Background Image

...

I Usually Say Latina, Mexican-american Or American Mexican, And In Certain Contexts, Chicana, Depending On Whether My Audience Understands The Term Or Not.

-Sandra Cisneros

...

Please Wait....
Translating....

I Usually Say Latina,

Sandra Cisneros

...

I Usually Say Latina, Mexican-american Or American Mexican, And In Certain Contexts, Chicana, Depending On Whether My Audience Understands The Term Or Not.

Views: 6

Topic

More From Sandra Cisneros

I Would Drive On Streets That Were One-way And Think, "why Are They All Honking At Me?"

I Think Of Reading As Like A Medicine Cabinet.

You Meditate And Then You Can Put On Your Pajamas, Or You Can Imagine You're Wearing Your Pajamas, And You Talk About Your Piece Of Writing In The Language You Would Use If You Were Wearing Your Pajamas And You Were Seated At A Table With Your Very Good Friend. And You Wouldn't Have To Get All Dressed Up Or Clean Up The Table.

Everything Is Holding Its Breath Inside Me. Everything Is Waiting To Explode Like Christmas. I Want To Be All New And Shiny. I Want To Sit Out Bad At Night, A Boy Around My Neck And The Wind Under My Skirt. Not This Way, Every Evening Talking To The Trees, Leaning Out My Window, Imagining What I Can't See.

The Border Between The Dead And The Living, If You're Mexican, Doesn't Exist. The Dead Are Part Of Your Life. Like My Dad, Who's Not Here, But He's Here.that's Why There's The Day Of The Dead. There's Such A Connection With The Dead.

My Trainer Taught Me, Because He's Iranian, And That's A Beautiful Snack [pistachios]. I Have Some With Me, Actually, In My Bag. You Could Eat That On A Plane Instead Of The Salted Nuts. And A Serving Size A Day Is The Size Of Your Hand, Not The Size Of Your Head!

"you're Next, After The Feather Dancers." And You Had To Get Their Attention, Because Otherwise People Would Go, "oh, A Poet." You Really Have To Learn.

I Didn't Intend To Be Writing - The Writer's Life. I Was Just Writing What Came To Me At The Time, But It Is A Map Of How This Writer Had To Break Many Barriers To Find, Not A Room Of Her Own, But A House Of Her Own.

I Never Know What Something Is Going To Be Until It Emerges From The Womb And You See The Crown Of Its Head And Then You See It Pushing Its Way Up. So In My Life If Another Book Wants To Be Born It's Not For Me To Choose.

The House Was Immaculate, As Always, Not A Stray Hair Anywhere, Not A Flake Of Dandruff Or A Crumpled Towel. Even The Roses On The Dining-room Table Held Their Breath. A Kind Of Airless Cleanliness That Always Made Me Want To Sneeze.

I Feel Like I Am In A Box Of Bees When I Am In A Room With Lots Of People And I'm Just Looking For The Door. I Find Myself Getting More And More Agoraphobic As Time Goes On.

My Spanish Is A Daughter's Spanish. I Write, But My Spanish Really Is Very Limited.

I Can't Go To Hindu Countries Where They Respect Rats And Mice, And I Can't Go Camping. I Don't Like To Go Into Subways, Because I Always See Them. Rats Are Like My Naguales [kindred Animal Spirits]. They Follow Me.

My Virgen De Guadalupe Is Not The Mother Of God. She Is God. She Is A Face For A God Without A Face, An Indigena For A God Without Ethnicity, A Female Deity For A God Who Is Genderless, But I Also Understand That For Her To Approach Me, For Me To Finally Open The Door And Accept Her, She Had To Be A Woman Like Me.

I Think There's A Rule That Once You Want To Live Somewhere, You Can't Find A Job.

Why Don't We Have People Like Thich Nhat Hanh Or Marshall Rosenberg And Nelson Mandela Solving Violent Situations In A Peaceful Way?

When I Was Writing Caramelo The Last Couple Of Years, A Sixty-hour Work Week Was Normal. And Now I'm Lucky If I Have Eight Hours.

I Was Reading All These Male Writers Who Were Doing Wild And Wonderful Things. It Gave Me Permission To Experiment.

We Are Told By Media - Books, Television, Reality Shows - That Heartbreak Is This Terrible Thing And Yet We Should Seek It. We're Told That Heartbreak Is All About Love And We Should Just Go After That High Over And Over Again. We Are Told It Is Healthy To Be Addicted To This Kind Of Behavior And The Highs Associated With Love. But, That's Not All What Heartbreak Is.

I'm Just As Unhappy About San Antonio As I Was About Chicago. If You're Unhappy About Certain Things, You're Unhappy Everywhere.

Revenge Only Engenders Violence, Not Clarity And True Peace. I Think Liberation Must Come From Within.

I Realize That When I Moved Out Of My Father’s House I Shocked And Frightened Him Because I Needed A Room Of My Own, A Space Of My Own To Reinvent Myself.

I Was The Kind Of Person That Was Very Social And Liked To Be With An Entourage And Have Lots Of Parties And Have People Around Me. And Now I Find I Am Much More Satisfied Seeing People One-on-one. I Avoid Crowds, And I Get Really Plagued By People As If They Are Bees Or Something. I Am Talking About My Friends. I Can Only Handle Them One At A Time.

The Experience Taught Me To Be Present In The Real Buddhist Sense Of Paying Attention To The Moment.

