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You Can Find People Who Have Discovered The Fact That It's Really Helping People, It's Really Being Compassionate Toward Other Human Beings That Makes You Happy, That Gives You A Spiritual Fulfillment - A Kind Of Fulfillment That Goes Way Beyond Anything You Can Buy.

-George Lucas

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You Can Find People

George Lucas

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You Can Find People Who Have Discovered The Fact That It's Really Helping People, It's Really Being Compassionate Toward Other Human Beings That Makes You Happy, That Gives You A Spiritual Fulfillment - A Kind Of Fulfillment That Goes Way Beyond Anything You Can Buy.

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A Talent Is A Combination Of Something You Love A Great Deal And Something You Can Lose Yourself In - Something That You Can Start At 9 O'clock, Look Up From Your Work And It's 10 O'clock At Night.

So This Is How Liberty Dies. With Thunderous Applause.

There Wasn't Much As A Kid That Inspired Me In What I Did As An Adult.

Digital Technology Allows Us A Much Larger Scope To Tell Stories That Were Pretty Much The Grounds Of The Literary Media.

When A Movie Comes Out, I Always Go Off On A Beach So I Miss All The Craziness That Goes On, All The Hoopla, And The Hype And The Success, And How Much It's Making, Or Whether It's Doing Good Or Whether It's Doing Bad. I Just Miss It All. I Don't Talk To Anybody, And A Couple Weeks Later I Come Back And It's All Over With.

The Theme That Runs Through My Movies Is The Fact That We Create Barriers For Ourselves....because We Say, Well, I Can't Do That. But In The End, You Can't Do It Unless You Can Imagine Yourself Succeeding At It.

If America Is The Pursuit Of Happiness, The Best Way To Pursue Happiness Is To Help Other People.

Pursuit Of Happiness

None Of The Films I've Done Was Designed For A Mass Audience, Except For 'indiana Jones.' Nobody In Their Right Mind Thought 'american Graffiti' Or 'star Wars' Would Work.

It Took Me Three, Four Years, To Get From My First Film To My Second Film, Banging On Doors, Trying To Get People To Give Me A Chance. Writing, Struggling, With No Money In The Bank, Working As An Editor On The Side. Working As A Cameraman On The Side. Getting Little Jobs, Eking Out A Living. Trying To Stay Alive, And Pushing A Script That Nobody Wanted.

I've Always Tried To Be Aware Of What I Say In My Films, Because All Of Us Who Make Motion Pictures Are Teachers - Teachers With Very Loud Voices.

There Are A Few Critics Overseas, And Occasionally A Critic Will Write An Astute Analysis Of The Movie. There Is Value In Reading Critics That Actually Have Something Intelligent To Say, But The Journalistic Community Lives In A World Of Sound Bites And Literary Commerce: Selling Newspapers, Selling Books, And They Do That Simply By Trashing Things. They Don't Criticize Or Analyze Them. They Simply Trash Them For The Sake Of A Headline, Or To Shock People To Get Them To Buy Whatever It Is They're Selling.

All Democracies Turn Into Dictatorships - But Not By Coup. The People Give Their Democracy To A Dictator, Whether It's Julius Caesar Or Napoleon Or Adolf Hitler. Ultimately, The General Population Goes Along With The Idea.

If You Want To Be Successful In A Particular Field Or Endeavor, I Think Perseverance Is One Of The Key Qualities. It's Very Important That You Find Something That You Care About, That You Have A Deep Passion For, Because You're Going To Have To Devote A Lot Of Your Life To It.

We Tried To Do Yoda In Cgi In Episode I, But We Just Couldn't Get It Done In Time. We Couldn't Get The Technology To Work, So We Had To Use The Puppet, But The Puppet Really Wasn't As Good As The Cgi. So When We Did The Reissue, We Had To Put The Cgi Back In, Which Was What It Was Meant To Be.

All Of My Films Have Been Very Hard To Understand At The Script Stage Because They're Very Different. At The Time I Did Them They Were Not Conventional. The Executives Could Only Think In Terms Of What They'd Already Seen. It's Hard For Them To Think In Terms Of What Has Never Been Done Before.

I'm Very Proud Of All The Movies I Made. I Am Very Happy With Everything I've Done. I Like To Watch My Movies. Some Of Them Work. Some Of Them Don't. Some Of Them People Like, Most Of Them They Don't.

The Ability To Speak Does Not Make You Intelligent.

The Script Is What You`ve Dreamed Up - This Is What It Should Be. The Film Is What You End Up With.

The Influence Of 'hidden Fortress' Comes Up A Lot Because It Was Printed In A Book Once. The Truth Is, The Only Thing I Was Inspired By Was The Fact That It's Told From The Point Of View Of Two Peasants, Who Get Mixed Up With A Samurai And Princess And A Lot Of Very High-level People.

