Background Image

...

Something Becomes Personal When It Deviates From The Norm.

-Kathryn Bigelow

...

Please Wait....
Translating....

Something Becomes Personal When

Kathryn Bigelow

...

Something Becomes Personal When It Deviates From The Norm.

Views: 59021

Topic

More From Kathryn Bigelow

I Don't Know If I Thrive In Normal Life.

Whereas Painting Is A More Rarefied Art Form, With A Limited Audience, I Recognized Film As This Extraordinary Social Tool That Could Reach Tremendous Numbers Of People.

I Always Want To Make Films. I Think Of It As A Great Opportunity To Comment On The World In Which We Live. Perhaps Just Because I Just Came Off "the Hurt Locker" (2008) And I'm Thinking Of The War And I Think It's A Deplorable Situation. It's A Great Medium In Which To Speak About That. This Is A War That Cannot Be Won, Why Are We Sending Troops Over There? Well, The Only Medium I Have, The Only Opportunity I Have, Is To Use Film. There Will Always Be Issues I Care About.

There Will Come A Time When The World Will Look Back To Modern Vivisection In The Name Of Science, As They Do Now To Burning At The Stake In The Name Of Religion.

My Dad Used To Draw These Great Cartoon Figures. His Dream Was Being A Cartoonist, But He Never Achieved It, And It Kind Of Broke My Heart. I Think Part Of My Interest In Art Had To Do With His Yearning For Something He Could Never Have.

The Journey For Women, No Matter What Venue It Is - Politics, Business, Film - It's, It's A Long Journey.

Am I A 'woman Of Action'? I Don't Think Of Myself That Way.

I'm Definitely Not Drawn To Shooting On A Stage, I'm Just Not.

Character And Emotionality Don't Always Have To Be Relegated To Quieter, More Simple Constructs.

I Suppose I Like To Think Of Myself As A Film-maker.

What's Most Galvanizing For Me Is The Opportunity To Be Topical And Relevant And Entertaining. That's The Holy Grail.

I Began To Exercise A Lot Of Cinematic Muscle With The Precepts I Had Learned In The New York Art World. Film Was Intriguing. I Began To Think Of Art As Elitist, Whereas Film Was Not.

I Do Have To Say I Have Been Very Fortunate.

When I Made My First Film, I Didn't Think Of It As Directing, So It Wasn't Like I Set Out To Become A Director.

If There's Specific Resistance To Women Making Movies, I Just Choose To Ignore That As An Obstacle For Two Reasons: I Can't Change My Gender, And I Refuse To Stop Making Movies. It's Irrelevant Who Or What Directed A Movie, The Important Thing Is That You Either Respond To It Or You Don't. There Should Be More Women Directing; I Think There's Just Not The Awareness That It's Really Possible. It Is.

I Can't Stand Outside Myself And Be Anybody Else.

One Of The Elements In The Film That Really Fascinated Me Was Not To Look At The World In Bi-polar Terms Of Us Vs Them Or East Vs West, Which Was A By-product Of The Cold War.

I'm Drawn To Filmmaking That Can Transport Me. Film Can Immerse You, Put You There.

I Thrive On Production. It Feels Very Much Like A Natural Environment For Me.

I Like High Impact Movies.

I Choose Material Instinctually - At The Heart Of It Are Characters That I Feel Are Fresh And Original, And Allow For An Opportunity To, I Suppose, Explore Uncharted Ground.

Perhaps The Only Thing In My Favor Is That I Am Very Tenacious. I Don't Take 'no' Very Well.

War's Dirty Little Secret Is That Some Men Love It.

Our Film Examines The Heroism, Courage And Prowess Of The Soviet Submarine Force In Ways Never Seen Before.

I Have Always Firmly Believed That Every Director Should Be Judged Solely By Their Work, And Not By Their Work Based On Their Gender. Hollywood Is Supposedly A Community Of Forward Thinking And Progressive People Yet This Horrific Situation For Women Directors Persists. Gender Discrimination Stigmatizes Our Entire Industry. Change Is Essential. Gender Neutral Hiring Is Essential.