For Me, A Story's A Story If People Want To Hear It; It's Very Much Based On Oral Storytelling. And For Me, A Story Is A Story When People Give Me The Privilege Of Listening When I'm Speaking It Out Loud.

You Can't Erase What You Know. You Can't Forget Who You Are.

You Can Never Have Too Much Sky . You Can Fall Asleep And Wake Up Drunk On Sky, And Sky Can Keep You Safe When You Are Sad. Here There Is Too Much Sadness And Not Enough Sky. Butterflies Too Are Few And So Are Flowers And Most Things That Are Beautiful. Still, We Take What We Can Get And Make The Best Of It.

The Only Reason We Write - Well, The Only Reason Why I Write; Maybe I Shouldn't Generalize - Is So That I Can Find Out Something About Myself. Writers Have This Narcissistic Obsession About How We Got To Be Who We Are. I Have To Understand My Ancestors - My Father, His Mother And Her Mother - To Understand Who I Am. It All Leads Back To The Narcissistic Pleasure Of Discovering Yourself.

You Know, You Want To Be Outrageous When You're Young, So All The Young People Say, "oooh . . ." Now My Tactics Are Different.

We Started An Organization That's The Only Sub-organization Of The Macarthur Foundation And We Are Called The Macarturos. Usually When I Win Something, I'm The Only One Of My Ethnicity To Get It, But This Time I Met All These Latinos, And I Was So Excited. I'd Meet Someone And I'd Go, [...] "can You Come To San Antonio?" And They'd Go, "oh Yeah." [...] And Suddenly I Had Twelve People That Said They Would Come. And I Didn't Know How It Was Going To Be. And That's How The Macarturos Became A Reality, Where These Very Generous Geniuses Come To San Antonio And Work Together.

There's All Kinds Of Ways To Wean Yourself Off Of Sugar - Because It Is Like An Addiction.

We Need To Write Because So Many Of Our Stories Are Not Being Heard. Where Could They Be Heard In This Era Of Fear And Media Monopolies? Writing Allows Us To Transform What Has Happened To Us And To Fight Back Against What's Hurting Us. While Not Everyone Is An Author, Everyone Is A Writer And I Think That The Process Of Writing Is Deeply Spiritual And Liberatory.

I Learn Through Listening And Watching Other Performers That Are Very Good, Like Denise Chávez, Dorothy Allison.

The More You Speak More Languages, The More You Understand About Yourself. It's Like Being Blind. You Aren't Less Of A Person, But You're Missing Out On Wonderful Things.

Books Are Medicine And You Have To Take The Right Medicine That You Need At That Moment Or That Day Or That Time In Your Life.

God Made Men By Baking Them In An Oven, But He Forgot About The First Batch, And That's How Black People Were Born. And Then He Was So Anxious About The Next Batch, He Took Them Out Of The Oven Too Soon, So That's How White People Were Made. But The Third Batch He Let Cook Until They Were Golden-golden-golden, And, Honey, That's You And Me.

If You're Poor, Potato Chips Are The Food Of Life For You. It's The Caviar.

People Know When You're Speaking From El Corazón. You Have That Pain. Take That Pain And Do Something With It. That's Very Powerful.

Instead Of Putting Cheese With Ranchero Sauce, Chile Is Really Very Good For You. If You Put That In, You Get Flavoring, So You're Not Eating Bland Food, Especially If You're Used To Spicy Food.

When I Was At Home, I Wasn't Shy. I Was The Clown At Home, Because I Was Loved. It Was In The Outside World That I Was Judged And I Wasn't Loved. That Was Very Clear To Me, That I Wasn't Loved. So I Became Very Quiet. You Know, Those Little Girls You See In Those Pictures That Look Like They Want To Hunch, I Was Trying To Disappear Into My Shoulder Blades. The Quietest Person In The Classroom, That Was Me. But That Wasn't Me At Home.

I Do Travel A Lot, Because I Need Oxygen, I Need To Go To Places To Meet People Who Aren't Upset At Me Because I'm Asking For Peace.

Every Single House Has Had Death Visit.

When I'm Starting To Feel, "how Many More People Are There?" I Go Slower. I Ask Questions, And That Person Engaging With Me Gives Me Energy.

If Educators Were Really Understanding Of That, They'd Say, "you Know What? Forget About Bilingual, We're Going To Do Multilingual Education." So Children Are Ready For The New Millennium. We're Way Behind Compared To Countries In Europe. If We Were Multilingual, Imagine How Much You Would Learn About Your Own Culture, About The Sensibilities Of What's Important In Your Own Culture.

People Like To Blame Mexican Food, But Look At What's Happening Globally, Look At All The Fast Foods And Products Filled With Trans Fat. Before The Mexican Revolution, A Hundred Years Ago, People Were Eating What Now Macrobiotics Tells Us To Eat, Corn, Black Beans, Rice. That's What People Were Eating - And Chile Peppers. That's A Healthy Diet. And Also They Ate A Lot Of Vegetables.

One Of The Things I Like To Pack, That I Take With Me All The Time, Is My Virgensita De Guadalupe. It Doesn't Take Much Room In Your Suitcase. If You Have One That Isn't So Fancy, You Can Use It On The Plane When You're Scared.

I Think One Of The Great Primordial Fears We Have Once We Become Conscious Of Our Aloneness As Children Is The Fear Of Losing Our Mother. We Have That From The Moment We Realize We Can Lose Her Just In The Supermarket. As A Child, It Was More Terrifying Than Arithmetic.