If The Boy And Girl Walk Off Into The Sunset Hand-in-hand In The Last Scene, It Adds 10 Million To The Box Office.

I Want To Live Where I Want To Live, And I Will Make Films Because I Love To Make Films.

I Made Lots Of Movies While In School While Everybody Else Was Running Around Saying, "oh, I Wish I Could Make A Movie. I Wish They'd Give Me Some Film."

I Like Star Wars, It's Fun And I Enjoy Doing It. But It's Definitely Not My Life. I'm A Bigger Movie Fan Than I Am Star Wars Fan. I Like Making Movies.

You Can Find People Who Have Discovered The Fact That It's Really Helping People, It's Really Being Compassionate Toward Other Human Beings That Makes You Happy, That Gives You A Spiritual Fulfillment - A Kind Of Fulfillment That Goes Way Beyond Anything You Can Buy.

I Thought Star Wars Was Too Wacky For The General Public.

Follow Your Bliss. Do The Thing Where You Sit Down At 8 A.m. And Then You Realize You're Hungry And You Look Up And It's 10 P.m. If You Can Find Something You Love That Much, It Doesn't Matter What You Do.

I Regret Not The Things I Have Done, Only Those I Have Yet To Do.

I Wanted To Race Cars. I Didn't Like School, And All I Wanted To Do Was Work On Cars. But Right Before I Graduated, I Got Into A Really Bad Car Accident, And I Spent That Summer In The Hospital Thinking About Where I Was Heading. I Decided To Take Education More Seriously And Go To A Community College.

Whenever You're Making A Movie, Especially When You're Writing, You Always Have Self-doubts.

We Seemed To Be Drifting As A Society - Losing Touch With The Basic Concepts Of Right And Wrong.

I Was A Terrible Student In High School And The Thing That The Auto Accident Did - And It Happened Just As I Graduated, So I Was At This Sort Of Crossroads - But It Made Me Apply Myself More, Because I Realized More Than Anything Else What A Thin Thread We Hang On In Life, And I Really Wanted To Make Something Out Of My Life.

I've Discovered That Most Critics Themselves Are Cinematically Illiterate. They Don't Really Know Much About Movies. They Don't Know The History. They Don't Know The Technology. They Don't Know Anything. So For Them To Try To Analyze It, They're Lost.

There Is No Why. We Are. Life Is Beyond Reason.

The Sound And Music Are 50% Of The Entertainment In A Movie.

Sound And Music

Sound Is 50 Percent Of The Movie Going Experience, And I've Always Believed Audiences Are Moved And Excited By What They Hear In My Movies At Least As Much As By What They See.

Any Society Begins By Realizing That Together, By Helping Each Other, You Can Survive Better Than If You Fight Each Other And Compete With Each Other.

The Story Being Told In Star Wars Is A Classic One. Every Few Hundred Years, The Story Is Retold Because We Have A Tendency To Do The Same Things Over And Over Again.

I'm The One Who Has To Have Everybody Throw Rocks At Me All The Time, So At Least If They're Going To Throw Rocks At Me, They're Going To Throw Rocks At Me For Something I Love Rather Than Something I Think Is Not Very Good, Or At Least Something I Think Is Not Finished.

You May Make Something You Don't Think Is Very Important During Your Lifetime And It'll Last For A Thousand Years.

I Was Always Extremely Curious About Why People Did The Things They Do.

You Try To Get Yourself Into A Situation Where You Only Have To Answer To Yourself, Where You Can Ask Advice Of People And Work With Your Peers And Mentors And Things To Try To Do The Best Job That You Can Possibly Do.

Part Of The Reason My Friends And I Became Successful Is That We Were Always Helping Each Other.

The Best Way To Truly Understand Narrative Art Is To Experience It.

I Like To Say That Films Are Never Finished, They're Only Abandoned.

[star Wars Is] Designed Primarily To Make Young People Think About The Mystery. Not To Say, 'here's The Answer.' It's To Say, 'think About This For A Second. Is There A God? What Does God Look Like? What Does God Sound Like? What Does God Feel Like? How Do We Relate To God?'

Learning To Make Films Is Very Easy. Learning What To Make Films About Is Very Hard. What You’ve Really Got To Do Is Focus On Learning As Much About Life, And About Various Aspects Of It First.

The First Script Was One Of Six Original Stories I Had Written In The Form Of Two Trilogies. After The Success Of Star Wars, I Added Another Trilogy. So Now There Are Nine Stories. The Original Two Trilogies Were Conceived Of As Six Films Of Which The First Film Was Number Four.

You Have To Find Something That You Love Enough To Be Able To Take Risks, Jump Over The Hurdles And Break Through The Brick Walls That Are Always Going To Be Placed In Front Of You. If You Don't Have That Kind Of Feeling For What It Is You're Doing, You'll Stop At The First Giant Hurdle.

