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I Was Rather Shaken By All The Green Trees. I Always Am. It Gets Me. I Don't Want To Be Funny About It But I Am. I Loved Seeing All The Westerns, But I Had Asthma And Couldn't Go Anywhere, But I Loved Watching Them In Technicolor And Seeing The Cowboys And The Landscapes Of Monument Valley And You'd See The Forests Of The Anthony Mann Films And Think, 'wow, That's Fantastic', But I Could Never Go There!

-Martin Scorsese

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I Was Rather Shaken

Martin Scorsese

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I Was Rather Shaken By All The Green Trees. I Always Am. It Gets Me. I Don't Want To Be Funny About It But I Am. I Loved Seeing All The Westerns, But I Had Asthma And Couldn't Go Anywhere, But I Loved Watching Them In Technicolor And Seeing The Cowboys And The Landscapes Of Monument Valley And You'd See The Forests Of The Anthony Mann Films And Think, 'wow, That's Fantastic', But I Could Never Go There!

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There Are Times When You Have To Face Your Enemies, Sit Down And Deal With It.

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When I'm Making A Film, I'm The Audience.

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Music And Film Are Inseparable. They Always Have Been And Always Will Be.

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There's A Way That The Force Of Disappointment Can Be Alchemized Into Something That Will Paradoxically Renew You.

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You've Got To Love Something Enough To Kill It.

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Popular Music Formed The Soundtrack Of My Life.

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A Panoramic Vision Of Bob Dylan, His Music, His Shifting Place In American Culture, From Multiple Angles. In Fact, Reading Sean Wilentz's Bob Dylan In America Is As Thrilling And Surprising As Listening To A Great Dylan Song.

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I Was Saying As A Joke The Other Day That I Love Film Editing, I Know How To Cut A Picture, I Think I Know How To Shoot It, But I Don't Know How To Light It. And I Realize It's Because I Didn't Grow Up With Light. I Grew Up In Tenements.

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Pursuit Of Happiness

I Just Wanted To Be An Ordinary Parish Priest.

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I Grew Up In The Lower East Side, An Italian American - More Sicilian, Actually.

Food Tells You Everything About The Way People Live And Who They Are.

People Have To Start Talking To Know More About Other Cultures And To Understand Each Other.

There Are Two Kinds Of Power You Have To Fight. The First Is The Money, And That's Just Our System. The Other Is The People Close Around You, Knowing When To Accept Their Criticism, Knowing When To Say No.

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I Love Movies - It's My Whole Life, And That's It.

The Most Important Thing Is The Script.

If It's A Modern-day Story Dealing With Certain Ethnic Groups, I Think I Could Open Up Certain Scenes For Improvisation, While Staying Within The Structure Of The Script.

Violence Is Not The Answer, It Doesn’t Work Any More. We Are At The End Of The Worst Century In Which The Greatest Atrocities In The History Of The World Have Occurred... The Nature Of Human Beings Must Change. We Must Cultivate Love And Compassion.

Being Independent... Is Being Innovative Out Of Inspiration As Well As Necessity.

The Real Truth, I Thought, In Terms Of What Faith Is And What Christianity Is.

I Would Ask: Given The Nature Of Free-market Capitalism - Where The Rule Is To Rise To The Top At All Costs - Is It Possible To Have A Financial Industry Hero? And By The Way, This Is Not A Pop-culture Trend We're Talking About. There Aren't Many Financial Heroes In Literature, Theater Or Cinema.

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If I'm Not Complaining, I'm Not Having A Good Time, Hah Hah!

Having A Good Time

Working With Hbo Was An Opportunity To Experience Creative Freedom And 'long-form Development' That Filmmakers Didn't Have A Chance To Do Before The Emergence Of Shows Like 'the Sopranos.'

I Wouldn't Presume To Be God's Point Of View.

I Still Dislike Phones, Yeah!

Michael Jackson Was Extraordinary. When We Worked Together On 'bad,' I Was In Awe Of His Absolute Mastery Of Movement On The One Hand, And Of The Music On The Other. Every Step He Took Was Absolutely Precise And Fluid At The Same Time. It Was Like Watching Quicksilver In Motion. He Was Wonderful To Work With, An Absolute Professional At All Times, And It Really Goes Without Saying... A True Artist. It Will Be A While Before I Can Get Used To The Idea That He's No Longer With Us.

I'm Obsessed With New York. I Just Find It So Remarkable. You Really Treasure This City When You Go To Different Countries And You See That There Is No Mix. When You Get Back To The City, It's Such An Exciting Place.

That Subject Matter Has Never Left Me...the More You're In The Material World, The More There Is A Tendency For A Search For Serenity And A Need To Not Be Distracted By Physical Elements That Are Around You.

And As I've Gotten Older, I've Had More Of A Tendency To Look For People Who Live By Kindness, Tolerance, Compassion, A Gentler Way Of Looking At Things.

Oh, The Foghorns... Even The Foghorns, They're All Brass. It's Something By Ingrid Marshal Called Fog Tropes. It's Not A Sound Effect. It's An Actual Piece Of Music. If You Listen To What's Going On After He Has A Flashback About His Wife You'll Hear... It Sounds Like The Humpback Whales In A Way. But It's All Music. And We Use It Again Later, Too.

You've Got To Protect Whatever Creative Talent You Have Left.

There Must Be People Who Remember World War Ii And The Holocaust Who Can Help Us Get Out Of This Rut.

An Interviewer Once Asked Me To Discuss My Collaboration With Elmer Bernstein, And Precisely Why I Chose To Work With Him. My First Thought Was: How Could I Not Work With Elmer, When I Had The Chance? Simply Put, He's The Best There Is-the Very Best.

As A Kid I Watched The Academy Awards On Television And Always Wanted One - Or Several - Like One Of My Favorite Directions, John Ford. He Won Six. On The Other Hand, Orson Welles, Who's On The Top Of My List, Didn't Win Any. Alfred Hitchcock Didn't Win Any. Howard Hawks Didn't Win Any.

All My Life, I Never Really Felt Comfortable Anywhere In New York, Except Maybe In An Apartment Somewhere.

In Truly Great Films - The Ones That People Need To Make, The Ones That Start Speaking Through Them, The Ones That Keep Moving Into Territory That Is More And More Unfathomable And Uncomfortable - Nothing's Ever Simple Or Neatly Resolved. You're Left With A Mystery.

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Cathy Guisewite

E. F. Schumacher

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