The Beauty Of Literature Is You Allow Readers To See Things Through Other Peoples Eyes. All Good Books Do This.

The Truth Has A Strange Way Of Following You, Of Coming Up To You And Making You Listen To What It Has To Say.

I Think My Family And Closest Friends Are Learning About My Need To Withdraw, And I Am Learning How To Restore And Store My Energy To Both Serve The Community To The Best Of My Ability And To Serve My Writer's Heart.

I Try To Be As Honest About What I See And To Speak Rather Than Be Silent, Especially If It Means I Can Save Lives, Or Serve Humanity.

I Had A Mother Who Walked To The Library With Me, And You Can't Walk To A Lot Of Libraries In San Antonio Because - Guess What? - There Are No Sidewalks, Except In The Neighborhoods. And They're Across Big Boulevards, And It's So Hot, You Can't Even Walk To The Corner. So Things Like That Affect How Children Can Get To Libraries. So There Are A Lot Of Things Involved.

To Me, The Virgen De Guadalupe Is Just A Vessel For Me To Recognize My Own God Within Myself.

I Have To Understand What My Strengths And Limitations Are, And Work From A True Place. I Try To Do This As Best I Can While Still Protecting My Writer Self, Which More Than Ever Needs Privacy.

I Never Paid Attention When People Said, "that's Gotta Be Poetry. That's Gotta Be Fiction," Except When I Was In A Graduate Program, And You Had To Claim Your Genre.

I Don't See Any Kind Of Mirror Of Power, Male Power, That Is, As A Form Of Liberation. I Don't Believe In An Eye For An Eye. I Don't Believe This Is Truly Freedom.

My Feminism Is Humanism, With The Weakest Being Those Who I Represent, And That Includes Many Beings And Life Forms, Including Some Men.

If You Have Potato Chips, That Means, "who's Coming Over?"wealthy People - White People Who're Wealthy - Have A Bag Of Potato Chips That's Folded Over With A Clip. "what? There's Some Left Over?" In My House, If There Was A Bag Of Potato Chips, We'd Pour It In A Bowl And Everybody Would Just Dip In Till It Was Gone.

I Want To Write An Essay Called "fear Of Mexico," Because I Always Feel Like Mexico's This Lover That Never Writes To Me.

Some People Need Flowers, Some People Need Dandelions. It's Medicine, It's What You Need At That Time In Your Life.

I Prefer To Go To The Little Towns Now, Because In Little Towns People Are Kind. I Like Going To Tepotzlán.

I'm Not Afraid To Say What I'm Afraid Of. Does That Make Me Fearless?

Marshall Rosenberg Talks About How We Can Create Peace In The Communities We Work With. He's Been Traveling To Warring Nations To Create Peace Within Those Countries.

[jorge Luis Borges] Had Short Stories, And I Was Trying To Learn How To Write Short Stories, And Then He Had These Things In The Middle That Were Like Fables, And I Loved Hearing Fables.

Each Book Gets Harder, Each Book Gets Harder And Harder. I Always Feel Like Crying When I Have To Write.

The Devil Knows More From Experience Than From Being The Devil

I Can't Do A Linear Novel. I'm Just Going To Write What I Need To Write.

If You Just Breathe, And Go Slower, You Will Have Enough Energy. It's Really Important Because There Are People Who Wait In Line, And Your Work Has Changed Their Lives. You Will Need To Listen To Them Because They Are Also Going To Feed You And Give You Confirmation Of The Prayer You Asked Before You Spoke.

Heartbreak Makes Us Stronger; It's An Opportunity For Spiritual Growth. How Can You Understand Someone Else's Pain If You Have Not Yourself Suffered?

There Are Still Many Writers Out In The Bay, Extraordinary Writers Like Gina Valdez, A Poet Who I Just Saw In Portland. We Have Young People Like Eduardo Corral, Who Won The Yale Younger Poets Award. José Antonio Rodriguez, Published By Luis Rodriguez. But There Are Only A Few Of Us Who Are Paid Attention To In New York. There Are Legions Behind Us Who Are Not.

I Remember I Was Very Taken With A Book Called Dreamtigers By [jorge Luis] Borges. He Was At The University Of Texas, Austin, And They Collected Some Of His Writings And Put Them In A Little Collection. It's Called Dreamtigers In English, But It Doesn't Exist In Spanish. It's A Little Sampler. But That Collection In English Is What Struck Me, Because In There He Has His Poems, And I Was A Poet As Well As A Fiction Writer.

The Thoughts Of Letting Go Of Everything I Love Overwhelms Like A Tsunami Of Sorrow.

I Believe Love Is Always Eternal. Even If Eternity Is Only Five Minutes.

I Am Not In Touch With Other Writers. I Don't Have Very Much Contact With Other Writers. I Don't Get Invited To These Things Or I Don't Go To Them. I Hate Panels. I Speak To Librarians And To Conferences Of English Teachers. That's What I Do: Teachers And Librarians. And High School Kids.

I Don't Close Myself To The Possibility Of Someplace Outside The United States, But It Would Have To Be Someplace With An Indigenous Community, Because That's Where I Feel At Home.

When I Was Very Young I Was Reading A Lot Of Latin American Fiction, Which Later Would Be Called "boom Fiction."

