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One Of The Sad Things About This Political Season Is That It Allows [requires] Us To Get Behind Our Big "liberal" Or "conservative" Banner And Forget, For A Time, That The Big Problems In Our Country Have Been Around A Long Time And Have Been Batted Back And Forth, Caused And Exacerbated, By Both Sides, And Are More Spiritual Or Ethical Than [merely] Political.

-George Saunders

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One Of The Sad

George Saunders

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One Of The Sad Things About This Political Season Is That It Allows [requires] Us To Get Behind Our Big "liberal" Or "conservative" Banner And Forget, For A Time, That The Big Problems In Our Country Have Been Around A Long Time And Have Been Batted Back And Forth, Caused And Exacerbated, By Both Sides, And Are More Spiritual Or Ethical Than [merely] Political.

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I'm Starting To Withdraw From [technology] As Much As I Can. I Don't Do Much Of The Social Media Stuff. Like, If I'm On Facebook, It Changes My Relation To The Real World In A Way That Makes Me Feel Sick - Almost Like I've Had Too Much Sugar Or Something.

In Catholicism, We Would Say You're Going To Be Judged, So Therefore You Should Do Better Now. For Me, Buddhism Is Somewhat More Workable Because Instead Of Saying I Have To Do Good, It Says I Have To Notice What I'm Actually Doing.

Do Those Things That Incline You Toward The Big Questions, And Avoid The Things That Would Reduce You And Make You Trivial.

One Of The Ways That We Cope With Anxiety Is By Over Planning And Over Controlling. If We Know Where It's Going To, We Can Just Relax And Do It. Unfortunately, In My Experience, That's Not The Way It Works. The Story Doesn't Want To Be Told What To Do. You Have To Enter Into This Process With A High Level Of Trust That The Many Hours Of Choosing That You're Doing Every Day Will Gradually Clarify The Narrative For You. And That's What Happens.

I'm Repledging Myself To Human-scale Values. As A Fiction Writer, The Best Data Comes Through The Senses And Is Then Processed Through Many Revisions. We Have To Learn To Be Intelligent Assessors Of The Data Coming In To Us And What It's Doing To Our Mental Process.

The One Thing About A Christmas Carol That Always Bothers Me Is That Cratchit Is So Sweet And Perfect. He's Like An Ivy League Kid Who Just Is Labeled "poor." He Doesn't Have Any Bad Habits. He's Never Cranky With His Kids.

Why Were We Put Here, So Inclined To Love, When End Of Our Story = Death? That Harsh. That Cruel. Do Not Like.

I Think When You Get To Export Your Creative Impulse Into Something, It Kind Of Lessens That Busy Energy That Can Be So Confrontational And Pissy.

I Read Rand And Thought, "i Want To Be One Of The Earth Movers, The Scientific People Who Power The World. I Don't Want To Be One Of These Lisping Liberal Artsy Leeches." So I Was Working Against My Actual Abilities.

A Culture's Ability To Understand The World And Itself Is Critical To Its Survival. But Today We Are Led Into The Arena Of Public Debate By Seers Whose Main Gift Is Their Ability To Compel People To Continue To Watch Them.

The Internet Kind Of Feels Like Happiness Sometimes, However. It Feels Like Stimulation.

Whether You're Eighteen Or Sixty, In A Certain Way, Whatever You Know Is Valid.

I Think It Was A Big Revelation To Me Earlier In My Life That People Who Appear To Be Evil Are Actually Not. In Other Words, Nobody Wakes Up In The Morning And Says, "yuck, Yuck, Yuck, I'm Gonna Be Evil."

If You Could Press A Button And Your Ego Investment Was Less, The Toothache Would Be Less. Or Less Tragic At Least.

I Would Say One Thing Writing This Book [lincoln In The Bardo] Did For Me Was Underscore The Fact That This Issue [all Men Are Created Equal] Has Never Been Properly Addressed And It Hasn't Gone Away.

Being In Church So Often, Spending Those Hours Sitting In Front Of A Highly Symbolic Array Of Objects, Hearing Those Beautiful Texts - It Teaches A Kid That There Are Important Truths Beyond The Literal Ones, And That We Have Ways To Access Those Truths That Are, Let's Say, Super-rational.

I Sometimes Imagine A Great Writer As A Sort Of God-surrogate: The Writer Is Doing His Or Her Human-best To Emulate What God Might Think Of Is, If God Was Inclined To Observe Some Human Beings And Present Their Activities In The Form Of A Narrative.

Do All The Other Things, The Ambitious Things - Travel, Get Rich, Get Famous, Innovate, Lead, Fall In Love, Make And Lose Fortunes...but As You Do, To The Extent That You Can, Err In The Direction Of Kindness.

Falling In Love

The Idea Is That What An Artist Lives Through Should Broaden His Notion Of What It Is Possible For A Human Being To Live Through, And That New Understanding Should Then Get Into And Expand The Work.

I Think We Need Leadership That Can Gently And With Affection Remind Us Of What We Americans Mostly Agree Upon: Civility, Kindness, Tolerance, Humour, Et Cetera. The Current Trump Administration Seems To Thrive On Trying To Enforce A Very Odd, Fearful Agenda, That It Tries To Disguise In A False Garment Of Fondness For The Working-class - Despite The Fact That Its Policies Seem Designed To Continue The Decades-long Habit Of Marginalizing That Group.

To Me, The Process Of Writing Is Just Reading What I've Written And - Like Running Your Hand Over One Of Those Mod Glass Stovetops To Find Where The Heat Is - Looking For Where The Energy Is In The Prose, Then Going In The Direction Of That. It's An Exercise In Being Open To Whatever Is There.

I Think Something That I Can't Name About Our Media Has Made Us Move Away From That Kind Of Specificity And That Kind Of Curiosity.

Maybe You Could Even Think 100,000 People Are Inside Each Human Being. And You Drop A Novel On That Person, And A Certain Number Of Those Sub-people Come Alive Or Get Reenergized For Some Finite Time.

I Love The Feeling Of Being On The Hunt - The Feeling That The Story Is Refusing To Be Solved In Some Lesser Way And Is Insisting That You See It On Its Highest Terms.

