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And So, In Terms Of Setting The Right Tone And Finding A Way Of Presenting All Of These Things, That Creates A Cohesive Whole And Doesn't Alienate The Audience, Is Tough. That's A Challenge. And I Think The Tone Of A Lot Of Shows Is Discovered Through Experimentation And Actually Making It. Eventually, It Starts To Cohere.

-Michael Sheen

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And So, In Terms

Michael Sheen

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And So, In Terms Of Setting The Right Tone And Finding A Way Of Presenting All Of These Things, That Creates A Cohesive Whole And Doesn't Alienate The Audience, Is Tough. That's A Challenge. And I Think The Tone Of A Lot Of Shows Is Discovered Through Experimentation And Actually Making It. Eventually, It Starts To Cohere.

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It's Funny The More Technological Advanced Everything Gets, The More Like Acting In Your Bedroom When You're A Kid It Is.

My Chief Gifts Are - Naturally Good At All Sports With A Raw Talent For Pretty Much Everything, Which If Nurtured Could Develop Into Improper Talent.

I Find Increasingly That The More Extreme Are The Things Going On In Your Life, The More Cultural Reference Points Fail You. More Mythical Reference Points Actually Help, And You Realize That's What Myths Are For. It's For Human Beings To Process Their Experience In Extremis.

Stories Have Always Been The Things That Entertain Me And Make Me Feel Happy And Sad And Move Me And Give Me The Experience Of Being Able To Live Many Lives In One Lifetime. It's The Best Thing About Being Alive.

When You're Working On Something Where There's Usually One Sex Scene In The Film, It All Gets A Little Bit Of A Gray Area And People Get A Bit Uncomfortable And Awkward. You Just Get Through It. But, It Became Very Clear On This That That Can't Happen. There Can't Be Any Gray Areas On This Because There Are Actors And Actresses Coming In For A Day Or A Couple Of Days, As Well As People Who Are There Regularly.

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I Live A Very Kenneth Williams-like Existence.

We Knew, Very Early On, That We Had To Be Very, Very Clear That Directors Need To Speak To Actors And Actresses And Be Very Clear About What Is Expected, And Find Out Whether They're Comfortable With That. Wardrobe Has To Be In Place. There Have To Be Checks.

I Think I'm Becoming More Relaxed In Front Of A Camera. I Suppose I'll Always Feel Slightly More At Home On Stage. It's More Of An Actor's Medium. You Are Your Own Editor, Nobody Else Is Choosing What Is Being Seen Of You.

In Terms Of How Prudish Americans Were In The '40s And '50s, I Have Absolutely No Idea. I Do Know About The Character That I Play. And I Don't Think It's About Being Prudish. I Think It's About Trying To Balance A Sense Of Control In This Man's Life.

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I Suppose I've Got A Reputation For Playing Quite Extreme Characters And Making Them Quite Believable.

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Hopefully, Any Character I Play Has An Anchor In Reality. The More Fantastical Characters, Or Fantastical Worlds That They Inhabit Are Really Fun And Allow You, In Some Ways, To Tell Stories And Reveal Things About Our Lives That Would Be Harder To Take, In A More Realistic Setting.

I Think When You Work On A Woody Allen Film The Actors Become A Real Company, Probably More Than On Any Other Film.

I Suppose I'm Something Of An Eccentric Dresser.

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And So, In Terms Of Setting The Right Tone And Finding A Way Of Presenting All Of These Things, That Creates A Cohesive Whole And Doesn't Alienate The Audience, Is Tough. That's A Challenge. And I Think The Tone Of A Lot Of Shows Is Discovered Through Experimentation And Actually Making It. Eventually, It Starts To Cohere.

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