If You're Going To Write About The River, You've Got To Get In.

I've Always Read Broadly: Literary Fiction, Sci-fi, Fantasy, Chick Lit, Historical, Dystopian, Nonfiction, Memoir. I've Even Read Westerns. I Prefer Female Protagonists.

[dennis Mathis] Was Very Sensitive About Keeping The Unique Way That I Spoke English - It Had A Lot Of Mexicanisms Or Mexican Syntax. So You Keep It In Because It's Adding Something Unique.

Generally If You're A Daughter In A Mexican Family, No One Wants To Tell You Anything; They Tell You The Healthy Lies About Your Family.

So How Are You Supposed To Learn How To Drive With This Guy Yapping At You? My Brothers Were The Ones Who Got To Practice. So When You Have To Get On The Expressway, You're Afraid. That's What I Think. That's Why I Take Back Routes On Two-lane Highways.

What I Recommend Is This: After You've Talked To Everybody, Go Take A Nap! Take A Nap. Your Body Really Needs To Sleep. It's Like Washing Your Face. If You Can't Afford A Three-hour Nap, Do A One-hour Nap. If You Can't Afford A One-hour Nap, Do Half An Hour. If You Can't Afford Half An Hour, Do Fifteen Minutes.

But I Deal With This By Meditating And By Understanding I've Been Put On The Planet To Serve Humanity. I Have To Remind Myself To Live Simply And Not Overindulge, Which Is A Constant Battle In A Material World.

To Tell You The Truth, I Think It's About That We Shouldn't Get Our Driver's Licenses Till Real Late In Life.

[writing Is Like Fishing]. You Don't Bow Because You Made The Fish. That's The Difference. If You Know That, Then You Bow For Your Labor.you Crafted, You Worked, You Put In Those Hours So That You Could Catch That Fish. But You Didn't Make That Fish. You Just Caught The Fish. That Will Help You Stay Humble And Bow For The Right Reason And Be Very Lucid About The Work You Do.

If You Can't Fall Asleep, Learn How To Meditate. I Would Recommend You Listen To A Beautiful Tape Called Spiritual Power, Spiritual Practice [energy Evaluation Meditations For Morning And Evening, 1998]. It Was The One That Got Me Out Of My Writer's Block When I Was Writing Caramelo. It's By Carolyn Myss.

I Like To Mix It Up, Because The Kind Of Comments You Can Get From A Fiction Writer About Your Poetry Are Going To Be Very Different Than What You'll Get From A Poet.

One Of The Books That Has Guided Me In The Last Ten Years Of My Life To Help Me To Be That Leader Is The Buddhist Monk Thich Nhat Hanh's Being Peace. He's A Vietnamese Monk. He Was Nominated For A Peace Prize By Dr. Martin Luther King.

Even Though It's Hard To Believe, But People Who Know Me Really Well Know I'm Shy. I Have To Go Past That Fear.

I Learned From The Macarturos. I Had Never Been At A Table With A Labor Organizer And A Playwright And A Performance Artist And An Anthropologist And A Human Rights Lawyer. Usually At Most Gatherings, It's All Writers. But Suddenly I Was At A Table With All These Different People And I Learned From Each Of Them, Learned From The Work They're Doing, Learned New Ways To Solve My Problems.

It Takes A Long Time For Women To Feel It's Alright To Be Chingona. To Aspire To Be A Chingona!...you Are Saying, 'this Is My Camino, This Is My Path And I'm Gonna Follow It, Regardless Of What Culture Says.' I Don't Think The Church Likes Chingonas. I Don't Think The State Likes Chingonas.! And Fathers Definitely Do Not Like Chingonas. And Boyfriends Don't Like Chingonas. But, You Know, I Remain Optimistic. I Will Meet A Man Who Likes A Chingona, One Day. One Day, My Chingon Will Come.

When I Lost My Father, I Thought I Learned About Grief And Transition. However, Nobody Tells You What It's Like To Lose Your Mother. They Don't Tell You That You're Going To Feel Like An Orphan At Whatever Age You Are As An Adult.

My Mom Was A Frustrated Woman, Like So Many Unhappy Women Who Didn't Get The Opportunities They Wanted.

I Think The Erotic Is Very Spiritual, And I Never See That Spiritual Dimension When You Look At Collections Of Erotica. That's Always Missing For Me.

There Are Two Things You Need To Ask For, To Open Up That Channel, So You Get The Light. One Is Humility, Because Our Ego Is Always Going To Block That Guidance, And So You Ask For Humility.and The Second Thing You're Going To Ask For Is Courage, Because What You're Going To Be Asked To Do Is Bigger Than What You Think You Can Do.

My Book Would Come Out In One Language, Then It Would Come Out In Another Language, Then It Would Come Out In One City, One Read, And I Was Always Being Called Away From My Desk.

I Think That We Need To Measure How We Give Dollars To Libraries By Need. And The Communities That Are Poor, In My Opinion, Should Get More Because You Have To Do More Outreach.

I Didn't Marry. I Didn't Have Children. I Followed The Food Supply For Jobs. I Kept Writing At Night. And That Kept Me Moving. It Kept My Life Disruptive. It Broke Up Many Relationships. Was It Worth It? Yes.

It's Difficult For Me To Have A Large Story, A Very Large Story - A Novel Is A Large Story. I'm Used To Writing And Doing These Little Miniature Paintings.

