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I Came To Terms With Living Mostly In A World Of Horror Pictures Or Genre Pictures. I Have Had A Few Chances To Get Outside And Do Something Different, Like Paris, Je T'aime Or Music Of The Heart, But Mostly It's Been My Lot. And To Have Created, With A Few Shocking Films, An Awareness Or A Perception Of Me As Somebody Dangerous And Scary - That Can Be Sold, But Trying To Sell Me For Some Other Kind Of Picture, Like Music Of The Heart, Was Very Difficult.

-Wes Craven

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I Came To Terms

Wes Craven

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I Came To Terms With Living Mostly In A World Of Horror Pictures Or Genre Pictures. I Have Had A Few Chances To Get Outside And Do Something Different, Like Paris, Je T'aime Or Music Of The Heart, But Mostly It's Been My Lot. And To Have Created, With A Few Shocking Films, An Awareness Or A Perception Of Me As Somebody Dangerous And Scary - That Can Be Sold, But Trying To Sell Me For Some Other Kind Of Picture, Like Music Of The Heart, Was Very Difficult.

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Something Like Nightmare On Elm Street, To Me, Was Kind Of An Examination Of Levels Of Consciousness And The Pain Of Facing The Truth, And How Easy It Is To Fall Asleep, Or Want To Fall Asleep.

I Came To Terms With Living Mostly In A World Of Horror Pictures Or Genre Pictures. I Have Had A Few Chances To Get Outside And Do Something Different, Like Paris, Je T'aime Or Music Of The Heart, But Mostly It's Been My Lot. And To Have Created, With A Few Shocking Films, An Awareness Or A Perception Of Me As Somebody Dangerous And Scary - That Can Be Sold, But Trying To Sell Me For Some Other Kind Of Picture, Like Music Of The Heart, Was Very Difficult.

When I Was A Kid, I Was Taken To Something Called Telenews In Cleveland By My Best Friend's Father. My Own Father Was Gone By The Time I Was 5, I Think, But This Man Would Take Us To Telenews At The End Of World War Ii, And We'd Watch All These Newsreels. I'd Seen Real Stuff. That Kind Of Stuck In My Mind.

I Learned To Take The First Job That You Have In The Business That You Want To Get Into. It Doesn't Matter What That Job Is, You Get Your Foot In The Door.

All Of Us Have Our Individual Curses, Something That We Are Uncomfortable With And Something That We Have To Deal With, Like Me Making Horror Films, Perhaps.

I Like To Address The Fears Of My Culture. I Believe It`s Good To Face The Enemy, For The Enemy Is Fear.

I Came To Terms With Living Mostly In A World Of Horror Pictures Or Genre Pictures.

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It's Quite Rare That You Make Something And Think That You Did Something That No-one Else Had Done.

I've Found That If You Have Two Films That Don't Perform Well It Doesn't Matter That You've Had A Bunch Of Successful Ones. The Phone Stops Ringing, And After Deadly Blessing And Swamp Thing That's What Happened.

Many, Many Things Are Dangerous In Our World, Commercials And Tv Are Dangerous, And So Is The World Of Sitcoms. But Nobody Does Anything About Them Because They're Turning In Alot Of Money.

I Think That There Has Been A Slow Recognition That There's A Mind At Work Here, And There's A Skill And Some Bit Of Artistry, And That I Could Probably Do Other Things. Otherwise, I Don't Know That I Would've Been Given The Opportunity To Do Paris, Je T'aime.

I Love The Fact That A Lot Of My Audience Is People From The Inner City. African-americans Love My Films. Whenever I Go To Have A Meeting At Universal, The Security Guard Just Leaps To His Feet And Comes Over, Bumps My Hand, And Says, "thank You! Thank You, I Love Your Films!" And It's People Who Are Kind Of At The Cutting Edge Of Life And Survival, And Being Near The Nitty-gritty, Who Like My Films, And I Like That.

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I Realized That I Really, Almost By Accident, Had Fallen Into A Labyrinthine, Very Powerful Paradigm For Dealing With These Things Through Genre Films. And Once I Realized That And Realized The Power Of It, And The Fact That Because Horror Films Aren't, In General, Studio Products - Studios Back Them Sometimes, But They Don't Try To Meddle Too Much, Because They Kind Of Don't Want To Sully Their Skirts - You Have A Lot Of Freedom.

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African American

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