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The Greeks Used To Use The Same Stories, The Same Mythology, Time After Time, Different Authors. There Was No Premium Placed Upon An Original Story, And Indeed, Shakespeare Likewise. A Lot Of People Wrote Plays About Great Kings. They Didn't Expect A Brand-new Story. It Was What That New Author Made Of The Old Story. It Is Probably The Same Now. We Disguise It By Inventing What Seem To Be New Stories, But They're Basically The Same Story Anyway.

-Arthur Miller

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The Greeks Used To

Arthur Miller

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The Greeks Used To Use The Same Stories, The Same Mythology, Time After Time, Different Authors. There Was No Premium Placed Upon An Original Story, And Indeed, Shakespeare Likewise. A Lot Of People Wrote Plays About Great Kings. They Didn't Expect A Brand-new Story. It Was What That New Author Made Of The Old Story. It Is Probably The Same Now. We Disguise It By Inventing What Seem To Be New Stories, But They're Basically The Same Story Anyway.

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By Whatever Means It Is Accomplished, The Prime Business Of A Play Is To Arouse The Passions Of Its Audience So That By The Route Of Passion May Be Opened Up New Relationships Between A Man And Men, And Between Men And Man. Drama Is Akin To The Other Inventions Of Man In That It Ought To Help Us To Know More, And Not Merely To Spend Our Feelings.

I Think The Tragic Feeling Is Invoked In Us When We Are In The Presence Of A Character Who Is Ready To Lay Down His Life, If Need Be, To Secure One Thing -- His Sense Of Personal Dignity.

I've Always Made A Point Of Not Wasting My Life, And Every Time I Come Back Here I Know That All I've Done Is To Waste My Life.

I Am A Good Woman. I Know It.

A Good Newspaper, I Suppose, Is A Nation Talking To Itself.

Witch-hunts Are Always Spooked By Women's Horrifying Sexuality Awakened By The Superstud Devil.

I Love Her Too, But Our Neuroses Just Don't Match.

Everybody Likes A Kidder, But Nobody Lends Him Money.

The Crucible Became By Far My Most Frequently Produced Play, Both Abroad And At Home. Its Meaning Is Somewhat Different In Different Places And Moments. I Can Almost Tell What The Political Situation In A Country Is When The Play Is Suddenly A Hit There It Is Either A Warning Of Tyranny On The Way Or A Reminder Of Tyranny Just Past.

I Think It's A Mistake To Ever Look For Hope Outside Of One's Self.

They Tried To Escape Technology, To Stay Away From That And Still Have Relationships With Their Fellow Humans. Very Difficult.

... If You Love Your Country Why Is It Necessary To Hate Other Countries?

Success, Instead Of Giving Freedom Of Choice, Becomes A Way Of Life. There's No Country I've Been To Where People, When You Come Into A Room And Sit Down With Them, So Often Ask You, "what Do You Do?" And, Being American, Many's The Time I've Almost Asked That Question, Then Realized It's Good For My Soul Not To Know. For A While! Just To Let The Evening Wear On And See What I Think Of This Person Without Knowing What He Does And How Successful He Is, Or What A Failure. We're Ranking Everybody Every Minute Of The Day.

I Know You're No Worse Than Most Men But I Thought You Were Better. I Never Saw You As A Man. I Saw You As My Father.

They Know Your Name, Address, Telephone Number, Credit Card Numbers, Who Else Is Driving The Car "for Insurance", ... Your Driver's License Number. In The State Of Massachusetts, This Is The Same Number As That Used For Social Security, Unless You Object To Such Use. In That Case, You Are Assigned A Number And You Reside Forever More On The List Of "weird People Who Don't Give Out Their Social Security Number In Massachusetts."

He's Liked, But He's Not Well Liked.

The Need Of Man To Wholly Realize Himself Is The Only Fixed Star.

After All The Highways, And The Trains, And The Appointments, And The Years, You End Up Worth More Dead Than Alive.