As People Who Are Women, Who Are Indigenous And Live On Indigenous Lands, We Know, And This Is Something I Understand The Older I Get, That They Don't Visit The Same Way The Postman May Visit But They Do Visit. They Visit In Ways That Our Modern Society Often Disregards And Considers Immaterial Or Unreal.

When You Have Your Heart Broken Wide, You Are Also Open To Things Of Beauty As Well As Things Of Sadness. Once People Are Not Here Physically, The Spiritual Remains, We Still Connect, We Can Communicate, We Can Give And Receive Love And Forgiveness. There Is Love After Someone Dies.

Mom Used To Walk With Me For Something Like Two Or Three Miles To Get To The Day-old Bakery. They Had Those Machines Where You Buy Doughnuts, Those Vending Machines With The Long Johns And Doughnuts. We Would Buy Those Bagels And Pastries Because That Was Our Treat. And Come Back With Shopping Bags Of These Sweets, And Who Knows What Was In It? That Was What We Could Afford That Could Feed That Many People.

The Border Between The Dead And The Living, If You're Mexican, Doesn't Exist. The Dead Are Part Of Your Life.

We Changed It To Emocionó, The Way You Say In Spanish, "to Emotion Me" [to Be Moved]. That, As Opposed To "haunt." We Wanted The Feeling Of Sadness And Grief And Obsession, So We Used Emocionó.

All Of My Works Are Performance Pieces, As Is True For Many Writers Of Color, Writers Who Have Indigenous Roots - Because Our Basis Is Spoken Word.

Once You Can Open Yourself To Joy, You Feel As If You've Transformed Your Sadness Into Illumination, Which Is Really All That Art Is. All We Want To Do Is Transform The Negative Emotions Into Light. We Want To Compost Them Into Light.

I Have To Say That The Traditional Role Is Kind Of A Myth. I Think The Traditional Mexican Woman Is A Fierce Woman.

I Want To Thank You, Especially Those People Who Are Agnostic Or Atheist. I Don't Mean Any Offense By The Things I Said Of The Spirit World. Thank You For Allowing Me To Speak About The Spiritual, Because I Can't Talk About My Life Or Writing Without Mentioning That.

I Don't Just Want To Talk To The Choir. I Want To Sit Down And Be Respectful Of The People Who Are Most Unlike Me, To Get Them To Hear Me And Think. It Doesn't Mean You're Going To Change Them Right There, But Just So They Can Hear You And What You're Saying.

If We Were Multilingual, Imagine How Much You Would Learn About Your Own Culture, About The Sensibilities Of What's Important In Your Own Culture.

I Just Feel That The East And The West Are Two Different Worlds. I Sometimes Get Saddened When I See That Very Few Writers Of Color Are Published Or Reviewed In East Coast Presses And Magazines.

That's Why It's Important To Be Multilingual, Because It Teaches You So Much About Your Own Language.

I Feel Comfortable In Spanish, I Chat Like A Parrot, But I Don't Have The Confidence In Spanish That I Do In English.

Before You Speak, Get Very Quiet, Do The Meditation, Say, "use Me As A Channel For What Needs To Get Said To This Community. This Community Needs To Hear Something Very Important That I'm The Only Person In The Room Who Can Say It. Please Help Open Me So That I'm Not Frightened And Speak Through Me. Let Me Be That Channel So That I Can Help Heal." You Make Yourself So Humble That You Really Are Like A Flute And That Music That Comes Out Comes From El Corazón. All The People You're Connected To From That Light That We Call Love.

When I Was A Child, I Was Very Shy, And There's Still A Part Of Me That's Very Shy.

Being On A Highway, All That Speed And Aggression, Is Very Terrifying To Me.

I Live In A Town That's Two And A Half Hours From The Border. I Know People Who Have Lived In San Antonio For Generations, Sometimes Seven Generations, Their Families Are From There, And They Are Of Mexican Descent, And They've Never Gone Farther Than The Border.

I'm Most Tired After I Read, After I've Just Done A Performance, But What I Try To Do Is To Fuel And Eat A Really Healthy Meal Before I Perform. I Want To Have Enough Energy To Talk To That Last Person.

For Example, There's No Word Emocionó In English, So I Have To Say, "you, You Really Emotioned Me," It's More Precise, Even Though It Sounds Odd. "my Father Emotioned Me." Or "that Performance Really Emotioned To Me."

I Always Tell People That I Became A Writer Not Because I Went To School But Because My Mother Took Me To The Library. I Wanted To Become A Writer So I Could See My Name In The Card Catalog.

There [dreamtigers By Jorge Luis Borges] Were These Little Fablesque Things, You Know, Dream Tigers, Beautiful, Beautiful Pieces That When You Read Them Had The Power Of A Long Piece, But They Were Prose, And They Had The Power Of Poetry, In That The Last Line Wasn't The End, It Was A Reverberation, Like When You Tap On A Glass Made Of Crystal, And It Goes Ping.

Well, When You're An Immigrant Writer, Or An Immigrant, You're Not Always Welcome To This Country Unless You're The Right Immigrant. If You Have A Mexican Accent, People Look At You Like, You Know, Where Do You Come From And Why Don't You Go Back To Where You Came From? So, Even Though I Was Born In The United States, I Never Felt At Home In The United States. I Never Felt At Home Until I Moved To The Southwest, Where, You Know, There's A Mix Of My Culture With The U.s. Culture, And That Was Why I Lived In Texas For 25 Years.