I Think Violence In A Cinematic Context Can Be, If Handled In A Certain Way, Very Seductive.

I Can't Change My Gender, And I Refuse To Stop Making Movies.

Directing Movies

War's Dirty Little Secret Is That Some Men Love It. I'm Trying To Unpack Why, To Look At What It Means To Be A Hero In The Context Of 21st-century Combat.

I'm Drawn To Provocative Characters That Find Themselves In Extreme Situations. And I Think I'm Drawn To That Consistently.

Something Becomes Personal When It Deviates From The Norm.

I Don't Believe In Censorship In Any Form.

It's Irrelevant Who Or What Directed A Movie; The Important Thing Is That You Either Respond To It Or You Don't.

Important Things

My Criteria For Doing A Television Series Never Changed. I Wanted More Stability, I Wanted More Of A Sense Of Family, I Wanted To Do Light Comedy.

I Really Look For Peak Experiences And Dramatic Material That Can Allow Peak Experiences.

Peak Experiences

I'd Love To Just Think Of Myself As A Filmmaker, And I Wait For The Day When The Modifier Can Be A Moot Point.

Cinema Has The Capacity To Be So Physiological.

I Did A Pilot For Anything But Love In 1988 That Didn't Sell.

I'm Interested In Social Commentary.

With Each Project, I'm Going For Something That Makes Viewers Think, 'wow, I've Never Seen A Film Like This Before,' And Later Think, 'wow, I've Only Seen A Film Like This Once Before. I Saw It In Theaters And Am Watching It Now On Netflix Or A Similar Streaming Service.'

The Communist Regime Didn't Consider This To Be A Shining Moment In History And Assigned No Heroism To It. They Classified It As Merely An Accident.

I Realised That There's A More Muscular Approach To Film-making That I Found Very Inspiring.

For Some Individuals - Some Soldiers, Some Contractors - Combat Provides A Kind Of Purpose And Meaning Beyond Which All Else Potentially Pales In Comparison.

I Need To Have My Hands On The Dna Of A Film.

If There's Specific Resistance To Women Making Movies, I Just Choose To Ignore That As An Obstacle For Two Reasons: I Can't Change My Gender, And I Refuse To Stop Making Movies.

On The Other Hand, I Believe There's Hope, Because The Breakdown And The Repair Are Happening Simultaneously.

Films Don't Cause Violence, People Do. Violence Defines Our Existence. To Shield Oneself Is More Dangerous Than Trying To Reflect It.

I Don't Want To Be Made Pacified Or Made Comfortable. I Like Stuff That Gets Your Adrenaline Going.

I Don't Do What I Do To Try And Break A Glass Ceiling.

Those Of Us Who Work In The Arts Know That Depiction Is Not Endorsement. If It Was, No Artist Would Be Able To Paint Inhumane Practices, No Author Could Write About Them, And No Filmmaker Could Delve Into The Thorny Subjects Of Our Time.

There's A Conventional Reaction When You See A Star: You Anticipate He'll Be A Part Of A Particular Denouement Down The Road, So You Don't Worry For That Character.

You Never Think The Universe Will Reward Your First Choice - It Just Doesnt Work Like That.

My Movement From Painting To Film Was A Very Conscious One.

There Should Be More Women Directing; I Think There's Just Not The Awareness That It's Really Possible.

There's Really No Difference Between What I Do And What A Male Filmmaker Might Do. I Mean We All Try To Make Our Days, We All Try To Give The Best Performances We Can, We Try To Make Our Budget, We Try To Make The Best Movie We Possibly Can.

One Should Make Morals Judgements For Oneself.

Trending Author

George C. Marshall

Christian Lous Lange

Vilayanur S. Ramachandran

Augusto Roa Bastos

Category