A Play's An Interpretation. It Is Not A Report. And That Is The Beginning Of Its Poetry Because, In Order To Interpret, You Have To Distort Toward A Symbolic Construction Of What Happened, And As That Distortion Takes Place, You Begin To Leave Out And Overemphasize And Consequently Deliver Up Life As A Unity Rather Than As A Chaos, And Any Such Attempt, The More Intense It Is, The More Poetic It Becomes.

Work A Lifetime To Pay Off A House You Finally Own It And There's Nobody To Live In It.

There Is Unquestionably A Contradiction Between An Efficient Technological Machine And The Flowering Of Human Nature, Of The Human Personality.

Those Who Formally Rule Take Their Signals And Commands Not From The Electorate As A Body, But From A Small Group Of Men. This Group Will Be Called The Establishment. It Exists Even Though That Existence Is Stoutly Denied. It Is One Of The Secrets Of The American Social Order... A Second Secret Is The Fact That The Existence Of The Establishment - The Ruling Class - Is Not Supposed To Be Discussed.

Amos Oz Is One Of The Finest Novelists Of This Entire Period. My Michael Is A Beautiful Work Of Great Depth And In Some Indescribable Way Lingers In The Mind As A Lyric Song To His Country's People As Much As A Moving Love Story.

A Doctor Could Make A Million Dollars If He Could Figure Out A Way To Bring A Boy Into The World Without A Trigger Finger.

He Wants To Live On Through Something - And In His Case, His Masterpiece Is His Son. All Of Us Want That, And It Gets More Poignant As We Get More Anonymous In This World.

A Small Man Can Be Just As Exhausted As A Great Man.

I Have Made More Friends For American Culture Than The State Department. Certainly I Have Made Fewer Enemies, But That Isn't Very Difficult.

Charley: He Won't Starve. None A Them Starve. Forget About Him. Willy: Then What Have I Got To Remember?

Americans Don't Speak Foreign Languages, By And Large. Their Interest In Anything Beyond The Borders Of The Country Is Limited. A European Of Any Cultivation Has To Speak A Couple Of Languages; He Inevitably Without Being Very Thoughtful About It Gets To Understand What Other People Think About Him.

Playwriting Is An Oral Art; It's Not An Art Of A Writer Expecting To Be Read But A Writer Expecting To Be Heard.

I Know That My Works Are A Credit To This Nation And I Dare Say They Will Endure Longer Than The Mccarran Act.

The Shadow Of A Cornstalk On The Ground Is Lovely, But It Is No Denial Of Its Loveliness To See As One Looks On It That It Is Telling The Time Of Day, The Position Of The Earth And The Sun, The Size Of Our Planet And Its Shape, And Perhaps Even The Length Of Its Life And Ours Among The Stars.

Most Of The Time We Settle For Half And I Like It Better, Even As I Know How Wrong He Was And His Death Useless, I Tremble For I Confess That Something Peversley Pure Calls To Me From His Memory

It Is Rare For People To Be Asked The Question Which Puts Them Squarely In Front Of Themselves

You Cant Get Very Far In This World Without Your Dossier Being There First.

Well, I Spent Six Or Seven Years After High School Trying To Work Myself Up. Shipping Clerk, Salesman, Business Of One Kind Or Another. And It's A Measly Manner Of Existence. To Get On That Subway On The Hot Mornings In Summer. To Devote Your Whole Life To Keeping Stock, Or Making Phone Calls, Or Selling Or Buying. To Suffer Fifty Weeks Of The Year For The Sake Of A Two-week Vacation, When All You Really Desire Is To Be Outdoors, With Your Shirt Off. And Always To Have To Get Ahead Of The Next Fella. And Still — That's How You Build A Future.

Why Am I Trying To Become What I Don’t Want To Be … When All I Want Is Out There, Waiting For Me The Minute I Say I Know Who I Am.

The Job Is To Ask Questions - It Always Was - And To Ask Them As Inexorably As I Can. And To Face The Absence Of Precise Answers With A Certain Humility.

Questions And Answers

You Can't Eat The Orange And Throw The Peel Away - A Man Is Not A Piece Of Fruit.

I Think The Job Of The Artist Is To Remind People Of What They Have Chosen To Forget.