I Loved Photography And Everybody Said It Was A Crazy Thing To Do Because In Those Days Nobody Made It Into The Film Business. I Mean, Unless You Were Related To Somebody There Was No Way In.

A Movie Is Never Finished, Only Abandoned.

It's Very Important Not To Do What Your Peers Think You Should Do, Not Do What Your Parents Think,your Teachers Or Even Your Culture. Do What's Inside Of You.

You Want People To Think. You Want People To Be Emotionally Moved. And There's A Theory Behind That In Terms Of Storytelling. It Has Been Around For Thousands Of Years. And That's Where Something Like Live Theater Or A Live Performance Is Something That Is Very Valuable Because You Get Instant Feedback From Your Audience And You Kind Of Know The Things That Work And The Things That Don't Work.

I Must Admit I Suffered A Bit When I First Came To England. But Then I Realised That There Was Nothing To Be Intimidated By, Everybody Had Two Legs.

I'm Here, And Every Day Now Is An Extra Day. I've Been Given An Extra Day So I've Got To Make The Most Of It.

Most Artists, Most Painters, Even Composers Would Want To Come Back And Redo Their Work. They've Got A New Perspective On It, They've Got More Resources, They Have Better Technology, And They Can Fix Or Finish The Things That Were Never Done.

Suddenly Everything Came Together In One Place. All My Likes, Everything I Actually Seemed To Have Talent For Was Right There. I Said, "hey, This Is It. I Can Do This Really Well. I Really Love To Do It."

Because We [people] Have An Intellect, Part Of What We Do Is Try To Understand The "intelligent Design." Everything We Don't Know Is "intelligent Design." Everything We Do Know Is Science.

If I'd Have Gone To Art School, Or Stayed In Anthropology, I Probably Would Have Ended Up Back In Film ... Mostly I Just Followed My Inner Feelings And Passions ... And Kept Going To Where It Got Warmer And Warmer, Until It Finally Got Hot ... Everybody Has Talent. It's Just A Matter Of Moving Around Until You've Discovered What It Is.

I Am Very Concerned About Our National Heritage, And I Am Very Concerned That The Films That I Watched When I Was Young And The Films That I Watched Throughout My Life Are Preserved, So That My Children Can See Them.

'star Wars' Is Fun, Its Exciting, Its Inspirational, And People Respond To That. It's What They Want.

From The Outset, I Conceived Star Wars As A Series Of Six Films, Or Two Trilogies.

People Look At Technology As Sometimes An End To Things, And It Isn't An End In Certain Cases. In The Movie Business, The Act Of Creating In The Art Form Of Movies, The Craft Of Movies Is Completely Technical, And That's All It Is.

As You Go Through History, I Didn't Think It Was Going To Get Quite This Close. So It's Just One Of Those Recurring Things. I Hope This Doesn't Come True In Our Country. Maybe The Film Will Waken People To The Situation.

The First Movies, They Just Put Up A Camera And Had A Train Come Into A Train Station, And Everybody Was Amazed. That Was Sort Of All Technology.

The One Way The World Hasn't Changed: Teaching Is Still The Most Important Job.

I'm Not Much Of A Math And Science Guy. I Spent Most Of My Time In School Daydreaming And Managed To Turn It Into A Living. When I Was Making "star Wars," I Wasn't Restrained By Any Kind Of Science. I Simply Said, "i'm Going To Create A World That's Fun And Interesting, Makes Sense, And Seems To Have A Reality To It."

I Grew Up In San Francisco. And So I'm Informed In A Certain Kind Of Way About, You Know, Believing In Democracy And Believing In America. And I'm A Very Ardent Patriot.

Everybody Has Talent, It's Just A Matter Of Moving Around Until You've Discovered What It Is.

As The Workplace Becomes More Specialized, From Offices To Medical Centers To Factories, Teams Of People Must Accomplish Their Work By Collaborating With Each Other. In My Work In Filmmaking, We Need Talented Individuals With Technical Skills, But Their Abilities To Communicate And Work With Others Are Just As Valuable.

[in Ancient Rome,] Why Did The Senate After Killing Caesar Turn Around And Give The Government To His Nephew? Why Did France After They Got Rid Of The King And That Whole System Turn Around And Give It To Napoleon? It's The Same Thing With Germany And Hitler.

It Was The Money From 'star Wars' And 'jaws' That Allowed The Theaters To Build Their Multiplexes, Which Allowed An Opening Up Of Screens.

When You Get A Small Group Of Fans Who Hate Something, It Becomes Compounded By The Internet. The Press Picks Up The Internet Like It's A Source. They Don't Realise It Is Just One Person Typing Out Their Opinion.

'young Indiana Jones' Was One Of The Happiest Times I Ever Had, So I Love Television.

