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Today's Photographers Think Differently. Many Can't See Real Light Anymore. They Think Only In Terms Of Strobe - Sure, It All Looks Beautiful But It's Not Really Seeing. If You Have The Eyes To See It, The Nuances Of Light Are Already There On The Subject's Face. If Your Thinking Is Confined To Strobe Light Sources, Your Palette Becomes Very Mean - Which Is The Reason I Photograph Only In Available Light.

-Alfred Eisenstaedt

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Today's Photographers Think Differently.

Alfred Eisenstaedt

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Today's Photographers Think Differently. Many Can't See Real Light Anymore. They Think Only In Terms Of Strobe - Sure, It All Looks Beautiful But It's Not Really Seeing. If You Have The Eyes To See It, The Nuances Of Light Are Already There On The Subject's Face. If Your Thinking Is Confined To Strobe Light Sources, Your Palette Becomes Very Mean - Which Is The Reason I Photograph Only In Available Light.

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My Style Hasn't Changed Much In All These Sixty Years. I Still Use, Most Of The Time, Existing Light And Try Not To Push People Around. I Have To Be As Much A Diplomat As A Photographer. People Don't Often Take Me Seriously Because I Carry So Little Equipment And Make So Little Fuss... I Never Carried A Lot Of Equipment. My Motto Has Always Been, "keep It Simple".

In A Photograph A Person’s Eyes Tell Much, Sometimes They Tell All.

When I Photographed Marilyn Monroe, I Mixed Up My Cameras - One Had Black-and-white Film, The Other Color. I Took Many Pictures. Only Two Color Ones Came Out All Right. My Favorite Picture Of Marilyn Hangs Always On The Wall In My Office. It Was Taken On The Little Patio Of Her Hollywood House.

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All Photographers Have To Do, Is Find And Catch The Story-telling Moment.

With Photography, Everything Is In The Eye And These Days I Feel Young Photographers Are Missing The Point A Bit. People Always Ask About Cameras But It Doesn't Matter What Camera You Have. You Can Have The Most Modern Camera In The World But If You Don't Have An Eye, The Camera Is Worthless. Young People Know More About Modern Cameras And Lighting Than I Do. When I Started Out In Photography I Didn't Own An Exposure Meter - I Couldn't , They Didn't Exist! I Had To Guess.

I Want To Be A Mouse In A Mousehole.

Never Boss People Around. It's More Important To Click With People Than To Click The Shutter.

Yes, I Sold Buttons To Earn Living. But I Took Pictures To Keep On Living. Pictures Are My Life – As Necessary As Eating Or Breathing.

When I Have A Camera In My Hand, I Know No Fear.

I Have To Be As Much Diplomat As A Photographer.

I Dream That Someday The Step Between My Mind And My Finger Will No Longer Be Needed. And That Simply By Blinking My Eyes, I Shall Make Pictures. Then, I Think, I Shall Really Have Become A Photographer.

I Always Prefer Photographing In Available Light – Or Rembrandt-light I Like To Call It – So You Get The Natural Modulations Of The Face. It Makes A More Alive, Real, And Flattering Portrait.

Today's Photographers Think Differently. Many Can't See Real Light Anymore. They Think Only In Terms Of Strobe - Sure, It All Looks Beautiful But It's Not Really Seeing. If You Have The Eyes To See It, The Nuances Of Light Are Already There On The Subject's Face. If Your Thinking Is Confined To Strobe Light Sources, Your Palette Becomes Very Mean - Which Is The Reason I Photograph Only In Available Light.

I Will Be Remembered When I'm In Heaven. People Won't Remember My Name, But They Will Know The Photographer Who Did That Picture Of That Nurse Being Kissed By The Sailor At The End Of World War Ii. Everybody Remembers That.

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The Way I Would Describe A Pictorial Is That It Is A Picture That Makes Everybody Say ‘aaaaah,’ With Five Vowels When They See It. It Is Something You Would Like To Hang On The Wall. The French Word ‘photogenique’ Defines It Better Than Anything In English. It Is A Picture Which Must Have Quality, Drama, And It Must, In Addition, Be As Good Technically As You Can Possible Make It.

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Retire? Retire From What? Life? I Will Only Retire When I Am Dead!

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