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The Inspired Moment May Sometimes Be Described As A Kind Of Hallucinatory State Of Mind: One Half Of The Personality Emotes And Dictates While The Other Half Listens And Notates. The Half That Listens Has Better Look The Other Way, Had Better Simulate A Half Attention Only, For The Half That Dictates Is Easily Disgruntled And Avenges Itself For Too Close Inspection By Fading Entirely Away.

-Aaron Copland

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The Inspired Moment May

Aaron Copland

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The Inspired Moment May Sometimes Be Described As A Kind Of Hallucinatory State Of Mind: One Half Of The Personality Emotes And Dictates While The Other Half Listens And Notates. The Half That Listens Has Better Look The Other Way, Had Better Simulate A Half Attention Only, For The Half That Dictates Is Easily Disgruntled And Avenges Itself For Too Close Inspection By Fading Entirely Away.

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Someone Once Asked Me... Whether I Waited For Inspiration. My Answer Was: "every Day!"

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So Long As The Human Spirit Thrives On This Planet, Music In Some Living Form Will Accompany And Sustain It And Give It Expressive Meaning.

Mozart Tapped The Source From Which All Music Flows, Expressing Himself With A Spontaneity And Refinement And Breathtaking Rightness.

The Whole Problem Can Be Stated Quite Simply By Asking "is There A Meaning To Music?" My Answer Would Be, "yes", And "can You State In So Many Words What The Meaning Is?" My Answer To That Would Be "no."

Listening To The Fifth Symphony Of Ralph Vaughan Williams Is Like Staring At A Cow For 45 Minutes.

There Is Something About Music That Keeps Its Distance Even At The Moment That It Engulfs Us. It Is At The Same Time Outside And Away From Us And Inside And Part Of Us. In One Sense It Dwarfs Us, And In Another We Master It. We Are Led On And On, And Yet In Some Strange Way We Never Lose Control.

The Melody Is Generally What The Piece Is All About.

Arthur V. Berger Commenting On The Music Of Aaron Copland: Here Is At Last An American That We May Place Unapologetically Beside The Great Recognized Creative Figures Of Any Other Country.

You Compose Because You Want To Somehow Summarize In Some Permanent Form Your Most Basic Feelings About Being Alive, To Set Down Some Sort Of Permanent Statement About The Way It Feels To Live Now, Today.

Mozart In His Music Was Probably The Most Reasonable Of The World's Great Composers. It Is The Happy Balance Between Flight And Control, Between Sensibility And Self-discipline, Simplicity And Sophistication Of Style That Is His Particular Province... Mozart Tapped Once Again The Source From Which All Music Flows, Expressing Himself With A Spontaneity And Refinement And Breath-taking Rightness That Has Never Since Been Duplicated.

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If One Were Asked To Name One Musician Who Came Closest To Composing Without Human Flaw, I Suppose General Consensus Would Choose Johann Sebastian Bach.

I Adore Extravagance But I Abhor Waste.

I Don't Compose. I Assemble Materials.

You May Be Sitting In A Room Reading This Book. Imagine One Note Struck Upon The Piano. Immediately That One Note Is Enough To Change The Atmosphere Of The Room - Proving That The Sound Element In Music Is A Powerful And Mysterious Agent, Which It Would Be Foolish To Deride Or Belittle.

Music That Is Born Complex Is Not Inherently Better Or Worse Than Music That Is Born Simple.

The Main Thing Is To Be Satisfied With Your Work Yourself. It's Useless To Have An Audience Happy If You Are Not Happy.

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A Melody Is Not Merely Something You Can Hum.

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When I Speak Of The Gifted Listener, I Am Thinking Of The Nonmusician Primarily, Of The Listener Who Intends To Retain His Amateur Status. It Is The Thought Of Just Such A Listener That Excites The Composer In Me.

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