George Orwell Was Right. There's No Greater Genius As Far As I'm Concerned In Terms Of Understanding Human Nature. I Think That A Lot Of People Just Believe Anything You Tell Them, And No Matter What It Is, They Just Go Along With The Program. They're Perfectly Happy To Take Their Pill Every Day And Do What They're Told, And Work And Buy Things, And Work And Buy Things, And Stay Out Of Any Complex Emotional Situations. And Whatever The Authorities Tell Them To Do, They Do, And Whatever The Authorities Say Is The Truth, They Believe Is The Truth.

For The Third Trilogy, I Don't Know If I Will Still Be Alive When It Comes The Time To Make Them.

We Were Always Dreaming Of How It Was Going To Be.

I’m Moving Away From The Business, From The Company, From All This Kind Of Stuff.

After A Lot Of Struggling And Sort Of Reflection I Realized That The Time You Have To Give Is Now, Regardless Of How Old You Are.

As I Talk To Film Students Now Especially, I Say, "the Easiest Job You'll Ever Get Is To Try To Make Your First Film." That's The Easy One To Get, Is The First Film Because Nobody Knows Whether You Can Make A Film Or Not.

I Have A Strong Feeling About Interesting People In Space Exploration. . . . And The Only Way It's Going To Happen Is To Have Some Kid Fantasize About Getting His Ray Gun, Jumping Into His Spaceship, And Flying Into Outer Space.

I Wanted To Make Abstract Films That Are Emotional, And I Still Do.

Ultimately The Force Is The Larger Mystery Of The Universe. And To Trust Your Feelings Is Your Way Into That.

Film Is A Very Tight Little Box. If You Don't Fit In That Box, You're Gone. Television, There's More Room To Move Around.

You Have The Most Important Job Of Anyone Today. Our Kids Need You To Advocate For Their Futures.

Young People Don't Have A Fantasy Life Anymore, Not The Way We Did. All They've Got Is Kojak And Dirty Harry. There's All These Kids Running Around Wanting To Be Killer Cops.

To Be Renewed Is Everything. What More Could One Ask For Than To Have One's Youth Back Again?

Mos Eisley Spaceport. You Will Never Find A More Wretched Hive Of Scum And Villainy. We Must Be Cautious.

It's Now Time For Me To Pass Star Wars On To A New Generation Of Filmmakers. I've Always Believed That Star Wars Could Live Beyond Me, And I Thought It Was Important To Set Up The Transition During My Lifetime.

Football Games Are On Tv, And It Doesn't Affect Stadium Attendance At All. It's The Same With Movies. People Who Really Love Movies And Like To Go Out On A Saturday Night Will Go To The Movie Theater.

He Took Me From Not Being Able To Write A Word In Terms Of Writing Screenplays To Being The King Of Wooden Dialogue.

Oh, My. I'd Forgotten How Much I Hate Space Travel.

Part Of The Issue Of Achievement Is To Be Able To Set Realistic Goals, But That's One Of The Hardest Things To Do Because You Don't Always Know Exactly Where You're Going, And You Shouldn't.

But Having A Really Good Understanding Of History, Literature, Psychology, Sciences - Is Very, Very Important To Actually Being Able To Make Movies.

Obviously, People Have A Lot Of Different Dreams Of Where America Should Be, And Where It Should Fit Into Things. Obviously, Very Few Of Them Are Compatible, And Very Few Of Them Are Very Compatible With The Laws Of Nature.

Train Yourself To Let Go Of The Things You Fear To Lose.

Impressive, Most Impressive. (darth Vadar)

Real Love Is On The Inside. It's Somebody You Have A Common Ground With, You Share The Same Values, You Share The Same Interests, You Share The Same Humor, You Share All Those Things That Are Things That Will Last You The Rest Of Your Life.

The Older You Get, The Less Seriously You Take Criticism. I've Gotten To A Point Now Where I Ignore It Completely. It's Just Not Relevant To Me Anymore.

When My Films Don't Work It's Usually Because I Tried Some Very Experimental Idea. I Tried New Ideas And They Just Didn't Work, As Opposed To Trying To Do Something Conventional And Having It Be So Conventional Nobody Wanted To See It.

My First Six Years In The Business Were Hopeless. There Are A Lot Of Times When You Sit And You Say "why Am I Doing This? I'll Never Make It. It's Just Not Going To Happen. I Should Go Out And Get A Real Job, And Try To Survive."

The Object Is To Try To Get The (movie) System To Work For You, Instead Of Against You. And The Only Way You Can Do It Is Through Success, I'm Afraid.

You Must Let Go Of Your Past And Embrace Your Future And Figure Out What Path You're Going To Go Down

Making A Film Is Like Putting Out A Fire With Sieve. There Are So Many Elements, And It Gets So Complicated.

