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I’m Not Interested In The Words Or The Meaning Of The Words. I’m Interested In Disappearing In It Completely, To Not Be Aware Of Yourself At All. That’s The Way Music Works For Me. It’s Purely Emotional. It Goes Straight To The Heart. There Are No Explanations. That’s Just It.

-Karl Ove Knausgard

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I’m Not Interested In

Karl Ove Knausgard

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I’m Not Interested In The Words Or The Meaning Of The Words. I’m Interested In Disappearing In It Completely, To Not Be Aware Of Yourself At All. That’s The Way Music Works For Me. It’s Purely Emotional. It Goes Straight To The Heart. There Are No Explanations. That’s Just It.

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When I Look Back At What I've Written And Try To Explain It, It Doesn't Help, But It Helps To Be In A Process Of Writing. It's The Same Thing With Reading - You Lose Yourself When You Read As Well. When I Was Younger I Used Literature That Way, It Was Just Escapism, A Tool To Run Away From Things.

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I've Always Been A Fast Reader. Now I Had To Do It Slowly, Discussing Each Sentence. And Every Time I Wanted To Change Something I Had To Come Up With An Intelligent Defense I Could Be Pretty Sure That They Would Turn My Suggestion Down, As They Had So Many Aspects To Keep In Mind. However, If I Argued Well, I Could Have A Chance. I Had To Think Of Every Comma, Every Word.

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The Tree Was So Old, And Stood There So Alone, That His Childish Heart Had Been Filled With Compassion; If No One Else On The Farm Gave It A Thought, He Would At Least Do His Best To, Even Though He Suspected That His Child's Words And Child's Deeds Didn't Make Much Difference. It Had Stood There Before He Was Born, And Would Be Standing There After He Was Dead, But Perhaps, Even So, It Was Pleased That He Stroked Its Bark Every Time He Passed, And Sometimes, When He Was Sure He Wasn't Observed, Even Pressed His Cheek Against It.

In Modern Novels I Try To Not Let Myself Get Away And To Be Here, And That's Why I Write About My Life And Myself. But Even When I Do That There's An Element Of Disappearing To A Place That's Not Me. It's "the Selflessness Of Writing". It Seldom Happens, But When It Does It's Worth Quite A Lot.

I Try To Write About Small Insignificant Things. I Try To Find Out If It’s Possible To Say Anything About Them. And I Almost Always Do If I Sit Down And Write About Something. There Is Something In That Thing That I Can Write About. It’s Very Much Like A Rehearsal. An Exercise, In A Way.

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I’m Not Interested In The Words Or The Meaning Of The Words. I’m Interested In Disappearing In It Completely, To Not Be Aware Of Yourself At All. That’s The Way Music Works For Me. It’s Purely Emotional. It Goes Straight To The Heart. There Are No Explanations. That’s Just It.

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I Never Read The Translation Before Publication. The Most Important Things For Me Is That The Emotion Is Captured In Such A Way That The Feelings That Are In The Original Are There, Much More Than The Details, If They Are Right Or Wrong.

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You Don’t Think When You Play Music, You Just Try To Play And Be In It. It Is The Same For Me When The Writing Is Going Really Well. It’s The Same Kind Of Feeling. I’m Just In It. It’s Not The Words, It’s Not The Sentences, I’m Not Aware Of It. Then It’s Good.

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