I Think That You Need To Have Books That Talk About The Lives Of The Poor, And They Need To Be Involved - Involved In Acquisitions.

Now I Feel Life Is Really Short And I Have To Take Care Of Things.

There's A Lot Of Things That Haven't Been Communicated To Our Communities. I Didn't Know These Things Myself. I Didn't Know That If You Ate Cheap Food, It Was Like Buying Cheap Gasoline, And There Was A Reason Why After An Hour You Get Headaches, Or Youhypoglycemic.

Every Book Takes You To The Terror, That Terrible Place Of Possible Failure.

The World We Live In Is A House On Fire And The People We Love Are Burning.

One Of The Things Thich Nhat Hanh Taught Me: He Says, "when You're In A Hurry, Go Slower." That Works Every Time, Unless You're Trying To Catch A Plane.

My Idea Was Always To Start With A Small Press And Then Move Up To A National Press. I Had Those Goals For My Career From The Time I Was A Very Young Woman. I Wanted To Win A Local Award, Then I Wanted A State Or National Award. Small Press, Big Press. Some Women Fantasize About Their Weddings, Their Husbands, And Children. I Fantasized About What I Wanted To Accomplish With My Books.

One Way To Get Very Humble Is To Dedicate The Work You're Going To Do To Your Community.

Everything That Is Most Mine Belongs To Everyone Now.

The Comments You'll Get From A Filmmaker About Your Performance Are Going To Be Very Different. My Writing Workshop Is About Mixing It Up, Cross-pollinating, Not Only In Genres But In Occupations.

I Usually Say Latina, Mexican-american Or American Mexican, And In Certain Contexts, Chicana, Depending On Whether My Audience Understands The Term Or Not.

I Had To Learn Quick, Because I Was Performing In Cinco De Mayo Festivals With Babies Crying And People Lifting Their Beers, And You Know The Feather Dancers Would Come, And They'd Say, "what Are You, A Poet? You're Next".

I Know There Are A Lot Of Women Who Are Afraid Of Driving On Highways.

I Can't Stand It When People Say, "if You're Writing A Novel, You Should Read This And That." Because It's Like Giving Someone Another Person's Prescription. How Do You Know That's What They Need?

If You Know Two Cultures And Two Languages, That Intermediate Place, Where The Two Don't Perfectly Meet, Is Really Interesting.

I Have To Get My Will In Order. I Have To Get The Macondo Foundation Going. I Want To Invest The Money And Resources That I've Gotten From Working So Hard So That It's Shared And It Has Its Life Beyond Me.

The Mexico - United States Border Was Always Porous. People Have Been Going And Coming Back Since Before The Spaniards Arrived. Now We're Seeing Communities Who Have Family Members On The Other Side Very Frightened. I Feel Saddened For Those Families Divided By Violence. The Whole Border Area Is Under Siege.

I Usually Meditate And I Call My Spirit Allies - Anyone In The Spirit World That I've Got Connections With. Even In The Spirit World You Need Connections!

I Was Raised In Chicago, So Always Used Latina. It's What My Father And Brothers Called Ourselves, When We Meant The Entire Spanish-speaking Community Of Chicago.

It's What's Available To The Poor Communities. They Do Buy Healthy Stuff, You Know, But The Lettuce Is Usually Iceberg Lettuce And To Get Any Taste, They Have To Use All That Ranch Dressing.

We Can Have Our Hearts Broken Over So Much More. It Is Important To Recognize The Full Spectrum Of Heartbreak. We Can Be Heartbroken By Lost And By Disappointment. But Heartbreak Is Not Just This Negative Image We See, It's Not This Terrible Experience That Brings No Benefits.

I Was Silent As A Child, And Silenced As A Young Woman; I Am Taking My Lumps And Bumps For Being A Big Mouth, Now, But Usually From Those Whose Opinion I Don't Respect.

What You're Going To Be Asked To Do Is Bigger Than What You Think You Can Do. It's Always Bigger Than What You Think You Can Handle, But You're Never Going To Be Given Something You Can't Handle.

I've Been On Television Saying, "¡vamos A La Biblioteca!". That Was Great. Nobody Had Ever Asked Me.

I Don't Know What The Definition Of A Short Story Is, And I Don't Even Care To Answer That Question. That's Something Somebody In Academia Would Think About. I Just Want To Tell A Story, And If People Listen, And If It Stays With You, It's A Story.

True Love In Mexico Isn't Between Lovers; It's Between A Parent And A Child. Mexico Is A Very Intense Culture Of Sons Adoring Their Mothers, And This Is Why I Claim That Mexican Culture Is Matriarchal. Because The One Constant, Faithful, Inviolable, Holy Love Of Loves - The Love Of Your Life - Is Not Your Wife Or Your Lover; It's Your Mother.

How Can Art Make A Difference In The World?

Making A Difference

I'm From Chicago, So The Chicago Working-class Poets Still Mean A Great Deal To Me.

It's So Good For Your Health To Take Those Naps. I Don't Know Why People Brag That They Sleep Five Hours. I'd Be Ashamed. I'm Proud That I Sleep Nine Hours.

The Stories Are What No One Wants To Talk About. So You Make Up A Story Because No One Is Going To Tell You The Truth.

I Was Very Lucky. I Don't Know German, Or Dutch, Or Chinese, Or Thai. I Don't Know Them, So I Can't Judge, So I Have To Go On The Word Of The Publisher That It's A Good Translation.