All The Religions Are True, They Just See A Different Part Of The Elephant.

I Intend More Of A Kinship With Silent Films Than More Modern Film. I Like The Old Cinema. My Films Are More Of A Hybrid - A Different Style Of Filmmaking To What I Call Talking Head Movies. Some People Don't Get It. Especially The More Academic Types.

There's Nothing Worse Than The Frustration Of Having Somebody Who You Feel Doesn't Get What You're Doing, Trying To Turn It Into Something Else. It's A Very, Very Annoying And Sort Of Frustrating Thing And I Just Never Wanted To Go Through It. I Was Very Fortunate As I Came Up Through The Film Business That I Was Able To Insulate Myself From That.

Time Is More Important To Me Than Money.

My Success Wasn't Based On How I Could Push Down Everybody That Was Around Me. My Success Was Based On How Much I Could Push Everybody Up.

All Art Is Dependent On Technology Because It's A Human Endeavour , So Even When You're Using Charcoal On A Wall Or Designed The Proscenium Arch, That's Technology .

Education Is The Single Most Important Job Of The Human Race.

There Wasn't Anything In My Life That Was Going To Stop Me From Making Movies.

Heroes Come In All Sizes, And You Don't Have To Be A Giant Hero. You Can Be A Very Small Hero. It's Just As Important To Understand That Accepting Self-responsibi Lity For The Things You Do, Having Good Manners, Caring About Other People-these Are Heroic Acts. Everybody Has The Choice Of Being A Hero Or Not Being A Hero Every Day Of Their Lives.

Someday You're Going To Have To Learn To Separate What Seems To Be Important From What Really Is Important.

I Think As You Grow Up, You Realize You Have Obligations Just In Your Life - Being A Citizen, Being Part Of Humanity - To Help Other People, To Help Your Country, To Help The World.

When Star Wars Became A Hit And I Had A Chance To Make The Other Movies, I Had To Figure Out A Way To Bring Ben Back, But A Lot Of The Issues He Had To Deal With Were Carried By Yoda. In A Sense, I Combined Yoda With The Spirit Of Ben. I Wanted Ben To Have Some Kind Of Influence, But I Didn't Want It To Be A Direct Influence Where He Could Help Luke. So Ben Has Managed To Keep His Identity After He Became One With The Force. One Of The Things He Was Doing On Tatooine Besides Watching Over Luke Was Learning How To Keep His Identity After He Became Part Of The Force.

I Felt That One Of The Major Issues In The Third Film Is That Luke Is Finally On His Own And Has To Fight Vader And The Emperor By Himself. If You Get A Sense That Yoda Or Ben Is There To Help Him Or To Somehow Influence Him, It Diminishes The Power Of The Scene.

You Have To Find Something That You Love Enough To Be Able To Take Risks.

Han Solo: Wonderful Girl. Either I'm Going To Kill Her Or I'm Beginning To Like Her.

It Wasn't Long After I Began Writing Star Wars That I Realized The Story Was More Than A Single Film Could Hold. As The Saga Of The Skywalkers And Jedi Knights Unfolded, I Began To See It As A Tale That Could Take At Least Nine Films To Tell - Three Trilogies - And I Realized, In Making My Way Through The Back Story And After Story, That I Was Really Setting Out To Make The Middle Story.

'american Graffiti' Was Unpleasant Because Of The Fact That There Was No Money, No Time, And I Was Compromising Myself To Death.

If You Can Tune Into The Fantasy Life Of An 11-year-old Girl, You Can Make A Fortune In This Business.

I Never Had A Story For The Sequels, For The Last Trilogy. That's Not Really Part Of The Plan At This Point, And I'll Be At The Age Where To Do Another Trilogy Would Take 10 Years. I'd Always Envisioned It As Six Movies. When You See It In Six Parts You'll Understand That It Really Ends At Part Six.

Working Hard Is Very Important. You're Not Going To Get Anywhere Without Working Extremely Hard.

I'd Like To See Education Play A Larger Role In Our Daily Lives, Have People Come To A Larger Understanding - A "bigger Picture" Understanding - Of How We Fit Into The World, And How We Fit Into The Universe. Not Necessarily Thinking Of Ourselves, But Thinking Of Others.

These Are Not The Droids You Are Looking For.

Books And Movies

You Have To Have A Thick Enough Skin To Cope With The Criticism. I'm Very Self-critical And I Have A Lot Of Friends That I Trust Who Are Film Directors And Writers And People In My Profession.

I Haven't Met Anybody Who Hasn't Been Able To Describe Years And Years And Years Of Very, Very Difficult Struggle Through The Whole Process Of Achieving Anything Whatsoever. And There's No Way To Sort Of Get Around That.

Luminous Beings Are We, Not This Crude Matter.