Later, I Went One Step Further, By Putting In Some Invented "historical" Bits [into The Lincoln In The Bardo]. And Reading Those Alongside The Actual Historical Bits Was Like Looking Into A Sort Of A Painful Mirror, Because "my" Parts Were So Show-offy At First. They Stood Out Because They Were So Flamboyant.

All Along, My Mantra Was: Don't Write Unless It Contributes To The Emotion, And Do Anything You Do In Service Of The Emotion Only.

You Can Say You're A Liberal And Everybody Laughs And It's A Good Time.

Monologues, In Some Ways, Are The Most Scientific Descriptions Of Consciousness And Even Of Gatherings.

Twitter Is A Deliberate Abstention. Somehow I Hate The Idea Of There Always Being, In The Back Of My Mind, This Little Voice Saying: 'oh, I Should Tweet About This.'

I Am Always Considering The Reader. Although This Is Admittedly Kind Of Odd: Which Reader? On What Day? In What Mood? For Me, That "reader" Is Actually Just Me, If I Had Never Read The Story Before.

I Think That Feels Like It To Me. I Mean Whenever You Talk About Writing I Think You Have To Remember That It All Has A Big Question Mark Over It - Every Word Has A Big Question Mark Over It.

I Know That My Only Chance At Any Kind Of Depth Or Profundity Is To Linger Within The Story, Trying To Make It Distinguish Itself.

You Don't Want To Spend Your Life Writing About Stuff That Doesn't Matter. You Want To Try To Pull Out Of The Temporal Mediocre And Write In A Way That Is Meaningful To Everybody. This Goes Back To This Idea Of Being Intimate With Your Reader. Since We're All Down Here And We're All Dying And Aspiring And Loving And Feeling Inadequate, All These Things That We All Are Doing All The Time, What A Relief It Is, When Somebody Looks At You And Says, "yeah, Me Too."

I Used To Joke About This But I've Recently Realized That I Really Believe It: I Spent Many Years Training Myself To Write Very Slowly For Pretty Good Money. So The Idea Of Writing Really Quickly For Free Offends Me.

America, To Me, Should Be Shouting All The Time, A Bunch Of Shouting Voices, Most Of Them Wrong, Some Of Them Nuts, But Please, Not Just One Droning Glamourous Reasonable Voice.

When You Talk About A Reader Being Emotionally Moved, A Feeling Of Empathy, I Think That Comes Out Of That Line-by-line Respect For Reader. That's Actually Where It All Comes From.

Goodbye. I'm Leaving Because I'm Bored.

Now, We Don't Really Believe These Things - Intellectually We Know Better - But We Believe Them Viscerally, And Live By Them, And They Cause Us To Prioritize Our Own Needs Over The Needs Of Others, Even Though What We Really Want, In Our Hearts, Is To Be Less Selfish, More Aware Of What's Actually Happening In The Present Moment, More Open, And More Loving.

Whatever Happens, We Can Deal With It If We Admit That It's Happening And So On. So To Be Comfortable With What Is - That Is A Real Superpower.

Whatever Happens

Nothing Will Turn You Into A Civil War Buff Like Five Years Of Reading. Some Of The Letters That People Wrote From That Time Are So Deep And So Beautifully Articulate. And You Realize, Especially With The Stuff That's Going On Now In America, That It's Always Been Chaos - People Were Disagreeing At Least As Much As They Are Now And 20,000 People Would Die In A Day. It's The Scale That's Amazing, And Also The Proximity To Our Own Time.

The Only Thing I Might Have Noticed [and This Is Pretty Anecdotal] Is That There Is Some Tendency To Need To Be Taught That 'writing Is Rewriting' - Maybe More Of A Sense Than Was Pervasive 10 Years Ago That The First Or Second Pass Of A Story Is Sufficient. That Is An Idea That Is Easily Dislodged, But I Suspect It Might Have Something To Do With The Turnaround Time Re: Blogging And So On - This Sense That There Is Some Essential Truth About A First Draft That One Runs The Risk Of "ruining" By Coming Back To It.

I Think Even Like Saddam Hussein Or Hitler Would Wake Up And Say, "i Think It's Going To Be A Good Day. I'm Gonna Do Some Really Important Work." And Given Their Definition Of Good, They Went Out And Did Horrible Things.

There Are Books That I Read Years Ago That Enlivened Things In Me That Haven't Died Yet.

Reading Is A Form Of Prayer, A Guided Meditation That Briefly Makes Us Believe We're Someone Else, Disrupting The Delusion That We're Permanent And At The Center Of The Universe. Suddenly (we're Saved!) Other People Are Real Again, And We're Fond Of Them.

When You Read A Short Story, You Come Out A Little More Aware And A Little More In Love With The World Around You. What I Want Is To Have The Reader Come Out Just 6 Percent More Awake To The World.

I Actually Believe That A Lot Of What People Call Originality Has To Do With Persistence In The Craft.

This Whole Literary Game Of Trying To Put Yourself In The Shoes Of Your Opponent Is Good For Everybody. It Leaves You More Open-hearted, It Gives You A More Accurate Vision Of The Other Person, Because It's More Based On Curiosity Than Projection. In The End If You Do Have To Fight, You're Better Equipped To Fight. Also It Doesn't Leave You Damaged At The End, It Doesn't Leave You Hateful Or Malformed By Your Own Anger.

I'm Such A Baby If I Even Get A Flu.

What I Regret Most In My Life Are Failures Of Kindness.

Developing Our Sympathetic Compassion Is Not Only Possible But The Only Reason For Us To Be Here On Earth.

I Often Think About Image, And Image Is Something That - But In Truth, The Real Artistic Process, As I've Understood It, Is 95 Percent Intuitive, Like Seat-of-the-pants, At-the-moment Decisions That You Can't Even Explain, You Know?

It's A Time When A Lot Of Principle Virtues Are Being Tested. Do We Still Believe In The Truth? Do We Still Believe In Empathy? Do We Still Believe The Protection Of The Weakest Among Us? These Are Yes Or No Questions, But The Means Of Communication Is All Tied Up With Those Virtues And You Can't Abandon Those Virtues As You Pursue Them.

