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When Critics Or People Judge, I Think It's Harder To Make A Commercial, Pop Movie Than It Is To Make A Pretentious Art Film. It's Harder To Reach Millions Of People And Satisfy Them And Make Them Happy. These Films Kind Of Get Ghettoized, This Genre Because There Are So Many Big, Big Movies That Are Such Big Hits, But Aren't Any Good. The Audiences, They're Not Judging The Style Of The Director, Or The Execution Of The Film. They're Just Looking To Be Entertained. They Want To Escape From Their Reality, And That's Why We Make Movies, To Get People To Escape From The Realities.

-Brett Ratner

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When Critics Or People

Brett Ratner

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When Critics Or People Judge, I Think It's Harder To Make A Commercial, Pop Movie Than It Is To Make A Pretentious Art Film. It's Harder To Reach Millions Of People And Satisfy Them And Make Them Happy. These Films Kind Of Get Ghettoized, This Genre Because There Are So Many Big, Big Movies That Are Such Big Hits, But Aren't Any Good. The Audiences, They're Not Judging The Style Of The Director, Or The Execution Of The Film. They're Just Looking To Be Entertained. They Want To Escape From Their Reality, And That's Why We Make Movies, To Get People To Escape From The Realities.

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You Can't Show A Four-hour Movie In A Theater, Really.

My Mom Had Me When She Was 16, And I Was An Only Child, Which Is Probably Why I Received A Lot Of Love And Didn't Miss That My Father Wasn't Around.

I Got A Super 8 Camera When I Was Eight Years Old, And I Just Wanted To Tell Stories - I Love Telling Stories.

Miami Beach - That's Where I Grew Up, In A Middle-class Jewish Family Led By My Maternal Grandfather. Me, My Great-grandmother - A Holocaust Survivor, Who Was My Roommate - My Grandparents, My Mom And Her Brother All Shared A Four-bedroom House.

I'm A Laugher And A Lover Of Comedy.

When You're Fearless, You Take More Risks Because You're Less Conscious Of Failure Or What Can Go Wrong.

I Would Love A Robot Butler.

I Want People To See My Movies. My Talent, My Sensibilities Are What People Want To See In The Movies... While I Have The Talent To Make The Kind Of Movies People Want To See I Want To Continue To Do That, Keep Making Big Pictures And Make What I Love. I’m Really Just Making The Films I Want To See. There’s Not A Strategy.

Having Love In Your Heart Doesn't Count For Much If What Comes Out Of Your Mouth Is Ugly And Bigoted.

There's No Greater Feeling Than People Coming Up To Me And Going, "man, My Father Was Dying, And We Went To See Rush Hour, And It Was The Greatest Night We Had In Years Together. We Sat In That Theater And We Laughed For Two Hours Without Stopping. That Was Just A Great Memory That I Had Before My Father Died."

In My Public Life, I'm Just A Guy Who Enjoys Having Fun.

Producing Is Making Films Without Having To Work Sometimes. It's Still Making Films, But It's A Different Job. When You're The Director, You Kinda Do All The Work. I'm Actually Going Tonight To Check The Prints Of My Movie Even Though The Premiere's Tomorrow Night.

There's No Difference Between A Tacky Jew From Miami And A Rap Star. They Both Want The Cadillac And The Rolex With The Diamonds.

Michael Jackson Doesn't Really Belong On This Planet. He's The Most Important Figure In The History Of Music. He'll Be Remembered Far Longer Than George Bush Will. 200 Years From Now, People Will Be Talking About Michael Jackson, And No One's Going To Mention George Bush.

I've Worked With A Hundred Of The Biggest Artists In The World, From Madonna To Mariah Carey, And He [michael Jackson] Is Just Beyond. He's At A Whole Other Level, Spiritually. He's Got The God Spot. Everyone Has It, Everyone Has That God Spot, But It's Just The Way He's In Tune With It. He Has It. It's Right There, And When He Starts To Sing, God Has Just Opened It Up For Him. That's Why He's Not Comfortable Around People And Things, Because He's Just Such A Unique - He Feels Blessed Just To Be Himself. "i Can't Believe I'm Michael Jackson."

The Producer Can Put Something Together, Package It, Oversee It, Give Input. I'm The Kind Of Producer That Likes To Take A Back Seat And Let The Director Run With It. If He Needs Me, I'm There For Him. As A Director, I Like To Have The Producer There With Me. As A Producer, I Don't Want To Be There Because I Happen To Be A Director First And Foremost, I Don't Want To "that Guy."

I'm Constantly Being Visually Stimulated.

In This Day And Age, You Need A Lot Of Patience If You Are In The Movie Business.

You've Got To Think About How To Do Things For The Right Price. You Have To Shoot In Different Places To Be Creative And Get Tax Rebates.

I Ask My Assistants If They're Retarded All The Time. When The Camera Is On You, Of Course, Actors Have The Ability To Make It Real. For Me, If I'm Not Talking, It Is A Problem. I Have So Much More Respect For Actors After Being In Front Of The Camera, And I Realize That The Hardest Part Is When You're Not Talking. Listening Is Harder Than Just Acting. Listening Is The Hardest Part.

You Can't Reinvent The Wheel. You've Got To Just Take The Best From All The Other Shows And Try To Make It Work, Because There's The "live Show Gods" That Dictate If There Are Going To Be Any Surprises, If There's A Very Commercial Film That's A Best Picture. There Are A Lot Of Things That Are Out Of My Control, But I Do My Best.

Whoever Writes A Bad Review, I Put Their Name On A List, And They're Going To Get Taken Care Of One Day Down The Road. Otherwise, I Don't Let It Bother Me. The Truth Is, These Are Review-proof Movies. The Audiences Are Going To See It. My Audience, Our Audience, Isn't Reading Esquire Magazine To See If My Movie Is Good Or Not. They Just Want To Laugh, To Be Entertained, And Lose Themselves.

Movies Are The Biggest Export In The World, The Biggest American Export. It Influences People All Over The World.

They Say Your Childhood Influences Your Tastes And Interests, Or Your Approach If You're An Artist. So What You Create, Whatever You Saw, Whatever Your Childhood Was Like - It Influences How You're Going To End Up.

Before I Did 'rush Hour,' I Was A Big Fan Of Jackie Chan Movies And I Had Seen All Of Them.

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I Learn More From The Audience Than I Can From Anybody Else. Not From What They Write On The Scorecards, But How They Respond To The Movie While They're Watching It - Where They Laugh And Where They React.

When Critics Or People Judge, I Think It's Harder To Make A Commercial, Pop Movie Than It Is To Make A Pretentious Art Film. It's Harder To Reach Millions Of People And Satisfy Them And Make Them Happy. These Films Kind Of Get Ghettoized, This Genre Because There Are So Many Big, Big Movies That Are Such Big Hits, But Aren't Any Good. The Audiences, They're Not Judging The Style Of The Director, Or The Execution Of The Film. They're Just Looking To Be Entertained. They Want To Escape From Their Reality, And That's Why We Make Movies, To Get People To Escape From The Realities.

I'm Definitely Not A Nerd.

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Rehearsal? What’s That? Rehearsal’s For Fags. Rehearsal. Not Much.

I Want To Print Books By People In The Film Industry.

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