I Would Be Twenty Before I Learned How To Be Fifteen, Thirty Before I Knew What It Meant To Be Twenty, And Now At Seventy-two I Have To Stop Myself From Thinking Like A Man Of Fifty Who Has Plenty Of Time Ahead.

He's Not The Finest Character That Ever Lived. But He's A Human Being, And A Terrible Thing Is Happening To Him. So Attention Must Be Paid.

It Was Not Really Possible To Understand Oneself, Let Alone Another Human Being.

The Witch-hunt Was A Perverse Manifestation Of The Panic Which Set In Among All Classes When The Balance Began To Turn Toward Greater Individual Freedom. The Witch-hunt Was Not, However, A Mere Repression. It Was Also, And As Importantly, A Long Overdue Opportunity For Everyone So Inclined To Express Publicly His Guilt And Sins, Under The Cover Of Accusations Against The Victims.

If You Analyse Anything, You Destroy It.

Like Every Writer, I Am Asked Where My Work Originates, And If I Knew I Would Go There More Often To Find More.

There Is A Kind Of Perverse Unity Forming Among Us, Born, I Think, Of The Discontent Of All Classes Of People With The Endless Frustration Of Life.

I Speak My Own Sins; I Cannot Judge Another. I Have No Tongue For It.

Jerusalem Is ... The Fabled City Which For The Western Mind Is As Much Dream As Stone ... A Compressed Symbol Of Our Most Sublime Aspirations Along With Our Most Disgusting, Hatefully Brainless Excursions Into Religious Bigotry And Fratricide.

Be Liked And You Will Never Want.

In America, Any Man Who Is Not A Reactionary In His Views Is Open To The Charge Of Alliance With The Red Hell.

Certainly The Most Diverse, If Minor, Pastime Of Literary Life Is The Game Of Find The Author.

Proctor--he Knows It Is Insane: No, It Is Not The Same! What Others Say And What I Sign To Is Not The Same!

The Enemy Is Within, And Within Stays Within, And We Can't Get Out Of Within.

...when The Government Goes Into The Business Of Destroying Trust, It Goes Into The Business Of Destroying Itself.

The Car, The Furniture, The Wife, The Children - Everything Has To Be Disposable. Because You See The Main Thing Today Is - Shopping.

Life, Woman, Life Is God's Most Precious Gift; No Principle, However Glorious, May Justify The Taking Of It.

I'm Sure There Are Writers Who Are Great Businessmen, But I Never Met Any.

What Work You Do! It's Strange Work For A Christian Girl To Hang Old Women!

Willy Loman: I Don't Want Change, I Want Swiss Cheese!

Never Fight Fair With A Stranger, Boy. You'll Never Get Out Of The Jungle That Way.

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The Theater Is So Endlessly Fascinating Because It's So Accidental. It's So Much Like Life.

I Came Out Of A Culture In Which My Uncle, My Father - They Were All Salesmen Of One Kind Or Another. My Father Was A Manufacturer. He Also, In Effect, Had To Sell That Stuff. And If He Didn't Literally Do It, His Men Did. So, Selling Was In The Air Through My Boyhood. The Whole Idea Of Successfully Selling Was Very Important.

Everything We Are Is At Every Moment Alive In Us.

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Oh,elizabeth, Your Justice Would Freeze Beer.

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If I See An Ending, I Can Work Backward.

... Vulgarity Has No Nation.

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Cleave To No Faith When Faith Brings Blood.

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When A Deposit Bottle Is Broken, You Don't Get Your Nickel Back.

When The Guns Roar, The Arts Die.

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I Figure I've Done What I Could Do, More Or Less, And Now I'm Going Back To Being A Chemical; All We Are Is A Lot Of Talking Nitrogen, You Know.

Now Hell And Heaven Grapple On Our Backs And All Our Old Pretense Is Ripped Away. Aye, And God's Icy Wind Will Blow.

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Immortality Is Like Trying To Carve Your Initials In A Block Of Ice In The Middle Of July.

The Brain Heals The Past Like An Injury.

It May Be That Even If Half Consciously, We Choose Our Personalities To Maintain A Certain Saving Balance In The Family's Little Universe.