I Have To Take Care Of The House, And The Dogs, And The Macondo Board Meetings, All Those E-mails, The Letters That Are Going To Fans. And You've Got To Pay Bills. These Things Eat Up Your Time. You Have To Prepare And Pack To Go On That Trip. Then When You Come Back You Have To File All That Stuff, Answer All That Mail, And That's Not Even Washing The Clothes Or Any Of That. So It Takes As Many Days As I've Been Away To Come Back To Normal And To Get Quiet.

I Was Reading Emily Dickinson And Edwin Arlington Robinson, But These Weren't The Poets That Influenced Me. I Think Gwendolyn Brooks Influenced Me Because She Wrote About Chicago, And She Wrote About Poor People. And She Influenced Me In My Life By Giving Me A Blurb. I Would See Her In Action, And She Listened To Every Single Person. She Didn't Say, "oh, I'm Tired. I Gotta Go." She Was There, And Present, With Every Single Person. She's One Of The Great Teachers.

I Was Reading Carl Sandburg And Gwendolyn Brooks, And I'm Still Very, Very Deeply Moved By Gwendolyn Brooks's Life And Her Work.

Post 9/11, We've Seen Such Disastrous Policies On The Border. I Live Two And A Half Hours Away From The Border, And I've Seen Changes For The Communities There. I Feel Like It's An Occupied Zone. We're Losing Our Rights, And Both Sides Of The Border Are Terrified. The Mexican Population And The U.s. Population Are United In Fear.

As An Artist, I Have To Be The Ambassador Of Everything.

I Am One Who Leaves The Table Like A Man, Without Putting Back The Chair Or Picking Up The Plate

Heartbreak Allows Us To Also Experience Joy And Love But You Have To Walk Through Heartbreak To Even Know What Joy Is. Heartbreak Is A Constant And It Is Even Necessary. It Allows Us The Opportunity Of Introspection And Exploration. Those Processes Are What Is Necessary To Write And Engage In The Arts.

You'll Change. You'll See. Wait Till You Meet Mr. Right.

Think About The Books That You Were Reading At A Certain Crisis In Your Life, What You Were Reading, And That's Because You Needed Them To Nourish Your Alma.

The Tsa Tears Through Your Bags At The Airport And The Nsa Watches What Books You Buy And What You Say Over The Telephone And Online. It Doesn't Feel Like Anything Is Private Anymore.

I Lose Things. I Write Things And They Disappear From My Desk, My Life. I Move A Lot. I Wanted To Gather Them And Put Them Under One Roof, Under One Cover, So I Could Document My Life In A Series Of Snapshots.

When We Started Publishing, You Had To Be Better Than Good. You Had To Be Excellent. But As Long As People Are Reading, I Don't Care What They're Reading.

You Know How Sometimes You're Talking To People Who Love You And Give You Unconditional Love, And You Say, "but You Know What? Let Me Back Up. I Forgot To Say . . ."you Can Do That, Right? You Don't Hesitate And Say, "oh My God! I Forgot To Say That!". You Just Speak! And You Say It All, Until You Have Nothing More To Say. And That's Your First Draft. It's Done.

Unconditional Love

I Hope I'm Not Just Looked As A Writer That Is Popular But As A Writer Of Literary Value.

That's What You Need For Your Writing - To Learn How To Be Present, Learn How To Be Calm. So Take That Nap, Do That Meditation.

In The Past I Was Very Open And Very Generous, And I Found That It Just Exploded In My Face. A Lot Of People Weren't There For Me When I Needed Them. So I Have Become A Little Shell Shocked. Subsequently Almost Paranoid And Frightened Of People Now. Maybe I'm Losing Out In Meeting Some Marvelous People, But I Am Doing The Only Thing I Can To Save My Spirit.

I'm Filled With A New Joy Mixed With Old Grief.

Believe It Or Not, Mexican Cooking, For Those Of You Who Have Not Gone Farther South Than Taco Bell, Uses A Lot Of Vegetables. But Those Vegetables Were Not Brought Here, Like Corn Mushrooms, Huitlacoche, Or Squash Blossoms.

I Think People Are Much More Concerned About Money Now. There Aren't The Big Advances Of The Past. You Feel The Sense Of Nervousness About The Book Industry. It's Not Like Before. Not That I Knew Very Much About What It Was Like Because I Was A Newcomer To It, But I Get That Feeling That People Are More Conservative In Their Book Choices And What They Are Going To Publish And What's A Sure Sell. As Opposed To - Just Like In The Economy - A Sense Of Luxury And Sense Of Risk Taking Ten Years Ago.

Afterwards, People Come And Say, "i Felt Like You Said That Just To Me. What You Said Is Something I'm Going Through Right Now," So You Know That Spiritual Connection Is Going On.

That's All You Have To Ask From Yourself Writing A Book. That It's The Best You Can Do And That You Did It Without Any Ego Involved And That You Did It For Somebody Else. That's The Best You Can Do.

Perhaps The Greatest Challenge Has Been Trying To Keep My Time To Myself And My Private Life Private In Order To Do My Job. Everything That Is Most Mine Belongs To Everyone Now.

I Learned When I Was A Student In Connecticut. I Had An Italian-american Teacher Who Gave Me Classes For A Week, And Then Said, "okay, You're Ready." And I Wasn't Ready. I Didn't Know How To Drive!. But He Knew The Policeman Who Gave The Test. And That's How I Got Through.