I Turned 54 This Year And I Find Myself Feeling Like I'm In A Bit Of A Race To Get Down On Paper The Way I Really Feel About Life - Or The Way It Has Presented To Me. And Because It Has Presented To Me Very Beautifully, This Is Hard. It Is Technically Very Hard To Show Positive Manifestations.

In Fiction, Conceptualizing, I've Found, Produces Dull And Over-controlled Text.

This - Where We Are Now - Is Where A Culture Gets To, When It Has Chosen, For Many Years, Banality Over Intelligence, The Literal Over The Immaterial Or Complex, Materialism Over Spirituality. This Is The Result Of Many Years Of Disrespecting The Intellectual Project - Of A Collective Acceptance Of The Idea That Thinking And Reasoning And Reading Deeply In Difficult Text And Being Respectful Of History Are Somehow "wimpy" Or Secondary.

To Me That Really Would Be The Essence Of Kindness, To Have One's Awareness So Developed And Refined That You Could Tell Just What Was Needed, And Not Do Any More Or Any Less, And Maybe Not Even Be Aware Of What You Had Done, Except It Would Be A Helpful Thing Because Of How Fully Present You Were. Well, As Aerosmith Once Famously Said: Dream On.

I Love The Idea That More People Would Read Short Fiction. I Think It's Such A Humanizing Form. It Softens The Boundaries Between People.

All Traditions Are Also Full Of Meanness For The Sake Of Meanness.

I'm Finding, As I Get Older, That I'm Not Much Of A Believer In Redemption. I Mean, I Believe In Redemption In Real Life - Redemption Does Happen, And It's Cool When It Does - But I Find Myself Getting Leery Of My Desire For It In Stories (especially My Own).

The Bottom Line For Me Is That Life Is Short And Art Is Long.

I'm Very Happy - If I Can Do Even A Little Bit Of Work To Get The Short Story Out More, I'm Thrilled.

The Idea Of Inclusion Has Become Kind Of A Stone That We've Passed Our Hand Over So Many Times That It Doesn't Mean Anything.

There's A Really Nice Moment In The Life Of A Piece Of Writing Where The Writer Starts To Get A Feeling Of It Outgrowing Him - Or He Starts To See It Having A Life Of Its Own That Doesn't Have Anything To Do With His Ego Or His Desire To 'be A Good Writer'.

Sometimes I Think Fiction Exists To Model The Way God Might Think Of Us, If God Had The Time And Inclination To Do So.

What Was Fun For Me With This Book [lincoln In The Bardo] Was To Start Out With The Principle That Went, "we're Going To Fight Every Day To Make This Not A Novel; Make It Too Short To Be A Novel." And Then With That Principle In Place, The Book Sort Of Starts To Say, "okay, But I Really Need This. I Really Need Some Historical Nuggets." And You're Like, "all Right, But Keep It Under Control."

Whatever Happens When We Die, It Would Be Really Weird If It Was What We Had Expected. Even If You Were A Lifelong Christian Believer, It Would Be Kind Of Weird If There Actually Were Pearly Gates.

So, Good News/bad News: Good News That I'm Progressing; Bad News That Life Is Short And Art Is Long.

I Believe That, When [meeting Of Writer And Reader] Happens And The Reader Goes Out Into The World The Next Day, There's Some Alteration That Might Possibly Inflect The Person Positively.

Success Is Like A Mountain In Front Of You That Keeps Growing. If You're Not Careful, It Will Take Up Your Whole Life.

From Across The Woods, As If By Common Accord, Birds Left Their Trees And Darted Upward. I Joined Them, Flew Amount Them, They Did Not Recognize Me As Something Apart From Them, And I Was Happy, So Happy, Because For The First Time In Years, And Forevermore, I Had Not Killed, And Never Would.

Whatever Your Supposed Politics Are - Left, Right - If You Put It In A Human Connection, Most People Will Rise To The Occasion And Feel The Human Pain In A Way That They Might Not If It Was Presented In A More Conceptual Way.

When I Wrote That [donald] Trump Piece, I Had This Uncomfortable Experience Of Sensing A Lot Of Things That Were Nascent, That I Couldn't Quite Articulate. And One Of Them Was This Move Toward Anti-intellectualism. An Anti-love Move, Even.

The Writer Has To Make Pleasure For The Reader - Which, I Think, Is Done By Taking One's Character's Seriously And Taking One's Readers Seriously -don't Condescend Or Try To Be Tricky. Be A Friend To Your Reader - I'd Say That's A Pretty Good First Step.

I've Always Wanted To Write Energetic, Atypical Sentences, I.e., Sentences That Were Not Normal Or Bland.

When I Write I Know That I'm Going To Have To Produce 40 Percent More Than I Need.

Intelligent, Heartfelt Stories That Tell A Whole New Set Of Truths About Growing Up American. Julie Orringer Writes With Virtuosity And Depth About The Fears, Cruelties, And Humiliations Of Childhood, But Then Does That Rarest, And More Difficult, Thing: Writes Equally Beautifully About The Moments Of Victory And Transcendence.

One Of The Revelations In That Book [lincoln In The Bardo] For Me Was This Idea About Citizenship. Even That Word - Citizenship - For Someone My Age, It Makes Me Cringe. But, To Me, The Political Space We're In Now Argues For A Reboot Of Fairly Simple Ideas And The Examination Of The Way That Americans Have Not Been Living Into Them.

I Think It's Basically The Same Game, Although With A Public Figure Like [donald] Trump I Think You Are Bound To Consider The Public Persona Rather Than The Private One. At Least That Was The Case With That Piece Of Writing.

The Story Sometimes Writes You Into A Corner.

My Go-to Default Is To Try To Be Nice, Which I Feel Does Less Harm In The Long Run Than Trying To Be, Say, Assertive. If I Am Nice And Maybe Too Passive, I Find That Easier To Live With.

I Have Lunch, Flirt With Some Local Grandmothers, Undercut My Flirting By Crotching Myself On The Corner Of A Table As I Leave. -- "the Great Divider

Compassion Doesn't Have To Be Weak Or Enabling; It Can Also Be Quite Bold.

