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Period Films To Me Are Very Often Alienating To The Audience. There's Very Often A Formality. A Staunchy Quality To Them That Comes From The Misenscene. It Also Comes From The Performances Of The Actors, Because They're Acting Victorian Which Really Means That They're Just Acting The Way They've Seen Previous Actors Act Victorian.

-Christopher Nolan

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Period Films To Me

Christopher Nolan

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Period Films To Me Are Very Often Alienating To The Audience. There's Very Often A Formality. A Staunchy Quality To Them That Comes From The Misenscene. It Also Comes From The Performances Of The Actors, Because They're Acting Victorian Which Really Means That They're Just Acting The Way They've Seen Previous Actors Act Victorian.

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Period Films To Me Are Very Often Alienating To The Audience. There's Very Often A Formality. A Staunchy Quality To Them That Comes From The Misenscene. It Also Comes From The Performances Of The Actors, Because They're Acting Victorian Which Really Means That They're Just Acting The Way They've Seen Previous Actors Act Victorian.

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But, In Each Case, As A Filmmaker Who's Been Given Sizable Budgets With Which To Work, I Feel A Responsibility To The Audience To Be Shooting With The Absolute Highest Quality Technology That I Can And Make The Film In A Way That I Want.

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I Never Considered Myself A Lucky Person. I'm The Most Extraordinary Pessimist. I Truly Am.

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When I Look At A Digitally Acquired And Projected Image, It Looks Inferior Against An Original Negative Anamorphic Print Or An Imax One.

My Approach With Actors Is To Try And Give Them Whatever It Is They Need From Me. Direction To Me Is About Listening And Responding And Realizing How Much They Need To Know From Me And How Much They Have Figured Out For Themselves, Really.

Well, You Always Discover A Lot In The Editing Room. Particularly The Action, Because You Have To Over-shoot A Lot And Shoot An Enormous Amount Of Material Because Many Of The Sequences Have To Be Discovered In The Editing And Manipulation Of It.

I Don't Particularly Enjoy Watching Films In 3d Because I Think That A Well-shot And Well-projected Film Has A Very Three-dimensional Quality To It, So I'm Somewhat Sceptical Of The Technology.

I Never Meet Anybody Who Actually Likes The Format, And It’s Always A Source Of Great Concern To Me When You’re Charging A Higher Price For Something That Nobody Seems To Really Say They Have Any Great Love For.

It's Certainly Difficult To Balance Marketing A Film And Putting It Out There To Everybody With Wanting To Keep It Fresh For The Audience.

The Real Truth Of That Is That Much As You Want To Believe That It's You Being On Top Of Everything, You're Actually Relying Massively On The People Around You.

I Will Miss The Batman. I Like To Think That He'll Miss Me, But He's Never Been Particularly Sentimental.

I Try To Be As Efficient As Possible Because In My Process, I Think That Actually Helps The Work. I Like Having The Pressure Of Time And Money And Really Trying To Stick To The Parameters We've Been Given.

The Film's Title Star, Christian Bale, Told Me In June That He'd Signed A Multi-picture Contract. When I Caught Up With Batman Begins ... All I Can Tell You Is, We're Talking. There Was Quite An Air Of Secrecy Around The Development Of 'batman Begins,' And There Will Be Even More Around The Development Of Another Film, If They Move Forward.

It's Not That Often That You Get To Have A Large Commercial Success And Then Have Something That You Want To Do That You Can Excite People About.

There's Very Few Directors I Think In This Industry That Would Pitch To A Studio That They Wanted To Do A Multi-layered Almost At Times Existential High Action, High Drama Surreal Film That's Sort Of Locked In His Mind. And Then Have An Opportunity To Do That.

I Like Films That Continue To Spin Your Head In All Sorts Of Different Directions After You've Seen Them.

What Drew Me To Batman In The First Place Was Bruce Wayne's Story, And That He's A Real Character Whose Story Begins In Childhood. He's Not A Fully Formed Character Like James Bond, So What We're Doing Is Following The Journey Of This Guy From A Child Who Goes Through This Horrible Experience Of Becoming This Extraordinary Character. That, For Me, Became A Three-part Story. And Obviously The Third Part Becomes The Ending Of The Guy's Story.

