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I Saw A Ghost Once, About 20 Years Ago. It Took The Form Of Someone Coming Out Of A Sleeping Body And Sitting At The Foot Of The Bed.

-Peter Ackroyd

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I Saw A Ghost

Peter Ackroyd

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I Saw A Ghost Once, About 20 Years Ago. It Took The Form Of Someone Coming Out Of A Sleeping Body And Sitting At The Foot Of The Bed.

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I Have Liv'd Long Enough For Others, Like The Dog In The Wheel, And It Is Now The Season To Begin For Myself: I Cannot Change That Thing Call'd Time, But I Can Alter Its Posture And, As Boys Do Turn A Looking-glass Against The Sunne, So I Will Dazzle You All.

Health, Money. That's What People Worried About In The 14th Century As Much As Today. I Find It So Much More Interesting Than The Supposed Activities Of Kings, Queens, Generals.

London Goes Beyond Any Boundary Or Convention.it Contains Every Wish Or Word Ever Spoken, Every Action Or Gesture Ever Made, Every Harsh Or Noble Statement Ever Expressed. It Is Illimitable. It Is Infinite London.

There Are So Many Characters Whizzing Around Inside My Head, It's Like Looney Tunes. But As Soon As I've Finished Writing About Them, I Completely Forget Who They Are.

In 'the Plato Papers' I Wanted To Get Another Perspective On The Present Moment By Extrapolating Into The Distant Future. So In That Sense, There's A Definite Similarity Of Purpose Between A Book Set In The Future And A Book Set In The Past.

I Think Biography Can Be More Personal Than Fiction, And Certainly Can Be More Expressive.

I Can Remember Picking Up Weighty Tomes On The History Of Science And The History Of Philosophy And Reading Those When I Was Small.

What Captivity Has Been To The Jews, Exile Has Been To The Irish. For Us, The Romance Of Our Native Land Begins Only After We Have Left Home; It Is Really Only With Other People That We Become Irishmen.

One Can Forgive Shakespeare Anything, Except One's Own Bad Lines.

Under The Force Of The Imagination, Nature Itself Is Changed.

Yet, Like The Sea And The Gallows, London Refuses Nobody.

I Wanted To Be A Poet When I Was 20; I Had No Interest In Fiction Or Biography And Precious Little Interest In History, But Those Three Elements In My Life Have Become The Most Important.

No Poet Is Ever Completely Lost. He Has The Secret Of His Childhood Safe With Him, Like Some Secret Cave In Which He Can Kneel. And, When We Read His Poetry, We Can Join Him There.

Oh, I Just Tend To Believe In Things When I'm Writing Them. For Instance, When I Was Writing 'doctor Dee,' I Believed In Magic. And When I Wrote 'hawksmoor' I Believed In Psychic Geography. But As Soon As I Type The Last Full Stop, I'm Back To Being A Complete Blank Again.

And The Smell Of The Library Was Always The Same - The Musty Odour Of Old Clothes Mixed With The Keener Scent Of Unwashed Bodies, Creating What The Chief Librarian Had Once Described As 'the Steam Of The Social Soup.'

I Strike Up Conversations All The Time And It Is Very Interesting, Finding Out About Things I Know Nothing About.

I Saw A Ghost Once, About 20 Years Ago. It Took The Form Of Someone Coming Out Of A Sleeping Body And Sitting At The Foot Of The Bed.

All Cities Are Impressive In Their Way, Because They Represent The Aspiration Of Men To Lead A Common Life; Those People Who Wish To Live Agreeable Lives, And In Constant Intercourse With One Another, Will Build A City As Beautiful As Paris.

The Best Years Are When You Know What You're Doing.

And When I Was Young, Did I Ever Tell You, I Always Wanted To Get Inside A Book And Never Come Out Again? I Loved Reading So Much I Wanted To Be A Part Of It, And There Were Some Books I Could Have Stayed In For Ever.

London Has Always Provided The Landscape For My Imagination. It Becomes A Character - A Living Being - Within Each Of My Books.

I Detest Self-regard. If My Work Has Taught Me Anything, It Is That Self-aggrandisement Is Completely Unhistorical.

So Do We Discover, In The World, That Our Worst Fears Are Unfulfilled; Yet We Must Fear, In Order That We May Feel Delight.

Murderers Will Try To Recall The Sequence Of Events, They Will Remember Exactly What They Did Just Before And Just After. But They Can Never Remember The Actual Moment Of Killing. This Is Why They Will Always Leave A Clue.

My Great Fear Has Always Been Complete And Utter Failure. Hence, You See, All The Dispossessed People In My Fiction, And Why I Try To Earn As Much Money As I Can. It's A Defense. I Don't Enjoy It Or Do Anything With It.

There Are Certain People Who Seem Doomed To Buy Certain Houses. The House Expects Them. It Waits For Them.

Bigotry Does Not Consort Easily With Free Trade.

I Don't Find Myself Interesting As A Person And The Details I Find Boring, Quite Frankly. You Could Sum It Up In A Few Words Or Sentences Really: Came From Nothing. Self-educated. Luck. Energy. Curiosity. Ambition. That's It. Nothing At All Can Illuminate The Work As Far As I Can Tell.

To Watch King Lear Is To Approach The Recognition That There Is Indeed No Meaning In Life, And That There Are Limits To Human Understanding.

