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Parents Tell Us Things To Protect Us, Or They Educate Us From Their Own Misinformation Or Misconceptions.
-Harold Ramis
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Parents Tell Us Things

Harold Ramis
...
Parents Tell Us Things To Protect Us, Or They Educate Us From Their Own Misinformation Or Misconceptions.

Understanding the Quote: "parents tell us things to protect us, or they educate us from..."

This quote by Harold Ramis reflects deeply on the theme of parent. It connects to the universal human journey of purpose, motivation, and reflection. Often categorized under Parent, Protect, Misinformation, the quote offers insight, emotional clarity, and intellectual inspiration to readers worldwide.

Whether you’re a student exploring new ideas, a leader trying to motivate your team, or someone seeking direction in life — this quote provides value. It resonates because it’s more than words — it’s a bridge between experience and wisdom. It shows how Harold Ramis interprets life's core challenges and triumphs.

Lessons From the Quote

This quote teaches resilience and focus. It reminds readers that no matter where they stand in life, reflection and self-awareness lead to growth. Each word has meaning, and when studied, it becomes clear how impactful thoughtful language can be.

About Harold Ramis

Harold Ramis is celebrated for insightful thoughts on parent and protect. Their legacy lives on through writings that guide, comfort, and inspire. Discover more on their profile page.

Actionable Takeaways

  • Reflect on how this quote applies to your current life path.
  • Share the message with someone who needs inspiration.
  • Write your thoughts on this quote in a journal or blog post.
  • Use it as a daily affirmation or reminder.

Closing Thoughts

Quotes like this endure because they capture universal truths. They comfort us in solitude and empower us in groups. Carry this quote forward — live by its wisdom, share its message, and keep its essence alive.

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Topic
Parent
Protect
Misinformation
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I Met Someone Who Said They'd Figured Out My Genre: "madcap Redemption Comedy." I'll Buy That.
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I've Always Thought That Comedy Was Just Another Dramatic Expression.
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When I've Written For Bill Murray - I've Written Six Films For Him - People Would Read It And Say, "oh, That's So Perfectly Bill." He'd Read It And Say, "are You Kidding? I Can't Say These Words." So It's All About Perception.
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Films Are Big Hits When They Touch A Lot Of People. Things Are Not Funny In A Vacuum, They're Funny Because We Respond To Some Personal Dislocation, Some Embarrassment, Some Humiliation, Some Pain We've Suffered, Or Some Desire We Have.
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I'm A Writer-director-actor, Which I've Always Kind Of Enjoyed. I Compared It To The Olympic Biathlon. "not Only Can He Cross-country Ski, But He's A Terrific Marksman As Well." I Want People To Say, "you Mean That Writer Performed A Tracheotomy?" That's Right, I Do Everything.
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I Have A Great Respect For The Moviegoing Experience. It's Such A Unique Thing. You're Not Getting Up And Walking Around The House Or Flipping Channels During The Dull Parts. You're In A Dark Space, And The Movie Fills Most Of Your Field Of Vision. You're Surrounded By Sound, And The Colors Are Deeply Saturated, And Faces Are Fifteen Feet High. If It's Done Well, You're Really Going To Feel Some Big Emotions Or Have Some Big Belly Laughs.
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It Doesn't Take Any Longer To Improvise 10 Takes Than It Takes To Shoot 10 Takes Of The Same Thing. It Turns Out To Be Just As Responsible From A Business Point Of View As Anything Else.
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I Did A Comedy With Al Franken About His Character Stuart Smalley, Which Was Really About Alcoholism And Addiction And Codependency. It Had Some Painful Stuff In It. When We Showed It To Focus Groups, Some Of Them Actually Said, "if I Want To See A Dysfunctional Family, I'll Stay Home."
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The Cutting Room Is Where You Discover The Optimal Length Of The Movie.
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It's A Great Luxury For Me To Be Able To Write On The Films That I Direct, And Kind Of A Nice Thing To Be Able To Write Enough To Get Credit, Which Is Difficult For A Director.
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I'm Not A Believer In The Pratfall. I Don't Think It's Funny Just To Have Someone Fall Down.
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The Trick With Sequels Is, You Have To Give People What They Liked Before, Yet Be Innovative Enough So They Don't Feel Like They're Seeing The Same Movie.
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Character
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Directors
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School
Views
Balance
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Guy
Trying
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Thinking
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Accomplish
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People
Reaching
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Nine
Film
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When You're A Big Enough Part Of The Process That The Writers Guild Gives You A Lot Of Credit, That's A Good Thing. It Tells Me That I've Had A Significant Impact On The Film As A Writer.
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Giving
Credit
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