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Remembering Our Past, Carrying It Around With Us Always, May Be The Necessary Requirement For Maintaining, As They Say, The Wholeness Of The Self. To Ensure That The Self Doesn’t Shrink, To See That It Holds On To Its Volume, Memories Have To Be Watered Like Potted Flowers, And The Watering Calls For Regular Contact With The Witnesses Of The Past, That Is To Say, With Friends. They Are Our Mirror; Our Memory; We Ask Nothing Of Them But That They Polish The Mirror From Time To Time So We Can Look At Ourselves In It.

-Milan Kundera

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Remembering Our Past, Carrying

Milan Kundera

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Remembering Our Past, Carrying It Around With Us Always, May Be The Necessary Requirement For Maintaining, As They Say, The Wholeness Of The Self. To Ensure That The Self Doesn’t Shrink, To See That It Holds On To Its Volume, Memories Have To Be Watered Like Potted Flowers, And The Watering Calls For Regular Contact With The Witnesses Of The Past, That Is To Say, With Friends. They Are Our Mirror; Our Memory; We Ask Nothing Of Them But That They Polish The Mirror From Time To Time So We Can Look At Ourselves In It.

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Questions And Answers

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I Have A Strong Will To Love You For Eternity.

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The Heaviest Of Burdens Is Simultaneously An Image Of Life's Most Intense Fullfillment. The Heavier The Burden, The Closer Our Lives Come To The Earth, The More Real And Truthful They Become. Conversely, The Absolute Absence Of A Burden Causes Man To Be Lighter Than Air, To Soar Into New Heights, Take Leave Of The Earth And His Earthly Being, And Become Only Half Real, His Movements As Free As They Are Insignificant. What Then Shall We Choose? Weight Or Lightness?

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For Everyone Is Pained By The Thought Of Disappearing, Unheard And Unseen, Into An Indifferent Universe, And Because Of That Everyone Wants, While There Is Still Time, To Turn Himself Into A Universe Of Words.

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[w]e Must Never Allow The Future To Collapse Under The Burden Of Memory.

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Art Arises From Sources Other Than Logic." (p.32)

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Guarantees That

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Definition Of Love

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Yes, The Essence Of Every Love Is A Child, And It Makes No Difference At All Whether It Has Ever Actually Been Conceived Or Born. In The Algebra Of Love A Child Is The Symbol Of The Magical Sum Of Two Beings.

Beauty Is A Rebellion Against Time.

High Culture Is Nothing But A Child Of That European Perversion Called History, The Obsession We Have With Going Forward, With Considering The Sequence Of Generations A Relay Race In Which Everyone Surpasses His Predecessor, Only To Be Surpassed By His Successor. Without This Relay Race Called History There Would Be No European Art And What Characterizes It: A Longing For Originality, A Longing For Change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, They're All Runners In The Relay Race, They All Belong To The Same Stadium.

Only The Basic Situations In Life Occur Only Once, Never To Return. For A Man To Be A Man, He Must Be Fully Aware Of This Never-to-return. (p.148)

Situations In Life

The First Step In Liquidating A People Is To Erase Its Memory. Destroy Its Books, Its Culture, Its History. Then Have Somebody Write New Books, Manufacture A New Culture, Invent A New History. Before Long That Nation Will Begin To Forget What It Is And What It Was... The Struggle Of Man Against Power Is The Struggle Of Memory Against Forgetting.

The Bloody Massacre In Bangladesh Quickly Covered Over The Memory Of The Russian Invasion Of Czechoslovakia, The Assassination Of Allende Drowned Out The Groans Of Bangladesh, The War In The Sinai Desert Made People Forget Allende, The Cambodian Massacre Made People Forget Sinai, And So On And So Forth Until Ultimately Everyone Lets Everything Be Forgotten.

The Longing For Order Is At The Same Time A Longing For Death, Because Life Is An Incessant Disruption Of Order.

No One Can Give Anyone Else The Gift Of The Idyll; Only An Animal Can Do So, Because Only Animals Were Not Expelled From Paradise. The Love Between Dog And Man Is Idyllic. It Knows No Conflicts, No Hair-raising Scenes; It Knows No Development.

Tereza Knew What Happens During The Moment Love Is Born: The Woman Cannot Resist The Voice Calling Forth Her Terrified Soul; The Man Cannot Resist The Woman Whose Soul Thus Responds To His Voice.

Until That Time, Her Betrayals Had Filled Her With Excitement And Joy, Because They Opened Up New Paths To New Adventures Of Betrayal. But What If The Paths Came To An End? One Could Betray One's Parents, Husband, Country, Love, But When Parents, Husband, Country, And Love Were Gone - What Was Left To Betray?

Necessity, Weight, And Value Are Three Concepts Inextricably Bound: Only Necessity Is Heavy, And Only What Is Heavy Has Value.

Living Is Being Happy: Seeing, Hearing, Touching, Drinking, Eating, Urinating, Defecating, Diving Into The Water And Gazing At The Sky, Laughing And Crying.

A Worker May Be The Hammer's Master, But The Hammer Still Prevails. A Tool Knows Exactly How It Is Meant To Be Handled, While The User Of The Tool Can Only Have An Approximate Idea.

Dreaming Is Not Merely An Act Of Communication; It Is Also An Aesthetic Activity, A Game Of The Imagination, A Game That Is A Value In Itself.

