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What I React Against In Other People's Work, As A Filmgoer, Is When I See Something In A Movie That I Feel Is Supposed To Make Me Feel Emotional, But I Don't Believe The Filmmaker Shares That Emotion. They Just Think The Audience Will. And I Think You Can Feel That Separation. So Any Time I Find Myself Writing Something That I Don't Really Respond To, But I'm Telling Myself, 'oh Yes, But The Audience Is Going To Like This,' Then I Know I'm On The Wrong Track And I Just Throw It Out.

-Christopher Nolan

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What I React Against

Christopher Nolan

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What I React Against In Other People's Work, As A Filmgoer, Is When I See Something In A Movie That I Feel Is Supposed To Make Me Feel Emotional, But I Don't Believe The Filmmaker Shares That Emotion. They Just Think The Audience Will. And I Think You Can Feel That Separation. So Any Time I Find Myself Writing Something That I Don't Really Respond To, But I'm Telling Myself, 'oh Yes, But The Audience Is Going To Like This,' Then I Know I'm On The Wrong Track And I Just Throw It Out.

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I've Done Really Well So Far In My Career By Trusting The Audience To Be As Dissatisfied With Convention As I Am, As A Film-goer. You Want To Go See A Film That Surprises You In Some Way.

I Have Been Interested In Dreams, Really Since I Was A Kid. I Have Always Been Fascinated By The Idea That Your Mind, When You Are Asleep, Can Create A World In A Dream And You Are Perceiving It As Though It Really Existed.

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Superheroes Fill A Gap In The Pop Culture Psyche, Similar To The Role Of Greek Mythology. There Isn't Really Anything Else That Does The Job In Modern Terms. For Me, Batman Is The One That Can Most Clearly Be Taken Seriously.

I Don't Ever Like To Feel Myself In The Position To Demand Of An Actor That They Trust I'm Going To Do Something Worthwhile. I Feel A Responsibility To Articulate What It Is I'm Going To Do. Whether That's Showing Them A Full Script Or Sitting Down With Them And Describing My Ideas In Detail. It's A Very Healthy Burden On Me As A Film Director To Be Able To Articulate What I Want To Do, To Inspire Actors, Rather Than Just Saying, Take It On Trust I'll Be Able To Do Something Worthwhile.

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It's Always A Fun Collaboration With My Brother. I'm Very Fortunate To Be Able To Work With Him. There's An Honesty To Collaboration. There's A Lack Of A Gender Or Ego In Our Conversations. And So You Can Really Throw Anything Around.

I Try To Be As Efficient As Possible Because In My Process, I Think That Actually Helps The Work. I Like Having The Pressure Of Time And Money And Really Trying To Stick To The Parameters We've Been Given.

I Like Films That Continue To Spin Your Head In All Sorts Of Different Directions After You've Seen Them.

I Don't Particularly Enjoy Watching Films In 3d Because I Think That A Well-shot And Well-projected Film Has A Very Three-dimensional Quality To It, So I'm Somewhat Sceptical Of The Technology.

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There Are Points Where You Worry That You Might Be Putting Too Much In And Alienating The Audience. But, Funnily Enough, Some Of Those Fears Aren't Correct.

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The Thing You Fail To Grasp Is That People Are Not Basically Good. We Are Basically Selfish. We Shove And Clamour And Cry For Adoration, And Beat Down Everyone Else To Get It. Life Is A Competition Of Prattling Peacocks Enraptured In Inane Mating Rituals. But For All Our Effacing And Self-importance, We Are All Slaves To What We Fear Most. You Have So Very Much To Learn. Here. Let Me Teach You.

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I Always Find Myself Gravitating To The Analogy Of A Maze. Think Of Film Noir And If You Picture The Story As A Maze, You Don't Want To Be Hanging Above The Maze Watching The Characters Make The Wrong Choices Because It's Frustrating. You Actually Want To Be In The Maze With Them, Making The Turns At Their Side, That Keeps It More Exciting...i Quite Like To Be In That Maze.

As Soon As Television Became The Only Secondary Way In Which Films Were Watched, Films Had To Adhere To A Pretty Linear System, Whereby You Can Drift Off For Ten Minutes And Go And Answer The Phone And Not Really Lose Your Place.

I Think There's A Vague Sense Out There That Movies Are Becoming More And More Unreal. I Know I've Felt It.

