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One Of The Many Things I Love About Working With Ryan Murphy Is That You're Always Thin-sliced In This Business. You Walk Into A Room And People Want You To Be How You Look Or How You're Perceived Or Whatever It Is In That 10 Minutes That Hey Meet You. I Think Ryan [murphy] Has An Intuition That Looks A Little Bit Deeper And Sees Things That Other People Might Not See In You - Sometimes You Might Not Even See In Yourself - But That He Knows Are There And That He Might Want To Get To Grow And Stretch With As An Actor.

-Matt Bomer

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One Of The Many

Matt Bomer

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One Of The Many Things I Love About Working With Ryan Murphy Is That You're Always Thin-sliced In This Business. You Walk Into A Room And People Want You To Be How You Look Or How You're Perceived Or Whatever It Is In That 10 Minutes That Hey Meet You. I Think Ryan [murphy] Has An Intuition That Looks A Little Bit Deeper And Sees Things That Other People Might Not See In You - Sometimes You Might Not Even See In Yourself - But That He Knows Are There And That He Might Want To Get To Grow And Stretch With As An Actor.

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I Pretty Much Got Busted For Everything, But I Definitely Stretched Out My Boundaries As A Kid, As Well.

My Parents Raised Me Right, So I Always Open Doors For People And Try To Have Good Manners.

I Lived In Several Hotels, Yeah. You Have To Try To Make It Home.

I Like To Sing And Leave Songs On Voicemail. It Comes From The Heart.

Kids Aren't Born To Be Bullies, They're Taught To Be Bullies.

I Like Not To Know, Unless It's Something That I Need To Know, Specifically, For How I Color A Performance.

What We Really Have To Do Is Stop The Adjective Before The Job Title — Whether It's 'black Actor,' A 'gay Actor' Or 'anything Actor,' Everybody Thinks That Equality Comes From Identifying People, And That's Not Where Equality Comes From. Equality Comes From Treating Everybody The Same Regardless Of Who They Are. I Hope The Media And The Press Catches On To That Because It's Time To Move Out Of 1992.

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I Look At A Pilot And Go, "i See The Landscape. I See The Characters. I See The Direction And The Potential Of The Story." And I Also Go, "that Didn't Work. I Could Change That. Maybe That Works. I Don't Know. We'll See." For Me, I Look At It, As An Actor, As What Can I Improve Upon? So, To Have It Out There And Judged Solely On Its Own Merit Is Really A Unique Experience For Me.

Unfortunately, In Some Parts Of The Country, Some Kids Are Taught At An Early Age That Being Different Is Somehow Bad Or Wrong Or Worthy Of Ridicule.

Being Different

Billy [ray] Is A Preternatural Enthusiast. He Would Say Things To Me Like, "now, Let Me Tell You About Episode 3." I'm A Big Superstitious, Having Done Television For Quite Some Time, And I Would Say, "billy, I Can't Wait To Hear About It, But Let's Just Stay Here For Right Now, See What Happens, And Enjoy This Moment.

Human Beings Are Good, They Have Shadow, Every Single One Of Us Has Redeeming Qualities And Every Single One Of Us Has Qualities That People Can Hold Against Us. That’s What Makes Us Human.

For Every Role, I Brought Certain Elements Of The Character. Even On White Collar Over Six Years, I Tried To Keep The Set Fun And Breezy And Howard Hawks-y And Very Of The Tone Of The Show.

For Me, A Lot Of These Actors Are New. For Me, I Only Worked With Finn Whittrock And Michael Chiklis. So A Lot Of These Actors Are People I've Been A Huge Fan Of For Years And Are Bucket-list Actors For Me To Get To Work With. It's Pretty Surreal Now Getting To Step Into Scenes With Them.you All Get To Find Your Characters Together.

I Think Billy Ray Has A Lot Of Great Stories Up His Sleeve. I've Heard A Lot Of His Plans For The Show, Should It Go Forward, And I Think There's A Lot In Store For People, If It's Given A Chance.

I Very Comprehensively Studied Irving Thalberg And His Biographies. He's Who [scott] Fitzgerald Roughly Modeled The Character After. He Worked For Him, As A Writer, When He Was At Mgm. And, Of Course, I Revisited The Novel And The Politics Of Mgm And The Studio System At The Time And Familiarized Myself With The World. There Was A Great Deal Of Physical And Literary Work That Went Into It.

Scott Fitzgerald

What Is Ultimately Motivating The Character?

I Think Your Text [script] Is Everything; It's What Informs You; It's What Gives You The Given Circumstances. Then You Take That And You Add Your Own Creativity And Your Own Spin On Things And You Make It Personal. That's What Makes That Character And That Text Unique To You, When You Personalize It. I Think That's Where Your Job As An Actor Comes In.

If You Gave Your Best To What You Were Given, At The Time, It's Going To Play Out How It's Going To Play Out.

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I See Myself Working, Making A Living And Doing Projects That I'm Passionate About, Regardless Of The Medium.

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I Really Saw Pat Brady, Kelsey Grammer's Character's Point Of View That It's A Business. It's Show Business. So, It Was An Incredible Opportunity To Work With Really Wonderful Creatives And The Script Was Fantastic. What Was So Interesting To Me About The Studio System Was That A Lot Of The Politics That Were In Play Then Are So Really Relevant To Today.

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Strong Opinions

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Service Industry

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