The Underlying Issues, The Psychological Motives, In All My Movies Have Been The Same, He Said. Personal Responsibility And Friendship, The Importance Of A Compassionate Life As Opposed To A Passionate Life.

I Wanted To Transfer To An Art School, And Ended Up Going To The University Of Southern California. They Had A Cinematography School, And I Said "well, That's Sort Of Like Photography, Maybe That Will Be Interesting." And Once I Started In That Department, I Found What It Was That I Loved And Was Good At.

Don't Avoid The Cliches - They Are Cliches Because They Work!

You Can Be As Rich, And Famous, And Powerful As You Want To Be, And It Will Not Bring You Happiness. That's Said Over And Over And Over, Again. It's Such A Cliché That It Hardly Needs To Be Said, But People Don't Understand That It's Actually True.

The Secret Is Not To Give Up Hope. It's Very Hard Not To Because If You're Really Doing Something Worthwhile I Think You Will Be Pushed To The Brink Of Hopelessness Before You Come Through The Other Side.

The Sciences Are The 'how,' And The Humanities Are The 'why' - Why Are We Here, Why Do We Believe In The Things We Believe In. I Don't Think You Can Have The 'how' Without The 'why.'

I've Always Just Followed My Own Course, Whatever I Found The Most Interesting To Me At The Moment. I've Never Had A Real Plan Of, "i Want To Get From Here To There, And I've Got To Do This."

Over Time I Began To Realize That The Level Of Cinema Criticism In The Last Part Of Xx Century In The United States Was Pretty Low. The Institution Itself Is Not What It's Supposed To Be, And I Realized That I Didn't Need To Take That Seriously.

In The End, The Most Important Thing To Me Is That I've Raised Three Kids. I Know That'll Be The Most Important Accomplishment Of My Life And It Is The Most Easily Obtainable, Because All You Have To Do Is Pay Attention. It Is Hard Work And Most People Don't Realize That's The Real Gift They Are Getting In Terms Of Goals And Success And Accomplishments.

When You Are A Beginning Film Maker You Are Desperate To Survive. The Most Important Thing In The End Is Survival And Being Able To Get To Your Next Picture.

If You Want To Be Successful In A Particular Field Of Endeavor, I Think Perseverance Is One Of The Key Qualities.

I Think Crossing Into The Digital Age Is The Big Move For The Industry. I Think It Will Be The Biggest Thing That's Happened While I've Been Making Movies. I Equate It To The Invention Of Color Or Sound, And I Don't See Any Other Major Technical Process Coming Along And Changing That.

I've Had Much More Down In My Life Than I've Had Up. And Much More Struggle. First Of All, When I Went Into The Film School Everybody Said, "what Are You Doing? This Is A Complete Dead-end For A Career."

For 'star Wars' I Had To Develop A Whole New Idea About Special Effects To Give It The Kind Of Kinetic Energy I Was Looking For. I Did It With Motion-control Photography.

There Wasn't Much As A Kid That Inspired Me In What I Did As An Adult, But I Was Always Very Interested In What Motivates People, And In Telling Stories And Building Things.

A Film Is Sort Of Binary - It Either Works Or It Doesn't Work. It Has Nothing To Do With How Good A Job You Do. If You Bring It Up To An Adequate Level Where The Audience Goes With The Movie, Then It Works, That Is All.

When People Talk To Me About The Digital Divide, I Think Of It Not So Much About Who Has Access To What Technology As About Who Knows How To Create And Express Themselves In The New Language Of The Screen. If Students Aren't Taught The Language Of Sound And Images, Shouldn't They Be Considered As Illiterate As If They Left College Without Being Able To Read And Write?

Being In Washington Is More Fictional Than Being In Hollywood.

A Lot Of People Like To Do Certain Things, But They're Not That Good At It. Keep Going Through The Things That You Like To Do, Until You Find Something That You Actually Seem To Be Extremely Good At. It Can Be Anything.

It's Not A Matter Of How Well Can You Make A Movie. It's How Well Can You Make It Under The Circumstance, Because There's Always Circumstances. You Cannot Use That As An Excuse.

I'm Aware That Dialogue Isn't My Strength. I Use It As A Device. I Don't Particularly Like Dialogue Which Is Part Of The Problem.

Although I Write Screenplays, I Don't Think I'm A Very Good Writer.

On The Internet, All Those Same Guys That Are Complaining I Made A Change Are Completely Changing The Movie. I’m Saying: ‘fine. But My Movie, With My Name On It, That Says I Did It, Needs To Be The Way I Want It.’

We Are All Living In Cages With The Door Wide Open.

I Wanted Yoda To Be The Traditional Kind Of Character You Find In Fairy Tales And Mythology. And That Character Is Usually A Frog Or A Wizened Old Man On The Side Of The Road. The Hero Is Going Down The Road And Meets This Poor And Insignificant Person. The Goal Or Lesson Is For The Hero To Learn To Respect Everybody And To Pay Attention To The Poorest Person Because That's Where The Key To His Success Will Be.