Every Writer Has To Find The Thing To Keep Her Eye On About Which She Has Strong Opinions. That's Of Course Deeply Personal, But The Nice Thing Is That It Has To Do With Joy Rather Than Fear. It Has To Do With You. If You're Funny, Your Method Will Be To Try To Be Funnier. Which Again Is Empowering I Think.

I Think It Was A Big Revelation To Me Earlier In My Life That People Who Appear To Be Evil Are Actually Not. In Other Words, Nobody Wakes Up In The Morning And Says, "yuck, Yuck, Yuck, I'm Gonna Be Evil." I Think Even Like Saddam Hussein Or Hitler Would Wake Up And Say, "i Think It's Going To Be A Good Day. I'm Gonna Do Some Really Important Work." And Given Their Definition Of Good, They Went Out And Did Horrible Things.

I'm A Big Fan Of The Russians: Isaac Babel Is Just An Exquisite Line-to-line Stylist.

I See That Being Looked At Askance As A Form Of Elitism Now, Which Is Really Scary.

I'm A Big Lover Of America. I Love The People, But Also The Weird Berms, The Strange Little High Schools Tucked Away In Different Places, And Just The Whole Geography And The Psychological Apparatus Of Americans.

That's The Only Way That I Can Figure Out How To Live, Is To Say, "well, I Don't Know What This Adds Up To, But I Can Do The Best I Can."

I Think The Biggest Single Issue Is Income Inequity And What This Is Doing To The Good Old "american Dream." This And Corporatism - This Delusional Idea That "shareholder Value" Outweighs Everything Else.

Positive Human Action Is Not Only Possible, But Pervasive; Human Beings Can Improve And Choose Light And So On. And This Is All Happening.

There's Also A Way That You Have Of Being Precise But Also Allusive, That Works Well For Me - It's Something About The Open-hearted Way You Frame Your Queries. Instead Of Feeling Daunted Or Discouraged, I Feel Excited To Give Whatever It Is A Try. This Takes A Lot Of Editorial Wisdom And Confidence - To Know Just How To Get The Writer To Take That Extra Chance.

I'm From A Pretty Working-class Background, And I Really Worked Hard In My Life To Eradicate Those Parts Of Myself That Were Stupidly Trapped In That World.those Of Us Who Come Up That Way Made A Series Of Choices To Benefit Ourselves And Make Ourselves More Generous And Open.

I Think The Trick Of Being A Writer Is To Basically Put Your Cards Out There All The Time And Be Willing To Be As In The Dark About What Happens Next As Your Reader Would Be At That Time. And Then You Can Really Surprise Yourself. There's That Cliche, "no Surprise For The Writer, No Surprise For The Reader!"

I'm Always Nice When I Do Drugs. But, You Know, I'm Nicer On The Drug Called "writing."

Every Step Was A Victory. He Had To Remember That.

I Know This Will Sound Naïve, But I Often Wonder What America Would Be Like If Our National Ethos Was Simply To Minimize Suffering. Period. To Try, Every Day, To Convert Our Wonderful Wealth And National Energy Into The Cessation Of Suffering Wherever We Find It. Imagine If That Was Our National Mindset. Well, We Can-we Must-dream.

I See This Quality [real Interest And Joy] In The Work Of [pavel] Chekhov, Of Course, And [alexei] Tolstoy And Really Just About Any Great Writer.

That Luminous Part Of You That Exists Beyond Personality - Your Soul, If You Will - Is As Bright And Shining As Any That Has Ever Been. Bright As Shakespeare’s, Bright As Gandhi’s, Bright As Mother Theresa’s. Clear Away Everything That Keeps You Separate From This Secret Luminous Place. Believe It Exists, Come To Know It Better, Nurture It, Share Its Fruits Tirelessly.

She Said America Was A Spoiled Child Ignorant Of Grief.

I Knew If I Evoked That Stuff Too Easily Or Gratuitously, As A Way Of Assuaging My Fears Of Not Being Edgy Or Whatever, The Writing Would Fall Apart. This Book [lincoln In The Bardo] Was Going To Have To Have Some Earnestness In It.

I Have This Tendency To Take A Little Bit Of Questionable Knowledge And Riff On It.

The Writer, In Order To Proceed, Is Theoretically Trying To Predict Where His Complex Skein Of Language And Image Has Left His Reader, Who He Has Likely Never Met And Who Is Actually Thousands Of Readers.

I Love Story-writing Because I Can (more Or Less, On Occasion) Actually Do It. That's Really The Truth. I Like The Idea That A Story Is Sort Of A Site For Making Cool Language Effects - A Site For Celebrating Language, And, Therefore, The World. And The Brevity Is Part Of The Challenge. I Like Stories Because I Get Them - I Know How To Make Beauty, Or Something Like Beauty, In That Mode.

Vonnegut's War Was Necessary. And Yet It Was Massacre And Screaming And Confusion And Blood And Death. It Was The Mammoth Projection Outward Of The Confused Inner Life Of Men. In War, The Sad Tidy Constructs We Make To Help Us Believe Life Is Orderly And Controllable Are Roughly Thrown Aside Like The Delusions They Are. In War, Love Is Outed As An Insane, Insupportable Emotion, A Kind Of Luxury Emotion, Because Everywhere You Look, Someone Beloved To Someone Is Being Slaughtered, By Someone Whose Own Beloved Has Been Slaughtered, Or Will Be, Or Could Be.

The One Thing Fiction And Non-fiction Writing Have In Common For Me Is That Sense Of Trying To Get The Sentences To Be Minimal But At The Same Time Be A Little Overfull - To Encourage Them To Do A Kind Of Poetic Work.

Someone Told Me Once - I Mean I Said, "is It Ok That I Don't Really Know What The Three-act Structure Is?" And He Said, "it's Basically: Act 1: A Guy Climbs Up A Tree; Act 2: People Come And Throw Stuff At Him; Act 3: He Gets Down."

I Was Trained In Seismic Prospecting. We'd Drill A Deep Hole And Put Dynamite In The Bottom And Blow It Up Remotely, Which Would Give You A Cross-sectional Picture Of The Subsurface, Which Tells You Where To Drill.