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Memory Can Change The Shape Of A Room; It Can Change The Color Of A Car. And Memories Can Be Distorted. They're Just An Interpretation, They're Not A Record, And They're Irrelevant If You Have The Facts. (leonard Shelby, Memento)

I Believe Movies Are One Of The Great American Art Forms And The Shared Experience Of Watching A Story Unfold On Screen Is An Important And Joyful Pastime. The Movie Theatre Is My Home, And The Idea That Someone Would Violate That Innocent And Hopeful Place In Such An Unbearably Savage Way Is Devastating To Me.

I Have To Believe That When My Eyes Are Closed, The World's Still There. (leonard Shelby, Memento)

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What I React Against In Other People's Work, As A Filmgoer, Is When I See Something In A Movie That I Feel Is Supposed To Make Me Feel Emotional, But I Don't Believe The Filmmaker Shares That Emotion. They Just Think The Audience Will. And I Think You Can Feel That Separation. So Any Time I Find Myself Writing Something That I Don't Really Respond To, But I'm Telling Myself, 'oh Yes, But The Audience Is Going To Like This,' Then I Know I'm On The Wrong Track And I Just Throw It Out.

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Every Film Should Have Its Own World, A Logic And Feel To It That Expands Beyond The Exact Image That The Audience Is Seeing.

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It's Difficult To Keep Anything Fresh For An Audience These Days. With Technology Being What It Is People Seem To Know Everything There Is To Know About A Film Before You've Even Made It.

The Term 'genre' Eventually Becomes Pejorative Because You're Referring To Something That's So Codified And Ritualised That It Ceases To Have The Power And Meaning It Had When It First Started.

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I Think For Me, What I'm Doing On Set Is I'm Watching Things Happen As An Audience Member And Trying To Just Look At, What's The Image We're Photographing, How Will That Advance The Story And What Will The Next Image Be.

Particularly, The Actors, To Have Analyzed The Script In Great Detail From The Point Of View Of Their Specific Character. So That They Have A Handle On Exactly Where The Character Is In The Chronology Of Things. In That Sense The Actors Become Your Best Check On The Logic Of The Piece, And The Way In Which It All Fits Together. They Become Essential Collaborators. The Main Thing Is You Have To Work With Very Smart Actors.

What I Love About Imax Is With Its Extraordinary Resolution And Color Reproduction It's A Very Rich Image With Incredible Detail. It Lends Itself Wonderfully To Huge Shots With Much In The Frame. Thousands Of Extras And All The Rest.

George Lazenby Is No One's Favorite James Bond, But For Me The Anonymity At The Center Of This Lavish Production Only Serves To Reveal The Bond Machine Firing On All Cylinders: Superb Editing And Photography, Incredible Score, Great Setpieces. The Most Romantic In The Series, And It Actually Has, Of All Things, A Tragic Ending.

When You Play A Videogame, You Could Be A Completely Different Person Than You Are In The Real World, Certain Aspects Of The Way Your Brain Works Can Be Leveraged For Something You Could Never Do In The Real World.

What I Try To Do Is Write From The Inside Out. I Really Try To Jump Into The World Of The Film And The Characters, Try To Imagine Myself In That World Rather Than Imagining It As A Film I'm Watching Onscreen. Sometimes, That Means I'm Discovering Things The Way The Audience Will, With Character And Story.

I've Done Really Well So Far In My Career By Trusting The Audience To Be As Dissatisfied With Convention As I Am, As A Film-goer. You Want To Go See A Film That Surprises You In Some Way.

Films Are Subjective - What You Like, What You Don't Like. But The Thing For Me That Is Absolutely Unifying Is The Idea That Every Time I Go To The Cinema And Pay My Money And Sit Down And Watch A Film Go Up On-screen, I Want To Feel That The People Who Made That Film Think It's The Best Movie In The World, That They Poured Everything Into It And They Really Love It. Whether Or Not I Agree With What They've Done, I Want That Effort There - I Want That Sincerity. And When You Don't Feel It, That's The Only Time I Feel Like I'm Wasting My Time At The Movies.

A Camera Is A Camera, A Shot Is A Shot, How You Tell The Story Is The Main Thing.