I Believe In Work. If Somebody Doesn't Create Something, However Small It May Be, He Gets Sick. An Awful Lot Of People Feel That They're Treading Water -- That If They Vanished In Smoke, It Wouldn't Mean Anything At All In This World. And That's A Despairing And Destructive Feeling. It'll Kill You.

Proctor, His Mind Wild, Breathless: I Say--i Say--god Is Dead!

What Is The Most Innocent Place In Any Country? Is It Not The Insane Asylum? These People Drift Through Life Truly Innocent, Unable To See Into Themselves At All.

The Camera Has Its Own Kind Of Consciousness; In The Lens The Garden Of Eden Itself Would Become Ever So Slightly Too Perfect.

I Don't Say He's A Great Man. Willie Loman Never Made A Lot Of Money. His Name Was Never In The Paper. He's Not The Finest Character That Ever Lived. But He's A Human Being, And A Terrible Thing Is Happening To Him. So Attention Must Be Paid. He's Not To Be Allowed To Fall In His Grave Like An Old Dog. Attention, Attention Must Finally Be Paid To Such A Person.

The Task Of The Real Intellectual Consists Of Analyzing Illusions In Order To Discover Their Causes.

The Famous Are Balloons Far Up In The Sky, To Be Envied For Their Quiet Freedom Or Shot Down As Enemies.

The Best Of Our Theater Is Standing On Tiptoe, Striving To See Over The Shoulders Of Father And Mother. The Worst Is Exploiting And Wallowing In The Self-pity Of Adolescence And Obsessive Keyhole Sexuality. The Way Out, As The Poet Says, Is Always Through.

Don't Be Seduced Into Thinking That That Which Does Not Make A Profit Is Without Value.

I Think Now That The Great Thing Is Not So Much The Formulation Of An Answer For Myself, For The Theatre, Or The Play - But Rather The Most Accurate Possible Statement Of The Problem.

My Plays Are Always Involved With Society, But I'm Writing About People, Too, And It's Clear Over The Years That Audiences Understand Them And Care About Them. The Political Landscape Changes, The Issues Change, But The People Are Still There. People Don't Really Change That Much.

I'm The End Of The Line; Absurd And Appalling As It May Seem, Serious New York Theater Has Died In My Lifetime.

Flight Reservation Systems Decide Whether Or Not You Exist. If Your Information Isn't In Their Database, Then You Simply Don't Get To Go Anywhere.

The Best Work That Anybody Ever Writes Is The Work That Is On The Verge Of Embarrassing Him, Always.

There Might Be A Dragon With Five Legs In My House, But No One Has Ever Seen It.

The Greeks Used To Use The Same Stories, The Same Mythology, Time After Time, Different Authors. There Was No Premium Placed Upon An Original Story, And Indeed, Shakespeare Likewise. A Lot Of People Wrote Plays About Great Kings. They Didn't Expect A Brand-new Story. It Was What That New Author Made Of The Old Story. It Is Probably The Same Now. We Disguise It By Inventing What Seem To Be New Stories, But They're Basically The Same Story Anyway.

Where Choice Begins, Paradise Ends, Innocence Ends, For What Is Paradise But The Absence Of Any Need To Choose This Action?

The World Is An Oyster But You Don't Crack It Open On A Mattress

But We Are Mostly What We Are, And The Turtle Stretching Toward Delicious Buds On High Does Not Lighten His Carapace By His Resolve.

Self-realization And Self-fulfilment Are The Sine Qua Non For Human Existence.

An Idol Tells People Exactly What To Believe, God Presents Them With Choices They Have To Make For Themselves. The Difference Is Far From Insignificant; Before The Idol Men Remain Dependent Children, Before God They Are Burdened And At The Same Time Liberated To Participate In The Decisions Of Endless Creation.

Pathos Truly Is The Mode For The Pessimist. But Tragedy Requires A Nicer Balance Between What Is Possible And What Is Impossible. And It Is Curious, Although Edifying, That The Plays We Revere, Century After Century, Are The Tragedies. In Them, And In Them Alone, Lies The Belief-optimistic, If You Will, In The Perfectibility Of Man.