There Is A Word In Old English Which Belongs Wholly To That Civilization - "dustsceawung," Meaning Contemplation Of Dust. It Is A True Image Of The Anglo-saxon Mind, Or At Least An Echo Of That Consciousness Which Considered Transcience And Loss To Be Part Of The Human Estate; It Was A World In Which Life Was Uncertain And The Principal Diety Was Fate Or Destiny Or "wyrd."

The 16th-century Theatre Witnessed The Particularly English Manifestation Of 'the History Play.' There Can Be No Doubt That Shakespeare's Presentations Of 'henry V' And 'richard Iii' Have Been Incalculably More Influential Than Any More Sober Historical Study.

I Had To Paraphrase The Paraphrase.

The World Is A Sea In Which We All Must Surely Drown.

I Believe That The Gods Themselves Are Frightened Of The World Which They Have Fashioned.

I Am In The Pitte, But I Have Gone So Deep That I Can See The Brightness Of The Starres At Noon.

None Of My Books Has Been Ever In My Head; After They're Finished, They Go. It's Like Being A Sort Of Medium; You Just Grab It When It's There Then Just Release It When It's Time To Go. There's A Lot Of Instinct, Not Planning.

I Enjoyed Reading And Learning At School, And At University I Enjoyed Extending My Reading And Learning. Once I Left Cambridge, I Went To Yale As A Fellow. I Spent Two Years There. After That, George Gale Made Me Literary Editor Of 'the Spectator.

The Ordinary Routines Of Life Are Never Chronicled By The Historian, But They Make Up Almost The Whole Of Experience.

I Don't Know If I Have A Voice Of My Own. I Don't See Me Being An Important Person With Something To Say. I Haven't. I've Got Nothing To Say. My Opinion Is Of No Consequence Or Value.

Why Should A Novelist Not Also Be A Historian? To Force Unnatural Divisions Within The English Language Is To Work Against Its Capacious And Accommodating Nature. To Expect A Writer To Produce Only Novels, Or Only Histories, Is Equivalent To Demanding From A Composer That He Or She Write Only String Quartets Or Piano Sonatas.

I Never Read In Bed, Only In My Study.

It Is Strange, Is It Not, How A Person Can Adore One's Soul So Much That They Adore One's Body Also?

I Just Wanted To Be An Ordinary, Middle-class Person. When I Was At Cambridge I Made Great Efforts To Lose The Last Remnants Of My Cockney Accent.

Sometimes The Silences, The Gaps, Tell Us More Than Anything Else.

He Stood Beneath The White Tower, And Looked Up At It With That Mournful Expression Which His Face Always Carried In Repose: For One Moment He Thought Of Climbing Up Its Cracked And Broken Stone, And Then From Its Summit Screaming Down At The Silent City As A Child Might Scream At A Chained Animal.

When I Was A Child I Wanted To Be Pope. My Greatest Disappointment Is Missing Out On That. I Also Wanted To Be A Tap Dancer But I Never Fulfilled That Ambition Either.

Thomas More's Birth Was Noted By His Father Upon A Blank Page At The Back Of A Copy Of Geoffrey Of Monmouth's 'historia Regum Britanniae'; For A Lawyer John More Was Remarkably Inexact In His References To That Natal Year, And The Date Has Been Moved From 1477 To 1478 And Back Again.

A Triptych In Which The Presiding Deities Are Mother, England And Me.

The English Can Laugh And At The Same Time Strike You Down, Without The Least Compunction. It Is The Secret Of Their Success As A Nation.

In London, I've Always Lived Within 10 Miles Of Where I Was Born. You See, There Is Something Called A Spirit Of Place, And My Place Happens To Be London, At Least Once A Fortnight.

The English Have Always Been Greedy For News Of Times Past, With That Mixture Of Fatalism And Melancholy Which Is Part Of The National Character.

There Are Two Types Of People, You See. One Type Keep Their Heads Straight, And Look Around As They Walk. The Others Look Up - At The Tops Of Houses, At The Eaves And The Lintels And The Roofs, Which Can Tell You When They Were Built - And I've Always Done That.

I Have Always Believed That The Material World Is Governed By Nonmaterial Sources, So That In That Sense 'english Music' Is An Exercise In The Spiritual As Well As The Material. I Have Always Been Attracted To The Gothic And Spiritual Imagination, And I've Always Been Interested In Visionaries.

If I Did Only One Thing At A Time I'd Think I Was Wasting My Time. If, For Example, I Only Wrote Novels I Would Feel Like A Charlatan And A Fraud.

Wasting My Time

It's Only Recently That We've Discovered That The Artist's Inner Self Is Somehow More Important Than The Public World. I'm Happier To Create Exterior Pieces For The World Rather Than To Express Something I Deeply Feel Or Wish To Say.

I Don't In Any Sense Think Of Myself As A Celebrity, Which Of Course I'm Not.

There Is No Humiliation Worse Than The Consciousness Of A Wasted Life. It Stains The Spirit, Forestalls Hope, And Destroys Any Motive For Action Or Change.

Familial Love Can Find An Echo In Our Own Hearts Just As It Did In That Of Charles Dickens.

As A Londoner I Was Able To See How The World Of Power And Money Cast Its Shadow On Those Who Failed.

The Endless Chatter Of This Journey Had Wearied Me.

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