knew.

Watching A Kubrick Film Is Like Gazing Up At A Mountaintop. You Look Up And Wonder, How Could Anyone Have Climbed That High?

I'm Trying To Find Out What The Hell We - Who We Are.

Hong Kong Cinema Is Something You Can't Duplicate Anyway.

Film In The 20th Century, It's The American Art Form, Like Jazz.

The Problem With Anger Is That It's So Consuming. You've Got To Take It Easy On Yourself At A Certain Point.

I Don't Think There's A Subject Matter That Can't Absorb 3-d; That Can't Tolerate The Addition Of Depth As A Storytelling Technique.

My Whole Life Has Been Movies And Religion. That's It. Nothing Else.

I'm In A Different Chapter Of My Life. As Time Goes By And I Grow Older, I Find That I Need To Just Be Quiet And Think. There Have Been Periods When I've Locked Myself Away For Days, But Now It's Different - I'm Married And We Have A Daughter Who Is In My Office The Whole Time.

I Accept All Awards. I Like Them.

I'm Obsessed With New York. I Just Find It So Remarkable. You Really Treasure This City When You Go To Different Countries And You See That There Is No Mix. When You Get Back To The City, It's Such An Exciting Place.

It Did Remind Me Of Something Out Of Greek Mythology - The Richest King Who Gets Everything He Wants, But Ultimately His Family Has A Curse On It From The Gods.

If Everything Moves Along And There Are No Major Catastrophes We're Basically Headed Towards Holograms.

I Grew Up Within Italian-american Neighborhoods, Everybody Was Coming Into The House All The Time, Kids Running Around, That Sort Of Stuff, So When I Finally Got Into My Own Area, So To Speak, To Make Films, I Still Carried On.

In Truly Great Films - The Ones That People Need To Make, The Ones That Start Speaking Through Them, The Ones That Keep Moving Into Territory That Is More And More Unfathomable And Uncomfortable - Nothing's Ever Simple Or Neatly Resolved. You're Left With A Mystery.

I Just - I Kind Of See It That Way. I Find The Higher Angles Down. I Do - Look, You Can Go Back To The Staircase Shots In "third Man" Or The Staircase In "la Dolce Vita." So I Just Find That Visual Construction In A Frame.

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Salva Kiir Mayardit

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