The Arts Can Do More To Sustain The Peace Than All The Wars, The Armaments, And The Threats And Warnings Of Politicians.

Man Must Shape His Tools Lest They Shape Him.

The World Is Always Ending; The Exact Date Depends On When You Came Into It.

The Only Thing You Got In This World Is What You Can Sell. And The Funny Thing Is That You're A Salesman, And You Don't Know That.

A Suicide Kills Two People, That's What It's For!

The Price Grew Out Of A Need To Reconfirm The Power Of The Past, The Seedbed Of Current Reality, And The Way To Possibly Reaffirm Cause And Effect In An Insane World.

Without Alienation, There Can Be No Politics.

He Have His Goodness Now. God Forbid I Take It From Him!

Every Time I Am Reading Actors I Can Pretty Well Tell Which Ones Have Studied With Meisner. It Is Because They Are Honest And Simple And Don't Lay On Complications That Aren't Necessary.

I Am Bewildered By The Death Of Love. And My Responsibility For It.

The Parochial Snobbery Of These People Was Partly Responsible For Their Failure To Convert The Indians. Probably They Also Preferred To Take Land From Heathens Rather Than From Fellow Christians. At Any Rate, Very Few Indians Were Converted, And The Salem Folk Believed That The Virgin Forest Was The Devil's Last Preserve, His Home Base And The Citadel Of His Final Stand. To The Best Of Their Knowledge The American Forest Was The Last Place On Earth That Was Not Paying Homage To God.

The Apple Cannot Be Stuck Back On The Tree Of Knowledge; Once We Begin To See, We Are Doomed And Challenged To Seek The Strength To See More, Not Less.

Maybe All One Can Do Is Hope To End Up With The Right Regrets.

The Very Impulse To Write Springs From An Inner Chaos Crying For Order - For Meaning.

Few Occasions Are As Joyous To Small Children As Funerals, Almost Better Than The Big Wedding Blowouts That Take Place At Night When It's Hard To Stay Awake. A Small Boy Will Never Be Harshly Criticized At A Funeral; He Is More Treasured As Death Comes Close And All His Wickedness Vanishes Before The Inescapable Fact That Thank God, He Is Healthy.

Nevertheless, One Learned Very Early That Books Had To Be Respected; They Were All Putative Bibles And To Some Small Degree Had A Share In Holiness.

Whoever Is Writing In The United States Is Using The American Dream As An Ironical Pole Of His Story. People Elsewhere Tend To Accept, To A Far Greater Degree Anyway, That The Conditions Of Life Are Hostile To Mans Pretensions.

The Devil Is Precise; The Marks Of His Presence Are Definite As Stone.

It Is Time That We, Who Are Without Kings, Took Up This Bright Thread Of Our History And Followed It To The Only Place It Can Possibly Lead In Our Time-the Heart And Spirit Of The Average Man.

One Had The Right To Write Because Other People Needed News Of The Inner World, And If They Went Too Long Without Such News They Would Go Mad With The Chaos Of Their Lives.

Let Either Of You Breathe A Word, Or The Edge Of A Word, About The Other Things, And I Will Come To You In The Black Of Some Terrible Night And I Will Bring A Pointy Reckoning That Will Shudder You. And You Know I Can Do It; I Saw Indians Smash My Dear Parents' Heads On The Pillow Next To Mine, And I Have Seen Some Reddish Work Done At Night, And I Can Make You Wish You Had Never Seen The Sun Go Down! - Abigail

The Jungle Is Dark But Full Of Diamonds, Willy.

The Problem Was To Sustain At Any Cost The Feeling You Had In The Theater That You Were Watching A Real Person, Yes, But An Intense Condensation Of His Experience, Not Simply A Realistic Series Of Episodes.

Great Stones They Lay Upon His Chest Until He Plead Aye Or Nay. They Say He Give Them But Two Words. "more Weight," He Says. And Died.

