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I Was Seduced By The Nouvelle Vague, Because It Was Really Reinventing Everything. And The Italian Cinema That One Would See In The Theaters In The Late '50s, Early '60s Was Italian Comedy, Italian Style, Which, To Me, Was Like The End Of Neo-realism. I Think Cinema All Over The World Was Influenced By It, Which Was Italy Finding Its Freedom At The End Of Fascism, The End Of The Nazi Invasion. It Was A Kind Of Incredible Energy. Then, Late '50s, Early '60s, The Neo-realism Lost Its Great Energy And Became Comedy.

-Bernardo Bertolucci

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I Was Seduced By

Bernardo Bertolucci

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I Was Seduced By The Nouvelle Vague, Because It Was Really Reinventing Everything. And The Italian Cinema That One Would See In The Theaters In The Late '50s, Early '60s Was Italian Comedy, Italian Style, Which, To Me, Was Like The End Of Neo-realism. I Think Cinema All Over The World Was Influenced By It, Which Was Italy Finding Its Freedom At The End Of Fascism, The End Of The Nazi Invasion. It Was A Kind Of Incredible Energy. Then, Late '50s, Early '60s, The Neo-realism Lost Its Great Energy And Became Comedy.

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The Movies I Like Are Always Movies Where Cinema Is Reinvented Like If It Was The Beginning Of Cinema.

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The Problem In Hollywood Is That They Try To Become The Only Kind Of Cinema In The World, Okay? The Imposition Everywhere Of A Unique Culture, Which Is Hollywood Culture, And A Unique Way Of Life, Which Is The American Way Of Life. But Hollywood Has Forgotten That, In The Past, What Made Hollywood Great And What Made It Go Ahead Was The Fact That Hollywood Was Fed With, For Example, Jewish Directors Coming From Germany Or Austria And Enriching Hollywood. In 15, 20 Years, Hollywood Became Imperialistic. Cinema Goes Ahead When It Is Marriaged By Other Culture. Otherwise, It Turns On Itself.

A Dolly Move Is A Moral Commitment.

Sometimes You Are In Sync With The Times, Sometimes You Are In Advance, Sometimes You Are Late.

New York Has Always Embraced Me.

I Was Writing Poems When I Was Young, You Know, Because My Father Was A Poet, So It Was Absolutely Normal To Follow My Father.

I Am In Love With The Idea Of Doing A Movie In 3d. I Think 3d Would Be Great For The Story I Want To Do, In A Realistic, Normal Story, Using 3d On The Emotions In A Kind Of Intimate Story.

Having No Children Had Been A Kind Of Choice Up To The Moment When, From A Choice, It Became A Sadness.

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This Is Something That I Dream About: To Live Films, To Arrive At The Point At Which One Can Live For Films, Can Think Cinematographically, Eat Cinematographically, Sleep Cinematographically, As A Poet, A Painter, Lives, Eats, Sleeps Painting.

The Life Before '68 Was Very Different From The Life After '68. Before '68, Our Days Were Full Of Authoritarian Moments. There Were Authorities Everywhere. In Fact, The Movement Of '68 Was Young People Against Their Authorities, Children Against Their Parents. And That Remained. The Most Important Thing Of All, The Thing That Lasted, Was The First Feminist Movement And The Position Of Women In Society. That Completely Changed And That Was Very, Very Important.

If You Mention Any Ideological Thing About Shooting Last Tango In Paris, I Was Thinking I Was Doing A Political Film.

Commuting In A Wheelchair Is Not Easy. I Live In A Very Old Part Of Rome. These Cobbles Everywhere... Terrible! In London, It Is The Same. Every Pavement Is Uneven.

I Think That I Used To Love Hollywood Movies. I Remember Great Phases And Moments. But, Unfortunately, Now Is Not The Moment.

Every Film I Have Made Has Corresponded To A Very Special Moment Of My Life. I Like To Think That If Someone Wanted To Reconstruct The Story Of My Life, They Can Just See My Movies And Know What I Have Been Through.

Film Students Should Stay As Far Away From Film Schools And Film Teachers As Possible. The Only School For The Cinema Is The Cinema.

I Don't Film Messages. I Let The Post Office Take Care Of Those.

What I Was Talking About Was, Of Course, Very Autobiographical - '68 Was The Moment When All The Young People Were Incredibly Excited, Because When We Were Going To Sleep, We Knew We Would Wake Up Not Tomorrow, But In The Future. There Was A Sense Of Future That Was The Result Of The Mixture Of Politics, Cinema, Music, The First Joints. And The Movies Were A Very Important Part Of That Cocktail.

I Was Seduced By The Nouvelle Vague, Because It Was Really Reinventing Everything. And The Italian Cinema That One Would See In The Theaters In The Late '50s, Early '60s Was Italian Comedy, Italian Style, Which, To Me, Was Like The End Of Neo-realism. I Think Cinema All Over The World Was Influenced By It, Which Was Italy Finding Its Freedom At The End Of Fascism, The End Of The Nazi Invasion. It Was A Kind Of Incredible Energy. Then, Late '50s, Early '60s, The Neo-realism Lost Its Great Energy And Became Comedy.

Pornography Is Not In The Hands Of The Child Who Discovers His Sexuality By Masturbating, But In The Heart Of The Adult Who Slaps Him.

To Explore Technology For Me Is Something That I Have To Do. Otherwise, I Feel Completely Left In The Back... Abandoned.

You Know, In Ten Years You're Gonna Be Playing Soccer With Your Tits, What Do You Think Of That?

I Am Still Against Any Kind Of Censorship. It's A Subject In My Life That Has Been Very Important.

A Name? Oh, Jesus Christ. Ah, God, I've Been Called By A Million Names All My Life. I Don't Want A Name. I'm Better Off With A Grunt Or A Groan For A Name.

I Haven't Made A Movie For A While, But I've Watched A Lot. It's My Major Waste Of Time. I Like To Work, But Also To Be Waiting For Work.

Sometimes I Think That I Understand My Movies After I Make Them. Really. I Go Very Often Off Of Instinct.

After Many, Many Years, I Fell Out Of Love With Politics. It's Not Something I Like But It's The Truth.

I Left The Ending Ambiguous, Because That Is The Way Life Is.

English Dialogues Are Always Just What You Need And Nothing More - Like Something Out Of Hemingway. In Italian And In French, Dialogues Are Always Theatrical, Literary. You Can Do More With It.

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I Don't See My Movies. I Think It's Healthier And Safer To Keep A Bit Of Distance. I'm Afraid To Be Disappointed.

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I Remember Being Young In The 1960s. We Had A Great Sense Of The Future, A Great Big Hope. This Is What Is Missing In The Youth Today. This Being Able To Dream And To Change The World.

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I Like That 3d Is Based On The Fact That You Look With Two Eyes, So Two Cameras Imitate That.

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A Monoculture Is Not Only Hollywood, But Americans Trying To Export Democracy.

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