I Wanted To Make A Kids' Film That Would Strengthen Contemporary Mythology.

Once You Start Down The Dark Path, Forever Will It Dominate Your Destiny, Consume You It Will.

I Am More Of A Visual Person Than A Verbal Person. For Me, I Think, The Excitement Is The Fact That I Found A Way Of Telling The Story As I Want To Tell It, In A Medium That I Could Master.

Most Organisms Either Adapt And Become Part Of The System, Or Get Wiped Out. The Only Thing We Have To Adapt To The System With Is Our Brain. If We Don't Use It, And We Don't Adapt Fast Enough, We Won't Survive.

After You've Done The First Feature, Then You Have Heck Of A Difficult Time Getting Your Second Film Off The Ground. They Look At Your First Film And They Say, "oh Well, We Don't Want You Anymore."

Sometimes People Are Surprised To Learn That Most Of The Films I've Made Don't Work. They've Been Released But Nobody Has Ever Seen Them. Maybe 40 Percent Of Them Are Very Successful. That's A Very High Percentage; Most People Have Maybe 10 Or 15 Percent Of Their Films Work.

From Kindergarten To College, Certain Teachers Engaged My Curiosity And Motivated Me To Learn. While I Was Not The Best Student, Their Efforts Left A Lasting Impact.

I'm Extremely Grateful That I Discovered My Passion. I Love Movies. I Love To Watch Them, I Love To Make Them.

I Put All Of My Resources Into Pushing The Evolution In An Industry That Is Notoriously Backwards And I Enjoy Pushing That Envelope,.

Even In High School I Was Very Interested In History - Why People Do The Things They Do. As A Kid I Spent A Lot Of Time Trying To Relate The Past To The Present.

On The Professional Side, I've Helped Move Cinema From A Chemical-based Medium To A Digital-based Medium. That'll Be One Of The Landmarks. And I've Left These Stories, These Little Tales That Have Been Imprinted On The Media, Which Will Or Will Not Be Of Interest To People In The Future. I've Done The Best I Can.

The Ideals And Principles For Which Martin Luther King Jr. Fought Have Never Been Forgotten And Are As Relevant Today As They Were 40 Years Ago.

One Thing About 'star Wars' That I'm Really Proud Of Is That It Expands The Imagination. That's Why I Like The 'star Wars' Toys.

I Thought It Was Too Wacky For The General Public. On His Original Opinion Of His Movie's Chances For Success, 1997.

Star Wars Is Really Three Trilogies, Nine Films. The First Trilogy Covers The Fall Of The Republic And The Rise Of The Empire, The Middle Trilogy The Fall Of The Empire, And The Last Trilogy Involves The Rebuilding Of The Republic. It Won't Be Finished For Probably Another 20 Years.

Storytelling Is About Two Things; It's About Character And Plot.

You Simply Have To Put One Foot In Front Of The Other And Keep Going. Put Blinders On And Plow Right Ahead.

I'd Be The First Person To Say I Can't Write Dialogue. My Dialogue Is Very Utilitarian And Is Designed To Move Things Forward. I'm Not Shakespeare. It's Not Designed To Be Poetic.

If This Were A Fantasy World, There Would Be Ten Of Me And We Would Each Be Doing What We Wanted To Do.

Teachers Are The Most Important Individuals In Our Society - Nothing Is As Powerful As The Human Touch In Education.

The Force Is Really A Way Of Feeling; It's A Way Of Being With Life. It Really Has Nothing To Do With Weapons. The Force Gives You The Power To Have Extrasensory Perception And To Be Able To See Things And Hear Things, Read Minds And Levitate Things. It Is Said That Certain Creatures Are Born With A Higher Awareness Of The Force Than Humans. Their Brains Are Different; They Have More Midi-chlorians In Their Cells.

Everyone Seems To Think That Digital Technology Devoids The Medium Of Content, But That Is Not True At All. If Anything, It Broadens The Content.

Film Is Not An Easy Occupation. There's A Lot Of Occupations That Are Difficult And Film Is One Of Them.

You Can't Do It Unless You Can Imagine It.

Star Wars Has Always Struck A Chord With People. There Are Issues Of Loyalty, Of Friendship, Of Good And Evil... The Theme Came From Stories And Ideas That Have Been Around For Thousands Of Years.

Art Is The Retelling Of Certain Themes In A New Light, Making Them Accessible To The Public Of The Moment.

Our System Of Education Is Locked In A Time Capsule. You Want To Say To The People In Charge, 'you're Not Using Today's Tools! Wake Up!'