A Mismatched Outfit, A Slightly Defective Denture, An Exquisite Mediocrity Of The Soul-those Are The Details That Make A Woman Real, Alive. The Women You See On Posters Or In Fashion Magazines-the Ones All The Women Try To Imitate Nowadays-how Can They Be Attractive? They Have No Reality Of Their Own; They're Just The Sum Of A Set Of Abstract Rules. They Aren't Born Of Human Bodies; They Hatch Ready-made From The Computers." ~the Book Of Laughter And Forgetting

But Which Was The Real Me? Let Me Be Perfectly Honest: I Was A Man Of Many Faces. (p.33)

A Novel That Does Not Uncover A Hitherto Unknown Segment Of Existence Is Immoral. Knowledge Is The Novel's Only Morality.

Two People In Love, Alone, Isolated From The World, That's Very Beautiful. But What Would They Nourish Their Intimate Talk With? However Contemptible The World May Be, They Still Need It To Be Able To Talk Together.

The Stupidity Of People Comes From Having An Answer For Everything. The Wisdom Of The Novel Comes From Having A Question For Everything. The Novelist Teaches The Reader To Comprehend The World As A Question. There Is Wisdom And Tolerance In That Attitude. In A World Built On Sacrosanct Certainties The Novel Is Dead.

...no One Can Do A Thing About Feelings, They Exist And There's No Way To Censor Them. We Can Reproach Ourselves For Some Action, For A Remark, But Not For A Feeling, Quite Simply Because We Have No Control At All Over It.

Do You Realize That People Don't Know How To Read Kafka Simply Because They Want To Decipher Him? Instead Of Letting Themselves Be Carried Away By His Unequaled Imagination, They Look For Allegories - And Come Up With Nothing But Clichés: Life Is Absurd (or It Is Not Absurd), God Is Beyond Reach (or Within Reach), Etc. You Can Understand Nothing About Art, Particularly Modern Art, If You Do Not Understand That Imagination Is A Value In Itself.

A Gesture Cannot Be Regarded As The Expression Of An Individual, As His Creation (because No Individual Is Capable Of Creating A Fully Original Gesture, Belonging To Nobody Else), Nor Can It Even Be Regarded As That Person's Instrument; On The Contrary, It Is Gestures That Use Us As Their Instruments, As Their Bearers And Incarnations

Laughter, On The Other Hand, " Petrarch Went On, "is An Explosion That Tears Us Away From The World And Throws Us Back Into Our Own Cold Solitude. Joking Is A Barrier Between Man And The World. Joking Is The Enemy Of Love And Poetry. That's Why I Tell You Yet Again, And You Want To Keep In Mind: Boccaccio Doesn't Understand Love. Love Can Never Be Laughable. Love Has Nothing In Common With Laughter.

The Great European Novel Started Out As Entertainment, And Every True Novelist Is Nostalgic For It. In Fact, The Themes Of Those Great Entertainments Are Terribly Serious-think Of Cervantes!

Speak Truth To Power.

Speak The Truth

What I Need Most Of All Is Certainty.

Metaphors Are Dangerous. Love Begins With A Metaphor. Which Is To Say, Love Begins At The Point When A Woman Enters Her First Word Into Our Poetic Memory.

While People Are Fairly Young And The Musical Composition Of Their Lives Is Still In Its Opening Bars, They Can Go About Writing It Together And Sharing Motifs (the Way Tomas And Sabina Exchanged The Motif Of The Bowler Hat), But If They Meet When They Are Older, Like Franz And Sabina, Their Musical Compositions Are More Or Less Complete, And Every Motif, Every Object, Every Word Means Something Different To Each Of Them.

You Can't Measure The Mutual Affection Of Two Human Beings By The Number Of Words They Exchange.

We Might Also Call Vertigo The Intoxication Of The Weak. Aware Of His Weakness, A Man Decides To Give In Rather Than Stand Up To It. He Is Drunk With Weakness, Wishes To Grow Even Weaker, Wishes To Fall Down In The Middle Of The Main Square In Front Of Everybody, Wishes To Be Down, Lower Than Down.

He Suddenly Recalled From Plato's Symposium: People Were Hermaphrodites Until God Split Then In Two, And Now All The Halves Wander The World Over Seeking One Another. Love Is The Longing For The Half Of Ourselves We Have Lost.

Seeing Is Limited By Two Borders: Strong Light, Which Blinds, And Total Darkness.

She Had Come To Him To Escape Her Mother's World, A World Where All Bodies Were Equal. She Had Come To Him To Make Her Body Unique, Irreplaceble. But He, Too Had Drawn An Equal Sign Between Her And The Rest Of Them: He Kissed Them All Alike, Stroked Them All Alike, Made No, Absolutely No Distiction Between Tereza's Body And The Other Bodies. He Sent Her Back To The World She Tried To Escape, Sent To March Naked With The Other Naked Women

Only From The Perspective Of Such A Utopia Is It Possible To Use The Concepts Of Pessimism And Optimism With Full Justification: An Optimist Is Someone Who Thinks That On Planet Number Five The History Of Mankind Will Be Less Bloody. A Pessimist Is One Who Thinks Otherwise.

Even At The Age Of Eight She Would Fall Asleep By Pressing One Hand Into The Other And Making Believe She Was Holding The Hand Of The Man Whom She Loved, The Man Of Her Life. So If In Her Sleep She Pressed Tomas Hand With Such Tenacity, We Can Understand Why: She Had Been Training Since Childhood.

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