I Have Always Been A Big Fan Of The Character And Am More Of A Moviegoer Than A Comic Book Guy, There Is Always Something About The Character Of Batman That Is Very Elemental. There Is A Great Powerful Myth To The Character And Romantic Element That Draws From A Lot Of Literary Sources

There's Very Few Directors I Think In This Industry That Would Pitch To A Studio That They Wanted To Do A Multi-layered Almost At Times Existential High Action, High Drama Surreal Film That's Sort Of Locked In His Mind. And Then Have An Opportunity To Do That.

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I've Been Fascinated By Dreams My Whole Life, Since I Was A Kid, And I Think The Relationship Between Movies And Dreams Is Something That's Always Interested Me.

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When I Look At A Digitally Acquired And Projected Image, It Looks Inferior Against An Original Negative Anamorphic Print Or An Imax One.

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Well, You Always Discover A Lot In The Editing Room. Particularly The Action, Because You Have To Over-shoot A Lot And Shoot An Enormous Amount Of Material Because Many Of The Sequences Have To Be Discovered In The Editing And Manipulation Of It.

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Don't Talk Like One Of Them. You're Not! Even If You'd Like To Be. To Them, You're Just A Freak, Like Me! They Need You Right Now, But When They Don't, They'll Cast You Out, Like A Leper! You See, Their Morals, Their Code, It's A Bad Joke. Dropped At The First Sign Of Trouble. They're Only As Good As The World Allows Them To Be. I'll Show You. When The Chips Are Down, These... These Civilized People, They'll Eat Each Other. See, I'm Not A Monster. I'm Just Ahead Of The Curve. -the Joker

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When You Play A Videogame, You Could Be A Completely Different Person Than You Are In The Real World, Certain Aspects Of The Way Your Brain Works Can Be Leveraged For Something You Could Never Do In The Real World.

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When You Start Really Thinking About The Potential Of The Human Mind And Its Ability To Create An Entire World While You're Sleeping, I Come Away Feeling Like Our Minds Are Not Remotely Understood By Science.

I'm Not A Big Dreamer. I Never Have Been.the Only Thing I've Sort Of Obviously Extracted From The Research Of Dreams Is That I Don't Think There's A Specific Science You Can Put On Dream Psychology. I Think That It's Up To, Obviously, The Individual. Obviously, We Suppress Things, Emotions, Things During The Day - Thoughts That We Obviously Haven't Thought Through Enough, And In That State Of Sleep When Our Subconscious Or Mind Just Sort Of Randomly Fires Off Different Surreal Story Structures, And When We Wake Up We Should Pay Attention To These Things.

People Want To See Something That Shows Them You Can Do What You Say. That's The Trick.

For Me, As A Film Goer, I Like Nothing More Than To Sit In The Cinema, Have The Lights Go Down And Not Know What I'm About To See Or Unfold On-screen. Every Time We Go To Make A Film, We Do Everything We Can To Try To Systematise Things So We're Able To Make The Film In Private, So That When It's Finished It's Up To The Audience To Make Of It What They Will.

Films Are Subjective - What You Like, What You Don't Like. But The Thing For Me That Is Absolutely Unifying Is The Idea That Every Time I Go To The Cinema And Pay My Money And Sit Down And Watch A Film Go Up On-screen, I Want To Feel That The People Who Made That Film Think It's The Best Movie In The World, That They Poured Everything Into It And They Really Love It. Whether Or Not I Agree With What They've Done, I Want That Effort There - I Want That Sincerity. And When You Don't Feel It, That's The Only Time I Feel Like I'm Wasting My Time At The Movies.

If I Could Steal Someone's Dream Myself, I'd Have To Go For One Of Orson Welles.

But, In Each Case, As A Filmmaker Who's Been Given Sizable Budgets With Which To Work, I Feel A Responsibility To The Audience To Be Shooting With The Absolute Highest Quality Technology That I Can And Make The Film In A Way That I Want.

Yes, To Me That's One Of The Most Compelling Fears In Film Noir And The Psychological Thriller Genre - That Fear Of Conspiracy. It's Definitely Something That I Have A Fear Of - Not Being In Control Of Your Own Life. I Think That's Something People Can Relate To, And Those Genres Are Most Successful When They Derive The Material From Genuine Fears That People Have.

Batman And Superman Are Very Different Characters But They're Both Iconic And Elemental. Finding The Right Story For Them Both Is The Key.

I've Always Believed That If You Want To Really Try And Make A Great Film, Not A Good Film, But A Great Film, You Have To Take A Lot Of Risks.