If You Complain Of People Being Shot Down In The Streets, Of The Absence Of Communication Or Social Responsibility, Of The Rise Of Everyday Violence Which People Have Become Accustomed To, And The Dehumanization Of Feelings, Then The Ultimate Development On An Organized Social Level Is The Concentration Camp... The Concentration Camp Is The Final Expression Of Human Separateness And Its Ultimate Consequence. It Is Organized Abandonment.

A Play Is Made By Sensing How The Forces In Life Simulate Ignorance-you Set Free The Concealed Irony, The Deadly Joke.

There Are Many Who Stay Away From Church These Days Because You Hardly Ever Mention God Any More.

Data Is A Lot Like Humans: It Is Born. Matures. Gets Married To Other Data, Divorced. Gets Old. One Thing That It Doesn't Do Is Die. It Has To Be Killed.

People Do Look To Others For Some Leadership, And It's Not Bad For Them To Supply It When They Feel That Way.

In A Dream, We Are Simply Confronted With Various Loaded Symbols, And Where One Is Exhausted, It Gives Way To Another.

For The Political World, I Have Come To Believe, Is Fundamentally Beyond Anyone's Control, Yet We All Go On As Though It Were A Kind Of Vehicle That Only Needs A Change Of Drivers In Order To Steer It Away From Its Frequent Hair-raising Visits To The Edge Of The Cliff.

As A Writer, I've Always Believed That While My Work And I Myself Are Embedded In Whatever Period I Am Writing About, Clearly I Am Sensitive To The Winds That Are Blowing In The Culture. At The Same Time, I Have Always Felt That The Issue Was Not To Deal With The Problem In The Abstract, But To Deal With The People Who Are In That Problem. The Emphasis Is On The People. The General Problem Begins To Resolve Itself Even Before The Play Is Finished.

. . Usually, The Biggest Problems Of Adapting Plays Into Screenplays Is That They Stick Too Close To The Play, And I Think Film Is A Completely Different Medium. I Think A Novel Is Much Closer To A Film.

There Is A Misconception Of Tragedy With Which I Have Been Struck In Review After Review, And In Many Conversations With Writers And Readers Alike. It Is The Idea That Tragedy Is Of Necessity Allied To Pessimism.

...an Everlasting Funeral Marches Round Your Heart.

A Genuine Invention In The Realm Of Ideas Must First Emerge As An Abstruse And Even Partial Concept? At First Blusha New Idea Appearstobe Verycloseto Insanity Because To Be New It Must Reverse Important Basic Beliefs And Assumptions Which, In Turn, Have Been Institutionalized And Are Administered By One Or Another Kind Of Priesthood With A Vested Interest In An Old Idea.

I Regard The Theatre As A Serious Business, One That Makes Or Should Make Man More Human, Which Is To Say, Less Alone.

Serious Business

If I Have Any Justification For Having Lived It's Simply, I'm Nothing But Faults, Failures And So On, But I Have Tried To Make A Good Pair Of Shoes. There's Some Value In That.

Success, Instead Of Giving Freedom Ofchoice, Becomes A Way Of Life.

A Man Is Not A Bird, To Come And Go With The Springtime.

... So Many Tremendous Decisions In Life Are Made Because It Is Five O'clock.

In The Theater, While You Recognized That You Were Looking At A House, It Was A House In Quotation Marks. On Screen, The Quotation Marks Tend To Be Blotted Out By The Camera.

Quotation Marks

The Mission Of The Theatre, After All, Is To Change, To Raise The Consciousness Of People To Their Human Possibilities.

Look, We're All The Same; A Man Is A Fourteen-room House - In The Bedroom He's Asleep With His Intelligent Wife, In The Living-room He's Rolling Around With Some Bare Ass Girl, In The Library He's Paying His Taxes, In The Yard He's Raising Tomatoes And In The Cellar He's Making A Bomb To Blow It All Up.

That Is A Very Good Question. I Don't Know The Answer. But Can You Tell Me The Name Of A Classical Greek Shoemaker?

Suicide Kills Two People.

When Any Creativity Becomes Useful, It Is Sucked Into The Vortex Of Commercialism, And When A Thing Becomes Commercial, It Becomes The Enemy Of Man.

If I Have To Be Alone I Want To Be By Myself.