With Non-fiction Writing I Feel Like I'm Confined And Driven By What Actually Happened. That Makes The "plot". So It's A Process Of Getting All Of My Notes Typed Up, Then Scanning Through The Notes, Trying To Extract Or Find Certain Vignettes That Seem Like They Might Write Well - That Might Have A Potential For Good Energy, Shape, Etc. And Then At Some Point I Start Stringing These Together, Keeping An Eye On The Word Count.

Even The Written History [of Abraham Lincoln's Times] Is Poorly Understood By Most People.

Don't Be Afraid To Be Confused. Try To Remain Permanently Confused. Anything Is Possible.

When You Do Something That's Going To Speak To People, It's Going To Be Because You're Really Allowing All Of Yourself To The Table In An Accepting Way.

My Idea About Collections Is That You Write As Hard As You Can For Some Period And What You're Really Doing During That Time Is Hyper-focusing On The Individual Pieces - Trying To Make Each One Sit Up And Really Do Some Surprising Work.

Writing And Reading And Speaking With Specificity And Skill Has Never Seen More Important To Me Than It Does At This Moment. It's What's Between Us And Chaos.

In My Personal And Spiritual Life, I Reject That. I Don't Believe In That. I'm Always Trying To Get My Mind Into A Less Judgmental Place, Making Less Rigid Judgments About Things Like "perverse" Versus "pure." But In Terms Of Prose, Those Sorts Of Oppositions Seem To Work.

My Mind Has An Obsessive, Neurotic Quality, But I Also Have A Very Hard Work Ethic. I Know That A Lot Of People Think, Oh, You Have A Wild Imagination. I Don't, Really. If Ten People Are Sitting Around And Someone Says, "hey Complete This Sentence In A Funny Way," I'm Never Ahead Of The Pack.

Wild Imagination

I Think The Wave Of Social Media Rejection Is Coming. I Think There Will Be A Big Reaction Against It. It's Just Like Sugar- - Mean, I Loved It As A Kid.

What Really Interests Me, On A Deeper Level, Is How Our Information Is Coming To Us In Some Kind Of Messed Up Way That Is Making Us Idiotic. I Don't Think We've Become More Idiotic Than We Always Were, But I Think The Information Transfer Is Funky. The Shorthand Of It Is That Social Media Is Making Us Mentally Insane.

More And More These Days What I Find Myself Doing In My Stories Is Making A Representation Of Goodness And A Representation Of Evil And Then Having Those Two Run At Each Other Full-speed, Like A Couple Of Peewee Football Players, To See What Happens. Who Stays Standing? Whose Helmet Goes Flying Off?

I Think That's One Of The Maybe Under-discussed Aspects Of Process - The Difference Between A Good Writing Day And A Bad One Is The Quality Of The Split-second Decisions You Made.

It Is Technically Very Hard To Show Positive Manifestations. But I Can Look Back At The Way I Thought And Felt Even As A Little Kid And There Was A Lot Of Wonder There, And Openness To The Many Sides Of Life.

I Have Been Married To My Wife, Paula, For 25 Years. We Have Wonderful Kids. Things Are - It's Been A Really Rich Life, So I Started Thinking, Is There A Way To Get Valence A Little More Into The Stories, The Idea That, Yes, Things Can Go Wrong, But Also They Can Go Right.

I Don't Like That New Age Posture Where You Kind Of Tilt Your Head. I Don't Like That Posture Right Now. I Want Something A Little More Confident And More Sure Of The Values That We're Defending, Which Are The Old Ones, Love And Empathy And Patience And Tolerance And Civility. Not To Get Into Politics Or Anything.

As The Writer Of This Book [lincoln In The Bardo], What I Loved Was The Feeling Of Having So Many Surprises Come At The End That I Hadn't Really Planned Or Planted.

My View Is That Our Minds Are Incredibly Powerful Animals That Are, During Life, Kept Somewhat In Check By The Load Of Our Bodies. Once That Load Is Gone (or So Some Ancient Texts Teach Us) The Mind Is Like A Horse Off The Tether. So The Habits We Get Into Here Might Have Something To Do With What Happens To Us Afterwards. An Exciting But Harrowing Idea, Given The Everyday State Of My Mind. But Also Hopeful, Since That's Something A Person Can Work With.

I Think The Path For A Young Writer Might Be One That Says, "i Have To Accept Myself, This Is What I Am. I Can't Eradicate My Defects. I Can Work On Them."

In My Work, And In My Psyche, There's Some Very Sentimental, Traditional, Conventional Side That's Always In Argument With A More Radical, Sarcastic Side. Some Of My Stories Are Really Sentimental, But They're Layered Over With Weird, Satirical Stuff.

One Of The Principals Of Composition, I Would Say, In Fiction, Is You Want To Do What You Can Do A Lot Of. You Want To Do What You're Enthusiastic About And What Rings Your Bell. In This Case, Almost Every Decision I Made Was On That Basis.

Some Of Our Writers Are Starting To Incorporate Elements Of Social Media, Etc. In The Work Itself, Which Is All For The Good, I Think - Finding New Ways Of Being Poetic.

And So, A Prediction, And My Heartfelt Wish For You: As You Get Older, Your Self Will Diminish And You Will Grow In Love. You Will Gradually Be Replaced By Love. If You Have Kids, That Will Be A Huge Moment In Your Process Of Self-diminishment. You Really Won't Care What Happens To You, As Long As They Benefit. That's One Reason Your Parents Are So Proud And Happy Today. One Of Their Fondest Dreams Has Come True: You Have Accomplished Something Difficult And Tangible That Has Enlarged You As A Person And Will Make Your Life Better, From Here On In, Forever.

So Here's Something I Know To Be True, Although It's A Little Corny, And I Don't Quite Know What To Do With It.

My Mind Goes Really Quickly And I Tend To Talk Really Fast, As You've Probably Heard, I Sometimes Lose Track Of My Syntax, As I'm Talking That Fast. The Only Thing I Try To Do, Well, It's Slow Down, But Also I Do Something When I'm Reading That's Similar To When I'm Writing A Section, Which Is To Really Try To Imagine You On The Other Side, In A Certain Way, As An Intelligent, Sympathetic Presence Who's Rooting For Me To Tell You A Good Story.