A Lot Of Great Thinkers- Like Einstein And Newton- Come Up With Their Best Ideas When They're Young Because They Don't Yet Think In The Way That The Establishment Teaches Them. Sometimes Your Lack Of Knowledge Frees Your Mind To Be Creative And Think In A Different Way. But You Still Have To Be Logical And Figure Out A Practical Way To Get Things Done, Even Though You're Looking At Things Differently.

A Special Effect Is A Tool, A Means Of Telling A Story. A Special Effect Without A Story Is A Pretty Boring Thing.

I Am Dedicating The Majority Of My Wealth To Improving Education. It Is The Key To The Survival Of The Human Race. We Have To Plan For Our Collective Future - And The First Step Begins With The Social, Emotional, And Intellectual Tools We Provide To Our Children. As Humans, Our Greatest Tool For Survival Is Our Ability To Think And To Adapt - As Educators, Storytellers, And Communicators Our Responsibility Is To Continue To Do So.

In My Films, All The Great Things Are Put Together. It's Not Like One Kind Of Ice Cream But Rather A Very Big Sundae.

There Are A Lot Of Movies That Are Badly Made That I Love, And There Are A Lot Of Movies That Are Just Beautifully Made But I Don't Like Them. And Critics Have A Tendency - That's All They Focus On, Which Is, "i Like It. I Don't Like It. It's Good. It's Bad."

I Think That's An Obligation You Have, To Give Back No Matter What Happens. It Actually Ends Up Being Easier When You're Young Than When You Become Successful. Suddenly You Realize You've Gone Into A Whole Other Realm Of Philanthropy, From Just Being A Volunteer To Being This Person That Dedicates Buildings And Saves Lots Of Children In Some Faraway Place.

I Don't Ever See Movies By Myself. I Always See Them With Other People Because I Want To Know What Works. I Want To Know Where They Laugh. I Want To Know Where They Don't Laugh. I Want To Know What They Think About It Afterwards Because In The End That's What The Art That I'm Working With Is.

I'm Lucky Enough That There Is Never A Blank Canvas In Front Of Me... I Have Hundreds Of Projects That I Want To Do But I Am Running Out Of Time.

I Came From A Very Avant-garde Documentary Kind Of Film Making World. I Like Cinema Verité, Documentaries. I Liked Non-story, Non-character Tone Poems. And That's The Film Making That I Was Interested In.

Attention Should Be Paid To This Question Of Our Soul, And Not Simply To Accounting Procedures. Attention Should Be Paid To The Interest Of Those Who Are Yet Unborn, Who Should Be Able To See This Generation As It Saw Itself, And The Past Generation As It Saw Itself.

This Generation

Learning To Make Films Is Very Easy. Learning What To Make Films About Is Very Hard.

I Like Racing. I Love The Speed And I'm A Very Kinetic Person In Terms Of Filmmaking. I Love The Movement Of Film More Than Anything Else.

I'm Not In A Contest. I Make Movies. I'm Not A Racehorse.

In 3-d Filmmaking, I Can Take Images And Manipulate Them Infinitely, As Opposed To Taking Still Photographs And Laying Them One After The Other. I Move Things In All Directions. It's Such A Liberating Experience.

One Of The Most Telling Things About Film School Is You've Got A Lot Of Students Wandering Around Saying, "oh, I Wish I Could Make A Movie. I Wish I Could Make A Movie."

Star Wars Is A Saga Of Good Vs. Evil, Divided Into Nine Parts.

Everybody Has Talent And It's Just A Matter Of Moving Around Until You've Discovered What It Is. A Talent Is A Combination Of Something You Love A Great Deal And Something You Can Lose Yourself In - Something That You Can Start At 9 O'clock, Look Up From Your Work And It's 10 O'clock At Night - And Also Something That You Have A Talent, Not A Talent For, But Skills That You Have A Natural Ability To Do Very Well. And Usually Those Two Things Go Together.

I Think That Lethal Weapon-style Dialogue Is Overused, It's A Necessary Aspect Of High Action Films Where You Have To Have The Smart Retort. You Have To Say "i'll Be Back Baby" And Stuff. It's Not My Style.

One Of The Basic Motifs In Fairy Tales Is That You Find The Poor And Unfortunate Along The Side Of The Road, And When They Beg For Help, If You Give It To Them, You End Up Succeeding. If You Don't Give It To Them, You End Up Being Turned Into A Frog Or Something. It's Something That's Been Around For Thousands Of Years, A Concept That's Been Around For Thousands Of Years.

Before I Became A Film Major, I Was Very Heavily Into Social Science, I Had Done A Lot Of Sociology, Anthropology, And I Was Playing In What I Call Social Psychology, Which Is Sort Of An Offshoot Of Anthropology/sociology - Looking At A Culture As A Living Organism, Why It Does What It Does.

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Kathryn Minshew

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