Chris: I Don't Know Why It Is, But Every Time I Reach Out For Something I Want, I Have To Pull Back Because Other People Will Suffer.

Peace. It Is A Providence, And No Great Change; We Are Only What We Always Were, But Naked Now.

The Closer A Man Approaches Tragedy The More Intense Is His Concentration Of Emotion Upon The Fixed Point Of His Commitment, Which Is To Say The Closer He Approaches What In Life We Call Fanaticism.

When Today Fails To Offer The Justification For Hope, Tomorrow Becomes The Only Grail Worth Pursuing.

A Playwright Lives In An Occupied Country. And If You Can't Live That Way You Don't Stay.

A Lot Of My Work Goes To The Center Of Where We Belong--if There Is Any Root To Life -because Nowadays The Family Is Broken Up, And People Don't Live In The Same Place For Very Long.

Try To Keep The Rebel Artist Alive In You, No Matter How Attractive Or Exhausting The Temptation.

A Political Policy Is Equated With Moral Right, And Opposition To It With Diabolical Malevolence.

I'm A Fatalist.... I Consider I Am Rejected In Principle. My Work Is And, Through My Work, I Am. If It's Accepted, It's Miraculous Or The Result Of A Misunderstanding.

I Realized What A Ridiculous Lie My Whole Life Has Been.

Glamour, That Trans-human Aura Or Power To Attract Imitation, Is A Kind Of Vessel Into Which Dreams Are Poured, And Some Vessels Are Simply Worthier Than Others... A Beautiful Woman Can Turn Heads But Real Glamour Has A Deeper Pull... Glamour Is The Power To Rearrange People's Emotions, Which, In Effect, Is The Power To Control One's Environment.

A Little Man Makes A Mistake And They Hang Him By The Thumbs; The Big Ones Become Ambassadors.

Until An Hour Before The Devil Fell, God Thought Him Beautiful In Heaven.

In His Play Depicting The Salem Witch Trials, The Author Illustrates Profound Psychological Bullying. The Ringleader Of Young Girls Suspected Of Unsavory Conduct, Frightens Her Friends Into Silence By Warning: Now, Look You; All Of You. We Danced. And Tituba Conjured Ruth Putnam's Dead Sisters, And That Was All. ... Let Either Of You Breathe A Word, Or The Edge Of A Word, About The Other Things, And I Will Come To You In The Black Of Some Terrible Night, And I Will Bring A Pointy Reckoning That Will Shudder You.

I Cannot Sleep For Dreaming; I Cannot Dream But I Wake And Walk About The House As Though I'd Find You Coming Through Some Door.

We Are What We Always Were In Salem, But Now The Little Crazy Children Are Jangling The Keys Of The Kingdom, And Common Vengeance Writes The Law!

Poor Brain! How Helplessly It Dissolves When Willing Eyes Meet And The Nose Warms To Those Old Jungle Scents.

Today, [theatre's] More Likely To Be Consciously Not Aimed At The Public, But At A More Sophisticated Or Educated Public. . . . The Result Is That Some Of The Sheer Humanity Has Leaked Out Of The Enterprise.

Memory Inevitably Romanticizes, Pressing Reality To Recede Like Pain.

Tragedy Enlightens - And It Must, In That It Points The Heroic Finger At The Enemy Of Man's Freedom. The Thrust For Freedom Is The Quality In Tragedy Which Exalts. The Revolutionary Questioning Of The Stable Environment Is What Terrifies.

Don't Take It On Yourself. Forget Now. Live.

Down Deep In His Heart God Is A Comedian Who Loves To Make Us Laugh.

The Writer Must Be In It; He Can't Be To One Side Of It, Ever. He Has To Be Endangered By It. His Own Attitudes Have To Be Tested In It. The Best Work That Anybody Ever Writes Is The Work That Is On The Verge Of Embarrassing Himself, Always.

Pop, I'm Nothing! I'm Nothing, Pop. Can't You Understand That? There's No Spite In It Any More. I'm Just What I Am, That's All.

Betrayal Is The Only Truth That Sticks.