By The Time I Was 10 Or 11, I Knew I Wanted To Make Films.

I Think The Films Insomnia And Memento Share All Sorts Of Thematic Concerns, Such As The Relationship Between Motivation And Action, And The Difficulty Of Reconciling Your View Of The Story With The Supposed Objective View Of That Story.

I've Never Read Joseph Campbell, And I Don't Know All That Much About Story Archetypes.

As Soon As Television Became The Only Secondary Way In Which Films Were Watched, Films Had To Adhere To A Pretty Linear System, Whereby You Can Drift Off For Ten Minutes And Go And Answer The Phone And Not Really Lose Your Place.

I Made 'batman' The Way I Made Every Other Film, And I've Done It To My Own Satisfaction - Because The Film, Truly, Is Exactly The Way I Wanted It To Be.

If I Could Steal Someone's Dream Myself, I'd Have To Go For One Of Orson Welles.

I Remember The Initial Genesis Quite Clearly. My Interest In Dreams Comes From This Notion Of Realizing That When You Dream You Create The World That You Are Perceiving, And I Thought That Feedback Loop Was Pretty Amazing.

I'm Taking A Bit Of A Wait-and-see Attitude Towards 3d.

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A Hero Can Be Anyone. Even A Man Doing Something As Simple And Reassuring As Putting A Coat Around A Young Boy's Shoulders To Let Him Know That The World Hadn't Ended.

The Structural Notions To Me Always Have To Be Worked Out Very Carefully In The Script Stage. Whatever A Particular Structure Is. Whether It's Chronological Or Non-chronological. To Me That's Always About What Point Of View Are We Trying To Address In The Film?

I Just Love Photographing Things And Putting Them Together To Tell A Story.

When You Start Really Thinking About The Potential Of The Human Mind And Its Ability To Create An Entire World While You're Sleeping, I Come Away Feeling Like Our Minds Are Not Remotely Understood By Science.

For Me, As A Film Goer, I Like Nothing More Than To Sit In The Cinema, Have The Lights Go Down And Not Know What I'm About To See Or Unfold On-screen. Every Time We Go To Make A Film, We Do Everything We Can To Try To Systematise Things So We're Able To Make The Film In Private, So That When It's Finished It's Up To The Audience To Make Of It What They Will.

For Me, Batman Is The One That Can Most Clearly Be Taken Seriously. He's Not From Another Planet, Or Filled With Radioactive Gunk. I Mean, Superman Is Essentially A God, But Batman Is More Like Hercules: He's A Human Being, Very Flawed, And Bridges The Divide.

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I Always Thought The Joy Of Reading A Book Is Not Knowing What Happens Next. (leonard Shelby, Memento)

I Think For Me When You Look At The Idea Of Being Able To Create A Limitless World And Use It Almost As A Playground For Action And Adventure And So Forth, I Naturally Gravitate Towards Cinematic Worlds, Whether It's The Bond Films And Things Like That.

The Quality Of Racing Continues To Excel With Starters Increasing To 1496,.

The Best Actors Instinctively Feel Out What The Other Actors Need, And They Just Accommodate It.

There Are Points Where You Worry That You Might Be Putting Too Much In And Alienating The Audience. But, Funnily Enough, Some Of Those Fears Aren't Correct.

I'm Very Happy Where 3-d Is Going, Which Is That It's Becoming A Choice - And Thankfully, Most People Are Still Choosing 2-d.

As Far As The Dreams Go, Really I Would Only Point To There Are Times In My Life Where I Experienced Lucid Dreaming, Which Is A Big Feature Of Inception - The Idea Of Realizing You're In A Dream And Therefore Trying To Change Or Manipulate It In Some Way. That's A Very Striking Experience For People Who Have It.

I Realized That If You're Trying To Reach An Audience, Being As Subjective As Possible And Really Trying To Write From Something Genuine Is The Way To Go. Really It's Mostly From My Own Process, My Own Experience.

Yeah, It's Odd When You Look Back At Your Own Work. Some Filmmakers Don't Look Back At Their Work At All. I Look At My Work A Lot, Actually. I Feel Like I Learned Something While Looking At Stuff I've Done In Terms Of What I'm Going To Do In The Future, Mistakes I've Made And Things At Work Or What Have You.

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