The Artist's Job, I Think, Is To Be A Conduit For Mystery. To Intuit It, And Recognize That The Story-germ Has Some Inherent Mystery In It, And Sort Of Midwife That Mystery Into The Story In Such A Way That It Isn't Damaged In The Process, And May Even Get Heightened Or Refined.

"kindness" Can Mean A Lot Of Different Things. In This Case, I Felt I Had To Present His [donald Trump's] Supporters In As Fair A Light As Possible - Many Of Them Hadn't Been Interviewed Before And That Entailed Some Interviewer-courtesy In The Editing And So On.

I Don't Tend To Work Directly From Life, Except In Trying To Mimic Or Match The Outlines Of Its Insanity. In Other Words, When I Live Through Something, I Just Try To Say To Myself, "ok, Remember This - Life Is Really This Crazy Or Scary Or Beautiful Or Surprising - So Try To 'get At' That In Your Stories.

If You At Least Try To Do The Things That Excite You, It Will Make You A More Expansive And Present Person - You’ll Feel, At The End Of Your Life, That At Least You Took The Shot.

That's What A Story Must Feel Like To Me. It's Not, "i Want To Write About A Gravedigger." But You're Walking Along And - Boop! Shovel. "ok, What Does One Do With A Shovel? Digs A Hole. Why? I Don't Know Yet. Dig The Hole! Oh, Look A Body."

When I'm Not Writing, I Tend To Get Depressed And A Little Bit Surly. And Then When I'm Writing, Suddenly I Feel Enlivened. Now The Only Thing As I'm Getting Older That I Notice Is That It's A Pattern.

As Flannery O'connor Says, A Person Can Choose What She Writes But She Can't Choose What She Makes Live. Some People Are Really Acoustic Writers And So For Them The Secret Revision Is Sound. Other People May Revise In Terms Of The Way A Paragraph Feels. There's A Million Ways To Do It.

I Think Fiction Isn't So Good At Being For Or Against Things In General - The Rhetorical Argument A Short Story Can Make Is Only Actualized By The Accretion Of Particular Details, And The Specificity Of These Details Renders Whatever Conclusions The Story Reaches Invalid For Wider Application.

In The Buddhist Texts, Some Of Them Say, When You Die, Basically That Wild Horse Gets Cut Loose, And The Mind Is Incredibly Powerful And Expansive, Omniscient And Can Go Anywhere And See Anything, But - And This Is The Catch - It's Colored By The Habits Of Thought We Made In Life.

When You're Embarking On A Piece Of Writing, The Anxiety Is Just Too Much, Especially When You're Young And You're Trying To Figure Out If This Is Your Thing Or Not. You Feel Like, "if I Don't Write A Good Story, I Gotta Get Going To Law School!"

If You Want To Explore A Political Idea In The Highest Possible Way, You Embody It In The Personal, Because That's Something That No One Can Deny.

A John Updike Is A Once-in-a-generation Phenomenon, If That Generation Is Lucky: So Comfortable In So Many Genres, The Same Lively, Generous Intelligence Suffusing All He Did.

[in The Moment Of Reading Writer And Reader] Are Both Briefly Their Best Selves, Or At Least Better Selves. A Flawed Human Being Writes Something And 60 Years Later A Reader Picks Up The Book And Something In Them Rises To Meet It.

I Think About How I Conceptualize The Audience. The Trick Is That They've Got To Be Smarter And More Worldly Than Me. So As I'm Revising, I'm Keeping That In Mind. I Cannot Condescend, Even A Little Bit. Every Single Choice That I Make Is Motivated By That.

As Far As Which Writers Embody This Form Of Gentle Power - Tobias Wolff, For Sure. His Persona And His Writing Both Share An Easy, Capacious Confidence That Says He Has Faith In His Readers.

To Understand Any Plea For Further Consideration Of A Group You Don't Know Anything About To Be Some Form Of, Quote, Political Correctness. These Things Are Bubbling Right Under Us.

There Was One Sequence Of Days [making Lincoln In The Bardo] When I Had Halfway Decided To Use The Historical Nuggets, But I Wasn't Quite Sure It Would Work. I'd Be In My Room For Six Or Seven Hours, Cutting Up Bits Of Paper With Quotes And Arranging Them On The Floor, With This Little Voice In My Head Saying, "hey, This Isn't Writing!" But At The End Of That Day, I Felt That The Resulting Section Was Doing Important Emotional Work

So For Me The Approach Has Become To Go Into A Story Not Really Sure Of What I Want To Say, Try To Find Some Little Seed Crystal Of Interest, A Sentence Or An Image Or An Idea, And As Much As Possible Divest Myself Of Any Deep Ideas About It. And Then By This Process Of Revision, Mysteriously It Starts To Accrete Meanings As You Go.

Do Not Really Like Rich People, As They Make Us Poor People Feel Dopey And Inadequate. Not That We Are Poor. I Would Say We Are Middle. We Are Very, Very Lucky. I Know That. But Still, It Is Not Right That Rich People Make Us Middle People Feel Dopey And Inadequate.

Based On The Experience Of My Life, Which I Have Not Exactly Hit Out Of The Park, I Tend To Agree With That Thing About, If It's Not Broke, Don't Fix It. And Would Go Even Further To: Even If It Is Broke, Leave It Alone, You'll Probably Make It Worse.

I Think Each Writer Has To Seek Her Most Energetic Prose Style. She Has To Find A Way To Write So That Nobody Can Deny It.

I'm Turning 58, And You Get That Kind Of Weird, Old-guy Feeling Of You Don't Have An Infinite Number Of Years Left And If There's Anything You Want To Say Or Represent, It's Time To Try It.

All Of This Strife On The Political Front Might Just Be The Death Throes Of Another Set Of [less-honorable] American Beliefs, That Have, At Their Core, The Notion That Equality Is Something The Privileged Group "gives" To Those Not So Privileged - A Reaching Down, As It Were.