Because It Is My Name! Because I Cannot Have Another In My Life! Because I Lie And Sign Myself To Lies! Because I Am Not Worth The Dust On The Feet Of Them That Hang! How May I Live Without My Name? I Have Given You My Soul; Leave Me My Name!

Few Of Us Can Easily Surrender Our Belief That Society Must Somehow Make Sense. The Thought That The State Has Lost Its Mind And Is Punishing So Many Innocent People Is Intolerable. And So The Evidence Has To Be Internally Denied.

Great Drama Is Great Questions Or It Is Nothing But Technique. I Could Not Imagine A Theater Worth My Time That Did Not Want To Change The World.

The Concentration Camp Is The Final Expression Of Human Separateness And Its Ultimate Consequence. It Is Organized Abandonment.

A Character Is Defined By The Kinds Of Challenges He Cannot Walk Away From. And By Those He Has Walked Away From That Cause Him Remorse.

The American Dream Is The Largely Unacknowledged Screen In Front Of Which All American Writing Plays Itself Out.

The Two Greatest Plays Ever Written Were Hamlet And Oedipus Rex, And They're Both About Father-son Relationships.

How To Live Had Started Out As An Analytical Problem Of How To Place Himself So As To Intercept The Flow Of Money In The Society.

The Success Of A Play, Especially One's First Success, Is Somewhat Like Pushing Against A Door Which Is Suddenly Opened That Was Always Securely Shut Until Then. For Myself, The Experience Was Invigorating. It Suddenly Seemed That The Audience Was A Mass Of Blood Relations, And I Sensed A Warmth In The World That Had Not Been There Before. It Made It Possible To Dream Of Daring More And Risking More.

Controlled Hysteria Is What's Required. To Exist Constantly In A State Of Controlled Hysteria. It's Agony. But Everyone Has Agony. The Difference Is That I Try To Take My Agony Home And Teach It To Sing.

A Friend Of Mine Once Said That There Were Only Two Truly National Events In The History Of The United States. One Was The Civil War And The Other One Was The Depression.

Well, All The Plays That I Was Trying To Write Were Plays That Would Grab An Audience By The Throat And Not Release Them, Rather Than Presenting An Emotion Which You Could Observe And Walk Away From.

I Don't Know A Critic Who Penetrates The Center Of Anything.

Sometimes...it's Better For A Man Just To Walk Away. But If You Can't Walk Away? I Guess That's When It's Tough.

It Is My Art. I Am Better At It Than I Ever Was. And I Will Do It As Long As I Can. When You Reach A Certain Age You Can Slough Off What Is Unnecessary And Concentrate On What Is. And Why Not?

Part Of Knowing Who We Are Is Knowing We Are Not Someone Else. And Jew Is Only The Name We Give To That Stranger, The Agony We Cannot Feel, The Death We Look At Like A Cold Abstraction. Each Man Has His Jew; It Is The Other.

And Old Dave, He'd Go Up To His Room, Y'understand, Put On His Green Velvet Slippers - I'll Never Forget - And Pick Up His Phone And Call The Buyers, And Without Leaving His Room, At The Age Of Eighty-four, He Made His Living. And When I Saw That, I Realized That Selling Was The Greatest Career A Man Could Want.

When Irrational Terror Takes To Itself The Fiat Of Moral Goodness Somebody Has To Die. ... No Man Lives Who Has Not Got A Panic Button, And When It Is Pressed By The Clean White Hand Of Moral Duty, A Certain Murderous Train Is Set In Motion.

The Wedding Of Christianity Or Judaism With Nationalism Is Lethal.

The Play Is Really A Kind Of Nightmare. It Ought To Flow Rapidly And Effortlessly From One Moment To Another. In London, We Had Difficulty With The Set, Which Required Too Much Effort To Move Around. Having Gotten The Benefit Of Seeing It Done Once, I Wanted To Work On The Script, To Make It Sharper And More Pointed.

It Occurs To Me That With All The Television People Watch, Most Of Their Acquaintances Are Actors.

Just Remember, Kid, You Can Quicker Get Back A Million Dollars That Was Stole Than A Word That You Gave Away.

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Henry Wadsworth Longfellow

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