When I Have A Writing Workshop, I Like To Have People That Are Anthropologists And People Who Are Poking Around In Other Fields, I Like To Have Them All In The Same Workshop, And Not Worry About Genre. I Like To Mix It Up, Because The Kind Of Comments You Can Get From A Fiction Writer About Your Poetry Are Going To Be Very Different Than What You'll Get From A Poet. Or The Comments You'll Get From A Filmmaker About Your Performance Are Going To Be Very Different. My Writing Workshop Is About Mixing It Up, Cross-pollinating, Not Only In Genres But In Occupations.

When You're In That State Of Grief, Any Little Breeze, Any Hello, Any Confrontation, Any Grazing Of Someone Meeting Your Eyes, Might Cause You Suddenly To Burst Into Grief. You Could Be Looking At A Jar Of Peanut Butter In The Supermarket, And Then Start Crying.

Even If We Don't Know If God Exists, We Can Be Certain Love Exists, Because Its Power Transcends Death.

The Most Powerful Speaking You Can Do Is The Speaking That Comes From Your Heart And Your Love.

I Was So Happy When I Went To Rome And I Saw That The Romans Eat Them Too, The Squash Blossoms. [...] No Wonder I Like The Italians!

You Want To Be Able To Say Anything When You Do Your First Draft, Because Some Of That Goofy Stuff That You Think Has Nothing To Do With It Is Probably Where The Mother Lode Is.

Something I Always Tell Students Is, When You're Writing Something, You Want To Write The First Draft And You Want It To Come Out Easily In The Beginning. If You're Afraid To Say What You Really Have To Say, You Stammer. [...] You're Judging Yourself, You Know, Thinking About Your Listener. You're Not Thinking About What You're Saying. And That Same Thing Happens When You Write.

Thinking About You

Judging Yourself

I Was Looking At A Lot Of Experimental Writers, And I Was Very Intrigued By Short-short Fiction, Writers Who Would Write Little Things, What I Call Buttons Now, Little Vignettes.

We Tend To Think Of Orphans As Being The Protagonist Of Stories We Read When We're Kids, And Yet Here You Are: You're An Adult, You're Supposed To Manage, You're Supposed To Get Over It, You're Supposed To Go On With Your Life, And You Feel Like A Lost Child.

You Have To Remember That Writing Itself Is So Solitary. You Start Writing Because You're Lonely.

You Were Given That Pain And That Vision Because You Have Something To Do With It.

I Don't Want To Blame Anybody, But I Just Want To Tell You That The Process Of Writing Is Antisocial, So On The Days That You Have Something Really Important To Write, Go From Lying Down Directly To Your Notepad Or Your Computer. Do Not Talk.

I Find Myself Using Spanish Words Much More Now That I'm Older, And I Guess I Have The Authority To Do It In Public Spaces In Ways That I Felt I Couldn't When I Was Teaching Here Fifteen Years Ago.

One Press Account Said I Was An Overnight Success. I Thought That Was The Longest Night I've Ever Spent.

When You Speak Words That Are Relevant To People, They Automatically Shut Up And You Know You Are In The Presence Of Some Very Magical Words. It's A Gift When Someone Can Listen And Be Quiet And Not Interrupt.

The Older You Get, The More Power You Have With Language As A Writer, Which Means That You Have To Be Extra Responsible For What You Say, Whether It's In Print Or In Front Of A Microphone, Because Those Words Can Go Out And Kill Or Go Out And Plant Seeds For Peace.

Sometimes Hearing The Stories Is Going To Change People's Lives Much More Than If They Read It.

My Readers Are As Diverse As Any Group You Will Ever See. Something That Booksellers Always Tell Me. That They Are Always Surprised At The Kind Of People That Come To My Readings. That They Are Such A Mix Of Ages And Colors. It Looks Like People Spilling Out Of An Elevator.

I Know The American Library Association Has Models For Working With The Poor. They Do Have That, And I Think That We Really Need To Put Our Efforts - If We Want To Think Long-range And Invest In The Community So That We Don't Have To, You Know, Invest In Prisons - Into Making A Change, Because I Know That The Library Can Make A Change In A Life, Because It Made A Change In Mine.

Don't Be Afraid To Say What You Don't Know, And Speak For What You Do Know. Say, "i Can't Speak For All Latinas, But I Can Speak For Me And Tell You Very, Very Honestly."

We Have All This Courage As Writers, But Then There's This Fear.

When You Edit, You Imagine Your Enemy Is Seated On The Other Side Of The Table. Your Enemy! And Your Enemy Is Going To Read That With A Viciousness, Because He Knows Where You Didn't Work On It. He's Going To Shake It And Really Aim For That Jugular. So You Are Going To Polish, And Revise, And Rewrite, And Cut Out, And Shape It, So That Your Enemy Has No Place To Grip It. That's How You Revise.

I've Come To Some Balance Now And Calmness. If Anything Happened To Me And I Got Hit By A Bus - I Hope This Doesn't Happen, But If Something Happened - My Body Of Work Is Something I Could Rest On. I Don't Feel, "oh God, I Have To Hurry Up . . ."

I Think There's Some Great Stuff Coming. I Do Feel That. I Think We Have Reached Our Harlem Renaissance.

Trending Author

Natalie Goldberg

Clarence Darrow

Category