I Was Thinking About The Legacy Of Ghosts In Fiction, And Specifically The Moral Power Of Those Dickensian Ghosts. Because A Ghost Can Be A Very Powerful But Also Manipulative Element.

I've Had The Thought That A Person's 'artistic Vision' Is Really Just The Cumulative Combination Of Whatever Particular Stances He Has Sincerely Occupied During His Creative Life - Even If Some Of Those Might Appear Contradictory.

The Number Of Rooms In A Fictional House Should Be Inversely Proportional To The Years During Which The Couple Living In That House Enjoyed True Happiness.

I'm Not Thinking Much About Overall Themes Or Preoccupations Or Anything Like That. Instead I'm Just Trusting That, If I'm Working Hard, Various Notions And Riffs And Motifs And So On Are Very Naturally Suffusing The Stories And The Resulting Book.

I Always Cheerfully Say, "well, You Know, The Species Is Adapting, And Whatever It Needs To Do, It'll Do," But I Do Think It's Maybe A Little Bit Alarming. Everybody Knows That One Thing We Really Have To Do Is To Be More Wherever We Are, More Present, That's Just Kind Of A Commonplace. And The Whole Mobile Phone Thing Is Completely 100% The Opposite - To Never Be Where You Are Because You Can Always Be Somewhere Else; And Yet It's So Fun And Addictive.

I'm Fascinated With Actors, And I've Never Quite Understood The Process.

The Weird Thing Was That I Went To Trump Rallies Thinking I Was Going To Run Into Militant, Right Wing, Racist People And Mostly I Didn't. That Should Have Been A Clue To Me. The People I Talked To Were Not, On The Surface Level, Crazy. They Were Quite Nice, Quite Normal, Employed, And Actually Were Wealthier Than The Press At That Time Would Have Led Us To Believe. At That Time, The Narrative Was That These Were All Working Poor But These Were Not Working Poor. That Should've Been A Clue To Me That This Was A Little Bigger Than I Thought.

When You Write An Essay, Of Course You're Going To Get Pushback, But You're Going To Be Allowed To Make Your Case At Leisure. You're Going To Be Allowed To Take Into Account Possible Objections And To Fully Humanize Your Reader. That Feels To Me Like A Much More Sane Thing To Do.

Art Is Not Some Inessential Frippery - It Is The Nation's Means Of Intelligently Regarding Itself. To Cripple Or Stigmatize The Arts Is To Doom One's Nation To A Life Of Incuriosity, Dullness, Literalness And The Worst Kind Of Rank Materialism.

If Death Is In The Room, It's Pretty Interesting. But I Would Also Say That I'm Interested In Getting Myself To Believe That It's Going To Happen To Me. I'm Interested In It, Because If You're Not, You're Nuts. It's Really De Facto What We're Here To Find Out About.

I Still Believe That Capitalism Is Too Harsh And I Believe That, Even Within That, There Is A Lot Of Satisfaction And Beauty If You Happen To Be One Of The Lucky Ones, Although That Doesn't Eradicate The Reality Of The Suffering. It's All True At Once, Kind Of Humming And Sublime.

The Contours Of The Coming Disaster Expanded To Include The Deaths Of All Present.

When You're Out There In America, Meeting With Regular People, It's A Pretty Mellow, Relaxed, Kind-hearted Country. The Direction From The Top, From The President, Is Following Mean-spirited Tendencies: Fear And Undue Caution And Distrust Of The Other, So It's Very Depressing.

If You Understand Writing As Primarily Engaging An Imaginary Reader, Well, You've Kind Of Been Doing That Your Whole Life. You Walk Into A Room And You're Engaging With Imaginary Strangers Because You Don't Actually Know Who They Are. For Me, It Was Really Empowering To Say: This Is A Branch Of Entertainment And Communication And Engagement, As Opposed To Jumping Over Some Perceived Literary High Bar. That Was The Buzzkill.

When We Talk About Adversity, This Is The Moment When Character Really Gets Tested. When Things Aren't Going The Way You Want And You Can't See Anyway That They're Going To Go The Way You Want. That's Kind Of When Those Old Virtues Really Become Valuable And Vulnerable Also.

Fiction Is A Kind Of Compassion-generating Machine That Saves Us From Sloth. Is Life Kind Or Cruel? Yes, Literature Answers. Are People Good Or Bad? You Bet, Says Literature. But Unlike Other Systems Of Knowing, Literature Declines To Eradicate One Truth In Favor Of Another.

The Cool Parts - The Parts That Have Won Dubai Its Reputation As 'the Vegas Of The Middle East' Or 'the Venice Of The Middle East' Or 'the Disney World Of The Middle East, If Disney World Were The Size Of San Francisco And Out In A Desert' - Have Been Built In The Last Ten Years.

Whenever You Talk About Writing I Think You Have To Remember That It All Has A Big Question Mark Over It - Every Word Has A Big Question Mark Over It.

It Was Like Either: (a) I Was A Terrible Guy Who Was Knowingly Doing This Rotten Thing Over And Over, Or (b) It Wasn’t So Rotten, Really, Just Normal, And The Way To Confirm It Was Normal Was To Keep Doing It, Over And Over.

A Sort Of Fearlessness - The Notion That A Person Could Be Comfortable With (even Interested In) Whatever Arises. I Sure Can't Do It, But I Think All Of Us Have Had Little Glimpse Of That Power, Often When We Are Really Actively Loving Someone Or Something And Feel That Little Eradication Of Self That Happens When We Are Engaged In Feeling Protective Or Especially Fond Of Someone Else. I Associate That Feeling With A Corresponding Clarity Of Purpose And A Disappearance Of Confusion.

Clarity Of Purpose

Chekhov - Shall I Be Blunt? - Is The Greatest Short Story Writer Who Ever Lived.

I'm Comfortable With Anything After The Fact.

I've Noticed That Nowadays I'm Doing A Lot Of Stuff On The Phone And On The Computer, Which I Usually Wouldn't Do Earlier. And I Can Feel My Brain Being Rewired: I'm Getting Anxious, I'm Getting More Manic. Now, I'm An Extreme Case Because I'm Old And I'm Overdoing It. But Still, It's Really Interesting That I Can Actually Feel A Change In My Neurochemistry From This Interaction With The Technology.

