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Alas, We Are The Victims Of Advertisement. Those Who Taste The Joys And Sorrows Of Fame When They Have Passed Forty, Know How To Look After Themselves. They Know What Is Concealed Beneath The Flowers, And What The Gossip, The Calumnies, And The Praise Are Worth. But As For Those Who Win Fame When They Are Twenty, They Know Nothing, And Are Caught Up In The Whirlpool.

-Sarah Bernhardt

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Alas, We Are The

Sarah Bernhardt

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Alas, We Are The Victims Of Advertisement. Those Who Taste The Joys And Sorrows Of Fame When They Have Passed Forty, Know How To Look After Themselves. They Know What Is Concealed Beneath The Flowers, And What The Gossip, The Calumnies, And The Praise Are Worth. But As For Those Who Win Fame When They Are Twenty, They Know Nothing, And Are Caught Up In The Whirlpool.

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You Must Have This Charm To Reach The Pinnacle. It Is Made Of Everything And Of Nothing, The Striving Will, The Look, The Walk, The Proportions Of The Body, The Sound Of The Voice, The Ease Of The Gestures. It Is Not At All Necessary To Be Handsome Or To Be Pretty; All That Is Needful Is Charm.

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Once The Curtain Is Raised, The Actor Is Ceases To Belong To Himself. He Belongs To His Character, To His Author, To His Public. He Must Do The Impossible To Identify Himself With The First, Not To Betray The Second, And Not To Disappoint The Third.

Legend Remains Victorious In Spite Of History.

I Have, Thanks To My Travels, Added To My Stock All The Superstitions Of Other Countries. I Know Them All Now, And In Any Critical Moment Of My Life, They All Rise Up In Armed Legions For Or Against Me.

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One Should Hate Very Little, Because It's Extremely Fatiguing. One Should Despise Much, Forgive Often And Never Forget. Pardon Does Not Bring With It Forgetfulness; At Least Not For Me.

[when Asked At Age 79 Why Her Paris Apartment Was Located Up Many Flights Of Stairs At The Top Of The Building:] It's The Only Way I Can Still Make The Hearts Of Men Beat Faster.

... Actors Of The First Water Are Not More Plentiful Than Playwrights Of Genius.

We Must Live For The Few Who Know And Appreciate Us, Who Judge And Absolve Us, And For Whom We Have The Same Affection And Indulgence. The Rest I Look Upon As A Mere Crowd, Lively Or Sad, Loyal Or Corrupt, From Whom There Is Nothing To Be Expected But Fleeting Emotions, Either Pleasant Or Unpleasant, Which Leave No Trace Behind Them.

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We Ought To Hate Very Rarely, As It Is Too Fatiguing; Remain Indifferent To A Great Deal, Forgive Often And Never Forget.

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Those Who Know The Joys And Miseries Of Celebrities When They Have Passed The Age Of Forty Know How To Defend Themselves.

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The Artist's Personality Must Be Left In His Dressing-room; His Soul Must Be Denuded Of Its Own Sensations And Clothed With The Base Or Noble Qualities He Is Called Upon To Exhibit.... [he] Must Leave Behind Him The Cares And Vexations Of Life, Throw Aside His Personality For Several Hours, And Move In The Dream Of Another Life, Forgetting Everything.

To Be A Good Actor... It Is Necessary To Have A Firmly Tempered Soul, To Be Surprised At Nothing, To Resume Each Minute The Laborious Task That Has Barely Just Been Finished.

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Alas, We Are The Victims Of Advertisement. Those Who Taste The Joys And Sorrows Of Fame When They Have Passed Forty, Know How To Look After Themselves. They Know What Is Concealed Beneath The Flowers, And What The Gossip, The Calumnies, And The Praise Are Worth. But As For Those Who Win Fame When They Are Twenty, They Know Nothing, And Are Caught Up In The Whirlpool.

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The Monster Of Advertisement...is A Sort Of Octopus With Innumerable Tentacles. It Throws Out To Right And Left, In Front And Behind, Its Clammy Arms, And Gathers In, Through Its Thousand Little Suckers, All The Gossip And Slander And Praise Afloat.

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