As Far As The Dreams Go, Really I Would Only Point To There Are Times In My Life Where I Experienced Lucid Dreaming, Which Is A Big Feature Of Inception - The Idea Of Realizing You're In A Dream And Therefore Trying To Change Or Manipulate It In Some Way. That's A Very Striking Experience For People Who Have It.

To Me, The Most Interesting Approach To Film Noir Is Subjective. The Genre Is Really All About Not Knowing What's Going On Around You, And That Fear Of The Unknown. The Only Way To Do That Effectively Is To Really Get Into The Maze, Rather Than Look At The Maze From Above, So That's Where I Sort Of Come At It.

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The Term 'genre' Eventually Becomes Pejorative Because You're Referring To Something That's So Codified And Ritualised That It Ceases To Have The Power And Meaning It Had When It First Started.

What Drew Me To Batman In The First Place Was Bruce Wayne's Story, And That He's A Real Character Whose Story Begins In Childhood. He's Not A Fully Formed Character Like James Bond, So What We're Doing Is Following The Journey Of This Guy From A Child Who Goes Through This Horrible Experience Of Becoming This Extraordinary Character. That, For Me, Became A Three-part Story. And Obviously The Third Part Becomes The Ending Of The Guy's Story.

To Be Honest, I Don't Enjoy Watching Movies Much When I'm Working. They Tend To Fall Apart On Me A Bit.

Revenge Is A Particularly Interesting Concept, Especially The Notion Of Whether Or Not It Exists Outside Of Just An Abstract Idea.

I Never Considered Myself A Lucky Person. I'm The Most Extraordinary Pessimist. I Truly Am.

George Lazenby Is No One's Favorite James Bond, But For Me The Anonymity At The Center Of This Lavish Production Only Serves To Reveal The Bond Machine Firing On All Cylinders: Superb Editing And Photography, Incredible Score, Great Setpieces. The Most Romantic In The Series, And It Actually Has, Of All Things, A Tragic Ending.

I Like Films Where The Music And The Sound Design, At Times, Are Almost Indistinguishable.

If You're Going To Perform Inception, You Need Imagination. You Need The Simplest Version Of The Idea-the One That Will Grow Naturally In The Subject's Mind. Subtle Art.

Heist Movies Tend To Be A Bit Superficial, Glamorous, And Fun. They Don't Tend To Be Emotionally Engaging.

I Will Miss The Batman. I Like To Think That He'll Miss Me, But He's Never Been Particularly Sentimental.

I Don't Actually Tend To Do A Lot Of Research When I'm Writing. I Do Know Because I Think A Lot Of What I Find You Want To Do With Research Is Just Confirming Things You Want To Do. If The Research Contradicts What You Want To Do, You Tend To Go Ahead And Do It Anyway.

I Like Films That Don't Have That Unonimity Of A Response; That Don't Have Consensus In The Audience. What It Is Essentially For Me Is That If You Go Back And Watch The Film A Second Time, Do You Feel That You've Been Played Fair With? Are All The Clues In Place? Indeed, Sometimes These Things Are Even Overstated. Specifically, For That Reason.

To Me, Any Kind Of Filmmaking That's Reactive Is Not Going To Be As Good As Something More Inventive And Original.

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What I React Against In Other People's Work, As A Filmgoer, Is When I See Something In A Movie That I Feel Is Supposed To Make Me Feel Emotional, But I Don't Believe The Filmmaker Shares That Emotion. They Just Think The Audience Will. And I Think You Can Feel That Separation. So Any Time I Find Myself Writing Something That I Don't Really Respond To, But I'm Telling Myself, 'oh Yes, But The Audience Is Going To Like This,' Then I Know I'm On The Wrong Track And I Just Throw It Out.

Writing, For Me, Is A Combination Of Objective And Subjective Approach. You Take An Objective Approach At Times To Get You Through Things, And You Take A Subjective Approach At Other Times, And That Allows You To Find An Emotional Experience For The Audience.

I Studied English Literature. I Wasn’t A Very Good Student, But One Thing I Did Get From It, While I Was Making Films At The Same Time With The College Film Society, Was That I Started Thinking About The Narrative Freedoms That Authors Had Enjoyed For Centuries And It Seemed To Me That Filmmakers Should Enjoy Those Freedoms As Well.

For Me, Batman Is The One That Can Most Clearly Be Taken Seriously. He's Not From Another Planet, Or Filled With Radioactive Gunk. I Mean, Superman Is Essentially A God, But Batman Is More Like Hercules: He's A Human Being, Very Flawed, And Bridges The Divide.

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