I Have A Sense That God Is Unfair And Preferentially Punishes His Weak, His Dumb, His Fat, His Lazy. I Believe He Takes More Pleasure In His Perfect Creatures, And Cheers Them On Like A Brainless Dad As They Run Roughshod Over The Rest Of Us. He Gives Us A Need For Love, And No Way To Get Any. He Gives Us A Desire To Be Liked, And Personal Attributes That Make Us Utterly Unlikable. Having Placed His Flawed And Needy Children In A World Of Exacting Specifications, He Deducts The Difference Between What We Have And What We Need From Our Hearts And Our Self-esteem And Our Mental Health.

Suddenly Absurdism Wasn’t An Intellectual Abstraction, It Was Actually Realism. You Could See The Way That Wealth Was Begetting Wealth, Wealth Was Begetting Comfort — And That The Cumulative Effect Of An Absence Of Wealth Was The Erosion Of Grace.

My Theory For Nonfiction Is That Nobody Can Be Free Of Some Kind Of Conceptions About Whatever Story They're Writing. But If You Can Find A Way To Build Those Into The Story, Then The Story Becomes A Process Of Deconstructing And Heightening And Sometimes Changing Those Notions And That Makes Dramatic Tension. The Initial Statement Of Your Position, And Then Letting Reality Act On You To Change It, Is Pretty Good Storytelling.

The Main Thing A Childhood In The Church Did For Me, I Think, Was Set Up The Universe As A Moral System. Once You've Seen It That Way, It Always Seems That Way.

If You Bring Forth What Is Within You, It Will Save You. If You Do Not Bring It Forth, It Will Destroy You.

What I Regret Most In My Life Are Failures Of Kindness. Those Moments When Another Human Being Was There, In Front Of Me, Suffering, And I Responded . . . Sensibly. Reservedly. Mildly.

There Comes That Phase In Life When, Tired Of Losing, You Decide To Stop Losing, Then Continue Losing. Then You Decide To Really Stop Losing, And Continue Losing. The Losing Goes On And On So Long You Begin To Watch With Curiosity, Wondering How Low You Can Go.

I Think In Our Time, You Know, So Much Of The Information We Get Is Pre-polarized. Fiction Has A Way Of Reminding Us That We Actually Are Very Similar In Our Emotions And Our Neurology And Our Desires And Our Fears, So I Think It's A Nice Way To Neutralize That Polarization.

What I'm Primarily Saying,' He Says, 'is That This Is A Time For Knowledge Assimilation, Not Backstabbing. We Learned A Lesson, You And I. We Personally Grew. Gratitude For This Growth Is An Appropriate Response. Gratitude, And Being Careful Never To Make The Same Mistake Twice.

Nostalgia Is, 'hey, Remember The Other Mall That Used To Be There?'

I Am Trying To Remember That Things Have Certainly Been Crazier In Human History And They May Get Crazier Here And Now, And [here I Am Trying To Be Optimistic] It's Even A Good Thing, To Be Going Through All Of This, If Only To Be Reminded That History Hasn't Stopped - Human Existence Is As Fundamentally Unmanageable Now As It Ever Was.

If I'm Writing A Story And You're Reading It, Or Vice Versa, You Took Time Out Of Your Day To Pick Up My Book. I Think The One Thing That Will Kill That Relationship Is If You Feel Me Condescending To You In The Process.

For Me, The Fiction Writer's Job Is To Take The Small, Stupid Process Of Learning To Use An Iphone - And Suddenly You're The Guy Who's Asking Your Daughter, "when I Go On Facebook, Can It See Me?"

The Greatest Thing About Writing A Book Is That At First It's All Inchoate, But The More You Work On It, The More The Book Teaches You Its Internal Rules.

I Might Take From The Current Political Chaos A Desire To Somehow Reflect Its Essential Qualities In A Story - The Blatant Lies That Get Accepted With Repetition; The Way Mass Media Seems To Be Agitating People En Masse; The Way, Particularly, That A Relatively Lucky And Affluent And Privileged Population Can Be Undone By A Certain Spoiled Quality; That Feeling When Two Decent People Violently Disagree, Because They Are Arguing From Two Non-intersecting Data Sets - Well, The List Goes On.

I Think When You See [donald] Trump In Person, My Reaction Is You Kind Of Enjoy It. It's Kind Of An Enjoyable Night Out.

We've Got A Real Problem With Social Media That We Didn't Know We Were Going To Have. It's Almost Like The Demons Have Gotten Out Of The Box.

A Work Of Art Is Something Produced By A Person, But Is Not That Person — It Is Of Her, But Is Not Her. It’s A Reach, Really — The Artist Is Trying To Inhabit, Temporarily, A More Compact, Distilled, Efficient, Wittier, More True-seeing, Precise Version Of Herself — One That She Can’t Replicate In So-called ‘real’ Life, No Matter How Hard She Tries. That’s Why She Writes: To Try And Briefly Be More Than She Truly Is.

[writing] Is Almost Like Those Boats That Sit Really Low In The Water; They Look Kind Of Ugly. And Then You Get One Of Them Up To 80 Miles An Hour And The Hull Comes Up, And It's A Beautiful Thing. I'm Okay With That For Myself.

I Understand What Something Short Should Be Like. I Understand Beauty In That Form. If I Start Extending, Somehow I Kind Of Lose My Bearings.

I Don't Know How You Feel, But I Feel Like Writing, Clarity Of Thought, And Truth Have Been Validated Because We See What Happens When We Get Lax In Those Areas. I'm Excited By The Idea That Writers Like Us Can Actually Reach Out And Try To Understand And Prod And Agitate The People Who Are In Support Of Trump Because We Have The Tools To Do It. We're Language People And We're Idea People.

An Artist's Job Is To Be Interested In Things As They Are.

Early On, A Story's Meaning And Rationale Seem Pretty Obvious, But Then, As I Write It, I Realize That I Know The Meaning/rationale Too Well, Which Means That The Reader Will Also Know It - And So Things Have To Be Ramped Up.

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