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In Societies Where Modern Conditions Of Productions Prevail, All Of Life Presents Itself As An Immense Accumulation Of Spectacles. Everything That Was Directly Lived Has Moved Away Into Representation. The Images Detached From Every Aspect Of Life Fuse In A Common Stream In Which The Unity Of This Life Can No Longer Be Re-established. Reality Considered Partially Unfolds, In Its Own General Unity As A Pseudo-world Apart, An Object Of Mere Contemplation . . . The Spectacle Is Not A Collection Of Images, But A Social Relation Among People, Mediated By Images.

-Guy Debord

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In Societies Where Modern

Guy Debord

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In Societies Where Modern Conditions Of Productions Prevail, All Of Life Presents Itself As An Immense Accumulation Of Spectacles. Everything That Was Directly Lived Has Moved Away Into Representation. The Images Detached From Every Aspect Of Life Fuse In A Common Stream In Which The Unity Of This Life Can No Longer Be Re-established. Reality Considered Partially Unfolds, In Its Own General Unity As A Pseudo-world Apart, An Object Of Mere Contemplation . . . The Spectacle Is Not A Collection Of Images, But A Social Relation Among People, Mediated By Images.

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What Appears Is Good; What Is Good Appears.

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The Sage Of Toronto... Spent Several Decades Marveling At The Numerous Freedoms Created By A "global Village" Instantly And Effortlessly Accessible To All. Villages, Unlike Towns, Have Always Been Ruled By Conformism, Isolation, Petty Surveillance, Boredom And Repetitive Malicious Gossip About The Same Families. Which Is A Precise Enough Description Of The Global Spectacle's Present Vulgarity.

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The Loss Of Quality That Is So Evident At Every Level Of Spectacular Language, From The Objects It Glorifies To The Behavior It Regulates, Stems From The Basic Nature Of A Production System That Shuns Reality. The Commodity Form Reduces Everything To Quantitative Equivalence. The Quantitative Is What It Develops, And It Can Develop Only Within The Quantitative.

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Where The Real World Changes Into Simple Images, The Simple Images Become Real Beings And Effective Motivations Of Hypnotic Behavior.

The More He Identifies With The Dominant Images Of Need, The Less He Understands His Own Life And His Own Desires. The Spectacle’s Estrangement From The Acting Subject Is Expressed By The Fact That The Individual’s Gestures Are No Longer His Own; They Are The Gestures Of Someone Else Who Represents Them To Him.

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